EditorialRighteousness (Gi), from the series "Five Cardinal Virtues". Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1767. Dimensions: 26.8 x 20.2 cm (10 1/2 x 7 7/8 in.). Color woodblock print; chuban. Origin: Japan.
EditorialTo his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounaparte's threat, is most humbly inscribed, by E. Sanders, engraving 1803, Satan holding a balance to which, on one end is attached a hot-air balloo...
EditorialRighteousness (Gi), from the series "Five Cardinal Virtues". Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1767. Dimensions: 26.8 x 20.2 cm (10 1/2 x 7 7/8 in.). Color woodblock print; chuban. Origin: Japan.
EditorialRighteousness (Gi), from the series "Five Designs for the Katsushika Poetry Circle (Katsushika goban)". Kubo Shunman; Japanese, 1757-1820. Date: 1810-1814. Dimensions: 20.2 x 18.1 cm. Color woodblock print; shikishiban, surimono. Origin: Japan.
EditorialThe two chariots with their accompanying armies again advance to meet one another, with arrows flying between them. Rāma and Rāva?a launch their most fearsome weapons against each other. One of Rāma’s arrows severs the pole of Rāva?a’s stan...
EditorialRighteousness (Two Boy Prostitutes Seated by a Candle) (from an untitled series of the Five Confucian Virtues), 1767. Suzuki Harunobu (Japanese, 1724-1770). Color woodblock print; overall: 36.6 x 21.6 cm (14 7/16 x 8 1/2 in.).
EditorialRighteousness (Gi), from the series "Five Designs for the Katsushika Poetry Circle (Katsushika goban)". Kubo Shunman; Japanese, 1757-1820. Date: 1810-1814. Dimensions: 20.2 x 18.1 cm. Color woodblock print; shikishiban, surimono. Origin: Japan.
EditorialRighteousness (Gi), from the series "Five Designs for the Katsushika Poetry Circle (Katsushika goban)". Kubo Shunman; Japanese, 1757-1820. Date: 1810-1814. Dimensions: 20.2 x 18.1 cm. Color woodblock print; shikishiban, surimono. Origin: Japan.
EditorialRighteousness (Gi), from the series "Five Cardinal Virtues". Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1767. Dimensions: 26.8 x 20.2 cm (10 1/2 x 7 7/8 in.). Color woodblock print; chuban. Origin: Japan.
EditorialThe two chariots with their accompanying armies again advance to meet one another, with arrows flying between them. Rāma and Rāva?a launch their most fearsome weapons against each other. One of Rāma’s arrows severs the pole of Rāva?a’s stan...
EditorialBronze dui inlaid with gold and silver, Eastern Zhou period, 4th-3rd century BC. This dui, a food vessel first used in the Eastern Zhou, is inlaid with silver. The triangular motif probably derived from a textile pattern. The circles may have been inse...
EditorialBamboo and Rocks by a Stream, ?????, Edo period (1615?1868), 1832, Japan, Folding fan; ink on paper, wood ribs, Overall: 11 5/16 x 18 in. (28.7 x 45.7 cm), Paintings, Takaku Aigai (Japanese, 1796?1843), Bending without breaking, bamboo embodies the Con...
Editorial??????, Chinese General Guan Yu (Kan?u), Edo period (1615?1868), 18th century, Japan, Ivory, H. 5 in. (12.7 cm); W. 1 3/4 in. (4.4 cm); D. 1 in. (2.5 cm), Netsuke, This exquisite carving depicts general Guan Yu (d. 220), the epitome of Confucian virtue...
EditorialTo his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounaparte's threat, is most humbly inscribed, by E. Sanders, engraving 1803, Satan holding a balance to which, on one end is attached a hot-air balloo...
EditorialTo his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounaparte's threat, is most humbly inscribed, by E. Sanders, engraving 1803, Satan holding a balance to which, on one end is attached a hot-air balloo...
EditorialBronze dui inlaid with gold and silver, Eastern Zhou period, 4th-3rd century BC. This dui, a food vessel first used in the Eastern Zhou, is inlaid with silver. The triangular motif probably derived from a textile pattern. The circles may have been inse...