EditorialStanza della Segnatura, Interior view Stanza della Segnatura in the Vatican, signed: Nohl, Fig. 152, S. 303, Nohl, Max, 1867, Jacob Burckhardt; Wilhelm L?bke: Geschichte der neueren Baukunst. Stuttgart: Verlag von Ebner & Seubert, 1867.
EditorialThe School of Athens (right part), The fresco 'The School of Athens' by Rafael in Stanza della Segnatura in the Apostolic Palace in the Vatican. It shows a school of philosophy or agora where famous Greek philosophers and scholars, such as Aristotle, P...
EditorialFigure with umbrella, seen from behind, 1866/69, black chalk and heights with white chalk on brown drawing paper, verso: pencil, sheet: 14.3 x 16.9 cm, on the back o. l., inscribed in pencil: Ma gracieuse Marie, Je vous aime et vous prie, De garder les...
EditorialFire in the Borgo, from the 'Stanza dell'Incendio' (Hall of Fire) - ca. 1514/17 - 495x728 cm - fresco. RAPHAEL. AENEAS. ANCHISES. ASCANIUS. PAPA LEON IV. Creusa.
EditorialDisputa, from the Stanza della Segnatura - 1509 - fresco. RAPHAEL. JESUS. SAINT JEROME. SAINT AUGUSTINE. DANTE ALIGHIERI. EVE. FRA ANGELICO. Adam. APOSTLE PETER. DAVID REY SIGLO XI AC. VIRGIN MARY. ESPIRITU SANTO. SAN JUAN EVANGELISTA Y APOSTOL. Trinidad.
EditorialDisputa, from the Stanza della Segnatura - 1509 - fresco. RAPHAEL. JESUS. SAINT JEROME. SAINT AUGUSTINE. DANTE ALIGHIERI. EVE. FRA ANGELICO. Adam. APOSTLE PETER. DAVID REY SIGLO XI AC. VIRGIN MARY. ESPIRITU SANTO. SAN JUAN EVANGELISTA Y APOSTOL. Trinidad.
EditorialPlato (a portrait of Leonardo da Vinci), discorses with Aristotle in the School of Athens, one of the murals Raffael painted for Pope Julius II. 1508.
EditorialA gold-tooled morocco binding. Laon and Cythna; or, the Revolution of the Golden City: a vision of the nineteenth century. In the stanza of Spenser. London : Sherwood, Neely & Jones, etc., 1818 [1817]. Source: C.68.i.10 upper binding/cover.
EditorialIllustration to Canto IV, Stanza XXI, 'The Tartan Plaid she first decried/And shrieked till all the Rocks replied'. The Lady of the Lake ... The fifth edition. London, 1810. Source: 83.k.2, opposite page 173. Language: English.
EditorialA tower furnace enclosing two conjoined flasks that separate 'spiritus' (above) from 'anima' and 'corpus' (below); Latin verses on either side. - verse in English, in one stanza; beneath, a banded circle containing the signs of the zodiac, enclosing a...
Editorial‘At Runnymede, at Runnymede / What moves the reeds at Runnymede?’ So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. ‘The Reeds of Runnymede’ was commissioned to accompany a children’s history of England, written by t...
EditorialPage of a manuscript from 'The Desert of Religion'. The Desert of Religion and other poems and religious pieces,. etc. mostly illustrated, in Northern English. " Take gode hede wele of pis ineditacyon," on the Tree of Life: verses (in the same metre as...
EditorialA tomb. Elegy written in a country church-yard. [Edited by. London: John Van Voorst, 1849. Source: 11662.b.15.(1), stanza 11. Language: English.
EditorialIllustrated page from 'The Desert of Religion'. The Desert of Religion and other poems and religious pieces,. etc. mostly illustrated, in Northern English. The Desert of Religion and other poems and religious pieces,. etc. mostly illustrated, in Northe...
EditorialA man thinking. Elegy written in a country church-yard. [Edited by. London: John Van Voorst, 1849. Source: 11662.b.15.(1), stanza 18. Language: English.
EditorialPlato (a portrait of Leonardo da Vinci), discorses with Aristotle in the School of Athens, one of the murals Raffael painted for Pope Julius II. 1508.
EditorialView of Pompeii (Altra veduta della Stanza dove si preparava il Bogno Caldo . . . ), n.d., Etching, Prints, Francesco Piranesi (Italian, Rome 1758?1810 Paris).
EditorialThe Story of Niobe, n.d., Engraving; first state (inscription of last stanza has been covered with a sheet of paper with the correct stanza inscribed in brown ink), sheet: 10 3/8 x 30 1/8 in. (26.4 x 76.5 cm), Prints, Jan (Pietersz.) Saenredam (Netherl...
EditorialPlato (a portrait of Leonardo da Vinci), discorses with Aristotle in the School of Athens, one of the murals Raffael painted for Pope Julius II. 1508.