EditorialIslamic, Egyptian, Fragment of Tiraz Textile, 12th Century, Two panels of weft faced plain weave with eccentric and discontinuous wefts (tapestry); two panels of balanced plain weave (tabby); godet in balanced plain weave (tabby); rolled and reversible...
EditorialEvening coat with ruffled collar, Reversible cloak of gold brocade and turquoise green velvet, with a large pleated double-falling velvet collar, Evening coat, reversible, of gold brocade and turquoise green velvet. Art d?co. Medium length, straight mo...
EditorialDouble barrel flint hunting rifle, The two blued locks are mounted left and right, lightly engraved with leaves and signature in an oval, pan lined with gold. The two tanned and damasked walkways are connected to each other at the top and bottom by hol...
EditorialBorder Fragment with Birds and Flowers, 100 BC-700. Peru, South Coast, Nasca style (100 BC-AD 700). Camelid fiber, cross-knit looping (reversible); overall: 6.3 x 14.1 cm (2 1/2 x 5 9/16 in.).
EditorialSquare Reversible Shawl, c. 1865. England, Norwich or France, Lyon or Scotland, Paisley, second half of 19th century. Cotton and wool; overall: 185.4 x 175.3 cm (73 x 69 in.).
EditorialBorder Fragment with Birds and Flowers, 100 BC-700. Peru, South Coast, Nasca style (100 BC-AD 700). Camelid fiber, cross-knit looping (reversible); overall: 5.8 x 14 cm (2 5/16 x 5 1/2 in.).
EditorialBorder Fragment with Birds and Flowers, 100 BC-700. Peru, South Coast, Nasca style (100 BC-AD 700). Camelid fiber, cross-knit looping (reversible); overall: 5.4 x 8.9 cm (2 1/8 x 3 1/2 in.).
EditorialFragment. France. Date: 1601-1700. Dimensions: 38 ? 68.5 cm (15 ? 27 in.). Front and back of silk, plain weave; stitched and embroidered together with silk floss and gold gilt strip wound silk core in long and short, running, satin and stem stitches (r...
EditorialTextile Fragment with Sailing Ships, ca. 1600, Attributed to Iran, Silk, metal wrapped thread; double weave, Textile: L. 22 1/4 in. (56.5 cm), Textiles-Woven, This fully reversible fragment of a complex double weave textile shows sailing ships, swimmin...
EditorialWoman in sports dress of printed silk, and woman in reversible afternoon ensemble of crepe de chine and wool. Handcolored pochoir (stencil) lithograph from the French luxury fashion magazine Art, Gout, Beaute, 1926.
EditorialWoman in sports dress of printed silk, and woman in afternoon ensemble of crepe de chine with reversible linen coat. Lithograph with pochoir (stencil) handcolour from the luxury fashion magazine Art, Gout, Beaute, Paris, 1926.