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Editorial The Crucifixion.
Editorial Death of the Historical Buddha (Nehan-zu).
Editorial Palace banquet.
Editorial The Sorrow of Telemachus.
Editorial Narcissus.
Editorial Small Birds on a Willow Branch and Hibiscus Blossoms.
Editorial Human Sorrow (Miseres humaines). Dated: 1889. Medium: lithograph (zinc) in black on imitation japan paper.
Editorial The Peasant's Sorrow. Dating: after c. 1619. Measurements: support: h 29.5 cm ? w 41.6 cm; d 5 cm.
Editorial Unknown (Indian), Folio from a Kalpasutra: Sorrow in the House; Joy in the House, late 15th/early 16th Century, Ink, gouache, and gold leaf on paper., 4 3/8 x 10 7/16 in. (11.1 x 26.5 cm).
Editorial Love crying (Genius of Sorrow), painting, oil on canvas, Height, 69 cm (27.1 inches), Width, 53.5 cm (21 inches), Inscription, A.t, on patches, ?Kongl, Museum Corregio, The love that cries 3? high N, o 95. 21? t. Wide 'and' Correio, Putto, Mart, , 456, '.
Editorial Mercury leaning against a stone Title page for: European Mercury, Sesde Piece, First Part: Covering the ses First Maiden of the Jaer 1695, Mercury leaning against a stone with inscription, next to him a warrior on horseback. In the foreground is a woma...
Editorial The Peasant's Sorrow. Dating: after c. 1619. Measurements: support: h 29.5 cm ? w 41.6 cm; d 5 cm.
Editorial Sorrow. Auguste Rodin; French, 1840-1917. Date: 1882. Dimensions: 22.4 ? 23.7 ? 27.5 cm (8 13/16 ? 9 5/16 ? 10 13/16 in.) Base height:3 1/2 in. (8.9 cm) Base width: 5 3/4 in. (14.6 cm). Bronze. Origin: France.
Editorial Colinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 36 ? 74 mm (image/block); 40 ? 78 mm (sheet). Wood engraving on off-white wove paper. Origin: England.
Editorial Sorrow and Pain Punishing Psyche. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1540. Dimensions: 200 x 235 mm (plat...
Editorial The Lamentation, In the midst of the three Marys, John Joseph of Arimathea and Nicodemus is Mary. Her gaze rests on her son, lying on a shroud, who has just been laid on her lap by Joseph of Arimathea and Nicodemus. Christ's left arm is supported by Ma...
Editorial Sorrow shared, is diminished half., Franklin G. Weller (American, 1833 - 1877), 1872, Albumen silver print.
Editorial Sorrow. Auguste Rodin; French, 1840-1917. Date: 1882. Dimensions: 22.4 ? 23.7 ? 27.5 cm (8 13/16 ? 9 5/16 ? 10 13/16 in.) Base height:3 1/2 in. (8.9 cm) Base width: 5 3/4 in. (14.6 cm). Bronze. Origin: France.
Editorial Colinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 36 ? 74 mm (image/block); 40 ? 78 mm (sheet). Wood engraving on off-white wove paper. Origin: England.
Editorial Sorrow and Pain Punishing Psyche. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1540. Dimensions: 200 x 235 mm (plat...
Editorial Second Class - the parting: 'Thus part we rich in sorrow parting poor'. Date/Period: 1854. Painting,oil on canvas. Height: 694 mm (27.32 in); Width: 966 mm (38.03 in).
Editorial Hamlet and Laertes at the Tomb of Ophelia.
Editorial Infant Shakespeare Attended by Nature and the Passions.
Editorial Twenty-One Emanations of the Goddess Tara.
Editorial Poem on the Double Ninth Festival.
Editorial Booklet - `The Record Breaker, Phar Lap, Greatest of all Race Horses', New Century Press, 1932, Booklet published and placed on sale within a few days of Phar Lap's death on 5th April, 1932. It was written by Jack Spinty, a leading Sydney racing writer...
Editorial Relief fragment: Assyrian soldier conducting captives across the water.
Editorial Songs of Innocence and of Experience: Infant Sorrow.
Editorial Palace banquet.
Editorial The Entombment of Christ with the Virgin Mary, Saint John, Nicodemus, and Joseph of Arimathea.
Editorial Moruma, City of Tartary Moscovite, View of the Tartar, city Moruma from the 18th century, Signed: N. Witsen, delineavit, a, sorrow, Chez, Pierre, Van der, Aa, Fig. 21, according to p. 392, Adam Olearius: Voyages tr?s-curieux et tr?s-renommez faits en M...
Editorial Madan-Bhasma (Shiva Turns to Ashes).
Editorial Small Birds on a Willow Branch and Hibiscus Blossoms.
Editorial Songs of Innocence and of Experience: On Anothers Sorrow.
Editorial Narcissus.
Editorial Apotheosis of George Washington.
Editorial Human Sorrow (Miseres humaines). Dated: 1889. Medium: lithograph (zinc) in black on imitation japan paper.
Editorial Despite the entreaties of his brother to return to rule Ayodhyā, Rāma remains adamant in adhering to his father’s command. He manages finally to persuade Bharata to govern the kingdom until his return after fourteen years. Bharata resolves to dress...
Editorial The Crucifixion.
Editorial The Sorrow of Telemachus.
Editorial Colinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 36 ? 74 mm (image/block); 40 ? 78 mm (sheet). Wood engraving on off-white wove paper. Origin: England.
Editorial In Joy and Sorrow Think of Me (valentine). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 135 ? 92 mm (folded sheet). Collaged elements and watercolor, with pen and blue ink on cut and embossed ivory wove paper (lace). Origin: Engl...
Editorial Sorrow. Auguste Rodin; French, 1840-1917. Date: 1882. Dimensions: 22.4 ? 23.7 ? 27.5 cm (8 13/16 ? 9 5/16 ? 10 13/16 in.) Base height:3 1/2 in. (8.9 cm) Base width: 5 3/4 in. (14.6 cm). Bronze. Origin: France.
Editorial Sorrow and Pain Punishing Psyche. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1540. Dimensions: 200 x 235 mm (plat...
Editorial Colinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 36 ? 74 mm (image/block); 40 ? 78 mm (sheet). Wood engraving on off-white wove paper. Origin: England.
Editorial Infant Shakespeare Attended by Nature and the Passions.
Editorial funerary relief.
Editorial Human Sorrow (Miseres humaines). Dated: 1889. Medium: lithograph (zinc) in black on imitation japan paper.
Editorial Human Sorrow (Miseres humaines). Dated: 1889. Medium: lithograph (zinc) in black on imitation japan paper.
Editorial Hamlet and Laertes at the Tomb of Ophelia.
Editorial Songs of Innocence and of Experience: Infant Sorrow.
Editorial Songs of Innocence and of Experience: On Anothers Sorrow.
Editorial Half of a Prayer Bead with Jesus Carrying the Cross.
Editorial Twenty-One Emanations of the Goddess Tara.
Editorial Palace banquet.
Editorial Small Birds on a Willow Branch and Hibiscus Blossoms.
Editorial The Sorrow of Telemachus.
Editorial Narcissus.
Editorial funerary relief.
Editorial Death of the Historical Buddha (Nehan-zu).
Editorial Pax with the Crucifixion.
Editorial "The Death of King Dasharatha, the Father of Rama", Folio from a Ramayana.
Editorial Sorrow (Chagrin). Dated: 1919. Dimensions: plate: 13.9 x 10.7 cm (5 1/2 x 4 3/16 in.) sheet: 17.2 x 13.2 cm (6 3/4 x 5 3/16 in.). Medium: etching and aquatint in black on cream laid paper.
Editorial Human Sorrow (Miseres humaines). Dated: in or after 1895. Dimensions: image: 19.3 x 29.1 cm (7 5/8 x 11 7/16 in.) sheet: 24.9 x 34 cm (9 13/16 x 13 3/8 in.). Medium: woodcut on japan paper, perimeter mounted.
Editorial Human Sorrow (Miseres humaines). Dated: 1889. Medium: lithograph (zinc) in black on imitation japan paper.
Editorial The Peasant's Sorrow. Dating: after c. 1619. Measurements: support: h 29.5 cm ? w 41.6 cm; d 5 cm.
Editorial Sorrow. Date: November 1882, The Hague. Dimensions: 39.2 cm x 29.2 cm, 69 cm x 54.40 cm.
Editorial Icon of the Mother of God ?Joy of all who Sorrow?.
Editorial The Mother of God Joy of All Who Sorrow.
Editorial The Mother of God Joy of All Who Sorrow.
Editorial Girl Sorrow.
Editorial Sorrow.
Editorial Sirin and Alkonost. A Song of Joy and Sorrow.
Editorial Sorrow. Date: November 1882, The Hague. Dimensions: 39.2 cm x 29.2 cm, 69 cm x 54.40 cm.
Editorial Walled garden of Sir Mirth. Le Roman de la Rose. France; circa 1400. [Whole folio] The author is invited into the walled garden of Sir Mirth, containing the fountain of Narcissus, by a beautiful young lady called Idleness. On the walls are representati...
Editorial Opening of 'Pearl'. Pearl. England [N.W. Midlands]; circa 1375-1400 [text]. c. [Whole folio] The poem, beginning with decorated initial 'P', is a moving depiction of a father's anger, sorrow, and incomprehension, at the death of his infant daughter, or...
Editorial Text and coloured initials. Hours of the sorrow of the Virgin. Written in Italy, end of XV cent. Source: Royal 2 A. VII, f.20v.
Editorial 'Loss of 1,300 lives followed by scenes of tragic sorrow : The sunken liner contrasted with Trafalgar square. The Daily Mirror. London, April 17, 1912. Photographs of the relatives of the passangers, making enquiries. Source: The Daily Mirror, page 8.
Editorial Despite the entreaties of his brother to return to rule Ayodhyā, Rāma remains adamant in adhering to his father’s command. He manages finally to persuade Bharata to govern the kingdom until his return after fourteen years. Bharata resolves to dress...
Editorial 'Mrs Casey and the county gentlewoman have a bond of sympathy in their sorrow.' A group photograph of the 5th Norfolk (territorials) regiment, showing how many are missing in action. Daily Sketch. London, 1915. Source: Daily Sketch, 2 September 1915, ...
Editorial Original binding of dark brown leather, blind tooling, with flap. Hours of the sorrow of the Virgin. Written in Italy, end of XV cent. Source: Royal 2. A.VII, binding flap.
Editorial Tristece (Sorrow or Misery) tearing her hair and clothes. . Roman de la Rose. c 1320-c 1340. Source: Royal 19 B. XIII f.7. Language: French.
Editorial Folio of Text, with coloured initials. Hours of the sorrow of the Virgin. Written in Italy, end of XV cent. Source: Royal 2. A VII, f.21.
Editorial Human Sorrow (Miseres humaines). Dated: in or after 1895. Dimensions: image: 19.3 x 29.1 cm (7 5/8 x 11 7/16 in.) sheet: 24.9 x 34 cm (9 13/16 x 13 3/8 in.). Medium: woodcut on japan paper, perimeter mounted.
Editorial Adriaen Isenbrandt / 'Christ, The Man of Sorrow', First half 16th century, Flemish School, Oil on panel, 46 cm x 29 cm, P02818.
Editorial Schmerzensmann; Christ of Sorrow. Inner wing of an altar, around 1520. See also 40-05-05 / 34 Limewood, 137 x 54 cm Inv. 861 A.
Editorial Second Class - the parting: 'Thus part we rich in sorrow parting poor'. Date/Period: 1854. Painting,oil on canvas. Height: 694 mm (27.32 in); Width: 966 mm (38.03 in).
Editorial Sorrow. Date/Period: 1876. Painting. Oil on canvas. Height: 12,750 mm (13.94 yd); Width: 26,250 mm (28.70 yd).
Editorial Human Sorrow (Miseres humaines). Dated: in or after 1895. Dimensions: image: 19.3 x 29.1 cm (7 5/8 x 11 7/16 in.) sheet: 24.9 x 34 cm (9 13/16 x 13 3/8 in.). Medium: woodcut on japan paper, perimeter mounted.
Editorial Sorrow (Chagrin). Dated: 1919. Dimensions: plate: 13.9 x 10.7 cm (5 1/2 x 4 3/16 in.) sheet: 17.2 x 13.2 cm (6 3/4 x 5 3/16 in.). Medium: etching and aquatint in black on cream laid paper.
Editorial Human Sorrow (Miseres humaines). Dated: 1889. Medium: lithograph (zinc) in black on imitation japan paper.
Editorial funerary relief.
Editorial The Crucifixion.
Editorial Hamlet and Laertes at the Tomb of Ophelia.
Editorial Infant Shakespeare Attended by Nature and the Passions.
Editorial Half of a Prayer Bead with Jesus Carrying the Cross.
Editorial Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from the Story of Cupid and Psyche as told by Apuleius.
Editorial Death of the Historical Buddha (Nehan-zu).
Editorial Pax with the Crucifixion.
Editorial Twenty-One Emanations of the Goddess Tara.