EditorialLindisfarne Church, Durham View of the interior of the West end, Church of the Lindisfarne Monastery in Northumberland, signed Engraved by S. Rawle from a Drawing by W. Westall; Published by Longman & Co, Fig. 23, Pl. II, after p. 80, Westall, William ...
EditorialLindisfarne Church, Durham, View of the Ruins, with the Castle, Church of the Lindisfarne Monastery in Northumberland, signed: W. Westall del, John Pye, Published by Longman & Co, Fig. 25, Pl. IV, after p. 82, Westall, William (drawing); Pye, John (eng...
EditorialThe case for incense : submitted to His Grace the Archbishop of Canterbury on behalf of the Rev. H. Westall on Monday, May 8, 1899, together with a legal argument and the appendices of the experts : Temple, Frederick, 1821-1902.
EditorialByland Abbey, Yorkshire. Attributed to William Westall; English, 1781-1850. Date: 1810-1850. Dimensions: 188 ? 282 mm. Graphite squared in graphite, on cream wove paper, pieced together and laid down on buff wove paper. Origin: England.
EditorialGirl and Pigs, Thomas Gaugain (British, London 1756?ca. 1810 London), John Ogborne (British, Chelmsford, Essex 1755?1837 London), After Richard Westall (British, Reepham, Norfolk 1765?1836 London), May 1, 1802.
EditorialDavid Garrick as King Lear. Richard Westall; British, 1765-1836. Date: 1810-1820. Dimensions: 73 ? 59.7 cm (28 3/4 ? 23 1/2 in.). Oil on canvas. Origin: United Kingdom.
EditorialByland Abbey, Yorkshire. Attributed to William Westall; English, 1781-1850. Date: 1810-1850. Dimensions: 188 ? 282 mm. Graphite squared in graphite, on cream wove paper, pieced together and laid down on buff wove paper. Origin: England.
EditorialView of the Part of Nave, Church of Lindisfarne Monastery in Northumberland, signed: W. Westal del, John Byrne, sc, Published by Longman & Co, Fig. 24, Pl. III, p. 82, Westall, William (drawing); Rawle, Samuel (engraving); Longmans & Co. (published), 1...
EditorialTower Gateway, called Micklegate Bar, York, City Gate in York, signed: Engraved by S. Noble, from a Drawing by W. Westall; Published by Longman & Co, Fig. 41, according to p. 129, Westall, William (drawing); Noble, Samuel (engraving); Longman & Co. (pu...
EditorialLindisfarne Church, Durham View of parts of the Nave, central Tower, Church of the Lindisfarne Monastery in Northumberland, signed Engraved by S. Rawle, from a Drawing by W. Westall; Published by Longmans & Co, Fig. 22, Pl. I, after p. 80, Westall, Wil...
EditorialShepherdess, 1810/20, Richard Westall, English, 1765-1836, England, Graphite heightened with watercolor and touches of white gouache on gray wove paper, 220 ? 172 mm.
EditorialParadise Lost. The Poetical Works of John Milton. With a life of. J. and J. Boydell, and G. Nicol: London, 1794-97. Source: 76.i.10 volume 2 book 10, opposite 103. Language: English.
EditorialIllustration from Paradise Lost. The Poetical Works of John Milton. With a life of the author, by W. Hayley [and engravings after Westall]. J. and J. Boydell, and G. Nicol: London, 1794-97. Source: 76.i.10 volume 1 book 4, opposite 107. Language: English.
EditorialEntrance to the Avenue from Clare Hall Piece, Cambridge. William Westall; English, 1781-1850. Date: 1820-1850. Dimensions: 198 ? 277 mm. Watercolor, with graphite and touches of gouache, heightened with white gouache, on cream wove paper. Origin: Engla...
EditorialByland Abbey, Yorkshire. Attributed to William Westall; English, 1781-1850. Date: 1810-1850. Dimensions: 188 ? 282 mm. Graphite squared in graphite, on cream wove paper, pieced together and laid down on buff wove paper. Origin: England.
EditorialDavid Garrick as King Lear. Richard Westall; British, 1765-1836. Date: 1810-1820. Dimensions: 73 ? 59.7 cm (28 3/4 ? 23 1/2 in.). Oil on canvas. Origin: United Kingdom.
EditorialByland Abbey, Yorkshire. Attributed to William Westall; English, 1781-1850. Date: 1810-1850. Dimensions: 188 ? 282 mm. Graphite squared in graphite, on cream wove paper, pieced together and laid down on buff wove paper. Origin: England.
EditorialEntrance to the Avenue from Clare Hall Piece, Cambridge. William Westall; English, 1781-1850. Date: 1820-1850. Dimensions: 198 ? 277 mm. Watercolor, with graphite and touches of gouache, heightened with white gouache, on cream wove paper. Origin: Engla...
EditorialGeorgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Bea...
EditorialAlcibiades and Timon. Drawing. Brown ink with brown wash over graphite on medium, slightly textured, cream wove paper. Height: 286 mm (11.25 in); Width: 264 mm (10.39 in).
EditorialThe Reaper (The Harvest Moon). Dimensions: overall: 10.2 x 8.2 cm (4 x 3 1/4 in.). Medium: pen and gray ink with gray wash and watercolor over graphite on wove paper.
EditorialEton college from the river. [graphic]. Eton college from the river. [graphic]. London: Published by R. Ackermann, 96 Strand, 1828. Source: Tab.438.a.1 volume 3 no.33.
EditorialA gardener tying a plant. The Task. [With “Tirocinium; or, a Review of schools.” With plates after Richard Westall.]. London : John Sharpe, 1817. Source: 1467.b.35. book III page 60.
EditorialParadise Lost. The Poetical Works of John Milton. With a life of. J. and J. Boydell, and G. Nicol: London, 1794-97. Source: 76.i.10 volume 2 book 10, opposite 103. Language: English.
EditorialFirst part of Henry IV. Act III. Scene I. Hotspur, Worcester, Mortimer and Owen Glendower discuss matters at the Archdeacon of Bangor's house, in Wales. . A Collection of Prints, from pictures painted for the purpose of illustrating the Dramatic Works ...
EditorialThe crew of H.M.S. Hecla and Griper cutting into winter harbour , Sept. 26th 1819 . Journal of a Voyage for the Discovery of a North-West Passage from the Atlantic to the Pacific; performed in the years 1819-20, in His Majesty:s Ships Hecla and Griper,...
EditorialEton college from the river. [graphic]. Eton college from the river. [graphic]. London: Published by R. Ackermann, 96 Strand, 1828. Source: Tab.438.a.1 volume 3 no.33.
EditorialIllustration from Paradise Lost. The Poetical Works of John Milton. With a life of the author, by W. Hayley [and engravings after Westall]. J. and J. Boydell, and G. Nicol: London, 1794-97. Source: 76.i.10 volume 1 book 4, opposite 107. Language: English.
EditorialMacbeth. Act.I Scene V. Macbeth's castle. Lady Macbeth. A Collection of Prints, from pictures painted for the purpose of illustrating the Dramatic Works of Shakspeare, by the Artists of Great Britain. London : J. & J. Boydell, 1803. Source: Tab.599.c...
EditorialThe Reaper (The Harvest Moon). Dimensions: overall: 10.2 x 8.2 cm (4 x 3 1/4 in.). Medium: pen and gray ink with gray wash and watercolor over graphite on wove paper.
EditorialAlcibiades and Timon. Drawing. Brown ink with brown wash over graphite on medium, slightly textured, cream wove paper. Height: 286 mm (11.25 in); Width: 264 mm (10.39 in).
EditorialThe Reaper (The Harvest Moon). Dimensions: overall: 10.2 x 8.2 cm (4 x 3 1/4 in.). Medium: pen and gray ink with gray wash and watercolor over graphite on wove paper.
EditorialDrawings and Prints, Print, Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5), Boydell'shakespeare Gallery, Sitter, Subject, Engraver, Publisher, Artist, After, Sarah Siddons, William Shakespeare, James Parker, John & Josiah Boydell, Richard Westall,...
EditorialGirl and Pigs, Thomas Gaugain (British, London 1756?ca. 1810 London), John Ogborne (British, Chelmsford, Essex 1755?1837 London), After Richard Westall (British, Reepham, Norfolk 1765?1836 London), May 1, 1802.
EditorialSir John Floyd on Horseback, ca. 1800?1814, Watercolor, sheet: 7 3/8 x 6 1/4 in. (18.8 x 15.8 cm), Drawings, Richard Westall (British, Reepham, Norfolk 1765?1836 London), Westall here uses watercolor to combine details of uniform and visage with a dyna...
EditorialGeorgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Bea...