EditorialRoom full of busts and sculptures with pediment from The Temple of Aegina / Pediments figures and parts of friezes, Unknown maker, British, about 1855, Stereograph, daguerreotype, 6.5 ? 5.4 cm (2 9/16 ? 2 1/8 in.).
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialPartial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'.
EditorialCanon tables in colours and gold. Canon table with columns surmounted by foliate capitals, and peacocks above the pediments. Gospels. Germany, W. (Echternach) (now Luxembourg), 3rd quarter of the 11th century. Script: Caroline minuscule. ff. 26r-197v ...
EditorialPartial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'.
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialCanon tables in colours and gold. Canon table with columns surmounted by foliate capitals, and peacocks above the pediments. Gospels. Germany, W. (Echternach) (now Luxembourg), 3rd quarter of the 11th century. Script: Caroline minuscule. ff. 26r-197v ...
EditorialThe removal of the Sculptures from the Pediments of the Parthenon by Elgin. Date/Period: 1801. Painting. Watercolor on laid paper. Height: 200 mm (7.87 in); Width: 310 mm (12.20 in).
EditorialDesign for Pediments with the Resurrected Christ surmounted by a Crucifix, 16th century, Pen and brown ink, brush and brown wash, traces of leadpoint underdrawing, 10-7/16 x 3-9/16 in. (26.5 x 9.0 cm), Anonymous, Italian, 16th century.
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialPartial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'.
EditorialDesign for Gray Curtains with Pink Fringes, and White and Gold Pediments, ca. 1820, Ink, watercolor and wash, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm), Anonymous, British, 19th century.
EditorialBorder and Three Pediments (recto), Fifteen circular Designs (verso), 18th century, Pen and black ink over graphite, bottom design (recto) with brown, yellow, and blue wash on Whatman paper, sheet: 12 11/16 x 9 7/16 in. (32.2 x 24 cm), Drawings, Attrib...
EditorialDesign for Blue Curtains with Gold Fringes and Pediments, early 19th century, Ink, watercolor and wash, sheet: 10 11/16 x 15 3/16 in. (27.2 x 38.6 cm), Anonymous, British, 19th century.
EditorialDesign for Pediments with the Resurrected Christ surmounted by a Crucifix, 16th century, Pen and brown ink, brush and brown wash, traces of leadpoint underdrawing, 10-7/16 x 3-9/16 in. (26.5 x 9.0 cm), Anonymous, Italian, 16th century.
EditorialShields for Pediments, in Chippendale Drawings, Vol. I, ca. 1753?54, Black ink, gray ink, gray wash, sheet: 5 7/8 x 8 3/8 in. (14.8 x 21.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718?1779 London).
EditorialShields for Pediments, in Chippendale Drawings, Vol. I, ca. 1753?54, Black ink, gray ink, gray wash, sheet: 5 7/8 x 8 3/8 in. (14.8 x 21.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718?1779 London).