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Editorial The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families.
Editorial Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter. Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1518-1520. Dimensions: 286 x 197 mm. Black chalk, heightened with white chalk and lead white, partially oxidized, over sty...
Editorial Crimp plate from the wreck of the East Indies' t Vliegend Hart, Triangular curved piece of metal with rounded corners with oxidized gray bumpy surface. Butt-plate, Dutch East India Company, 't Vliegend Hart (ship), anonymous, 1700 - 3-Feb-1735, copper ...
Editorial Two Images of Vajrasattva and a Vajra Vajra, Vajra. Slightly green oxidized bronze thunder with five protrusions on either side., anonymous, Cambodja (possibly), c. 1100 - c. 1200, bronze (metal), w 16.5 cm ? h 3.5 cm ? d 3.5 cm.
Editorial Moses Brought to Pharaoh's Daughter. William Hogarth; English, 1697-1764. Date: 1751. Dimensions: 406 ? 525 mm. Various red chalks (one oxidized to black) on cream laid paper. Origin: England.
Editorial Marriage of the Virgin. Follower of Parmigianino; Italian, 1503-1540. Date: 1573-1577. Dimensions: 269 x 422 mm. Pen and brown ink with brush and blue wash, corrected with touches of lead white (partially oxidized), over black chalk, on cream laid pape...
Editorial Coronation of the Virgin, with the Martyrdom of Saint Lawrence. Federico Zuccaro; Italian, c.1542-1609. Date: 1565-1575. Dimensions: 571 x 427 mm. Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), ove...
Editorial Sacrificial Scene. Gian Francesco de'Maineri; Italian, active 1489-1506. Date: 1489-1490. Dimensions: 418 x 300 mm (max.). Pen and black ink with brush and gray-and-brown wash, heightened with lead white, partially oxidized, on cream laid paper, edge m...
Editorial Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter. Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1518-1520. Dimensions: 286 x 197 mm. Black chalk, heightened with white chalk and lead white, partially oxidized, over sty...
Editorial Return of Agamemnon. After Francesco Primaticcio; Italian, 1504-1570. Date: 1779-1799. Dimensions: 229 x 198 mm (max.). Black chalk with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid pape...
Editorial Mystic Marriage of Saint Catherine. Paolo Caliari, called Paolo Veronese; Italian, 1528-1588. Date: 1680-1699. Dimensions: 443 x 298 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper,...
Editorial Tobias and the Angel Raphael. Jacopo Ligozzi; Italian, 1547-1627. Date: 1603-1607. Dimensions: 415 ? 345 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), over black chalk, with gray overpaint, (added by a l...
Editorial Linda and Sophronia Freed by Clorinda. Attributed to Elisabetta Sirani; Italian, 1638-1665. Date: 1658-1665. Dimensions: 262 x 205 mm. Brush and brown wash, heightened with lead white (partially oxidized) and pink gouache, over black chalk, on blue lai...
Editorial Head Looking Upwards. Italian, Sienese; Late 16th century. Date: 1580-1599. Dimensions: 294 x 220 mm. Red and black chalk, heightened with lead white (partially oxidized), on tan laid paper, laid down on ivory laid paper. Origin: Italy.
Editorial Adoration of the Christ Child. Filippo Bellini or circle of; Italian, c. 1550-1603. Date: 1580-1600. Dimensions: 670 x 353 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), over traces of red chalk, o...
Editorial Mars (or Alexander?) Distributing the Victor's Wreaths. Andrea Semino; Italian, c. 1525-1594. Date: 1560-1565. Dimensions: 127 x 243 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), over traces of black ...
Editorial Cupid in Triumphal Chariot, Accompanied by Gods and Goddesses. Follower of Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 398 x 258 mm. Pen and brown ink with brush and brown wash, heightened with lead white (pa...
Editorial Seated Male Nude with Outstretched Left Arm. Unknown Artist (Italian, late 16th century); or possibly after Domenico Beccafumi, called Il Mecarino (Italian, 1484-1551); or possibly Imitator of Francesco Salviati (Italian, 1503-1540); or possibly Pelleg...
Editorial Story of Niobe: Youth with Horse; Worshippers. After Polidoro Caldara, called Polidoro da Caravaggio; Italian, c. 1499-c. 1543. Date: 1519-1543. Dimensions: 182 x 189 mm. Pen and brown ink with brush and brown wash, heightened with lead white (oxidized...
Editorial Sacrifice of Isaac. Follower of Lelio Orsi (Italian, c. 1511-1587); or possibly after Giovanni Antonio da Pordenone (Italian, c. 1484-1539). Date: 1531-1587. Dimensions: 383 x 273 mm. Brush and brown ink and wash, heightened with lead white (partly oxi...
Editorial Standing Prophet Holding a Book. After Lattanzio Gambara; Italian, c. 1530-1574. Date: 1550-1599. Dimensions: 252 x 145 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on blue gray laid paper, laid ...
Editorial Peasant Couple Looking in a Basket. After Jacopo Bassano; Italian, c. 1510-1592. Date: 1530-1592. Dimensions: 156 x 204 mm. Pen and brown ink, heightened with lead white (partially oxidized), on laid paper prepared with brown wash, laid down on ivory l...
Editorial Deposition. Luca Penni; Italian, 1500/04-1557. Date: 1540-1546. Dimensions: 289 x 242 mm (max.). Pen and brown ink and brush and brown wash, heightened with lead white (partly oxidized), on buff laid paper, squared in graphite, laid down on ivory laid ...
Editorial Old Woman with Cane in Door, with Black Maid Holding Child, and Other Figures. Follower of Francesco Mazzola, called Parmigianino; Italian, 1503-1540. Date: 1578-1582. Dimensions: 175 x 143 mm (max.). Pen and brown ink, heightened with lead white (part...
Editorial Design for Funerary Monument to the Marchese Francesco Gonzaga. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1500-1521. Dimensions: 200 x 300 mm. Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxid...
Editorial Conversion of St. Paul (recto); Man Seen from Back (verso). After Giovanni Antonio de'Sacchis, called Il Pordenone; Italian, c. 1483-1539. Date: 1500-1599. Dimensions: 360 x 275 mm (max.). Pen and brown ink with brush and brown wash, heightened with le...
Editorial Study for the Allegory of Birth. Giorgio Vasari, after; Italian, 1511-1574. Date: 1580-1599. Dimensions: 212 x 323 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on tan wo...
Editorial Virgin and Child with Angel. after Sebastiano del Piombo; Italian, c. 1485-1547. Date: 1500-1547. Dimensions: 169 x 150 mm. Black chalk with red chalk, heightened with lead white (partially oxidized), on tan laid paper laid down on ivory laid card. Ori...
Editorial Pope Sylvester Blessing the Emperor Constantine. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1547. Dimensions: 412 x 560 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on t...
Editorial Study for the Resurrection. Santi di Tito; Italian, 1536-1603. Date: 1572-1576. Dimensions: 319 x 217 mm. Pen and brown ink, and brush and brown wash, heightened with lead white (partially oxidized), over traces of black chalk, on tan laid paper. Origi...
Editorial Last Supper. after Jacopo Robusti, called Tintoretto; Italian, 1518-1594. Date: 1538-1594. Dimensions: 348 x 552 mm. Brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper. Origin: Italy.
Editorial Crucified Christ or Marsyas. Follower of Michelangelo Buonarroti; Italian, late 16th century. Date: 1585-1595. Dimensions: 369 x 256 mm. Pen and brown ink, heightened with lead white (partially oxidized), on cream laid paper, squared in black chalk, la...
Editorial Apollo and Daphne. After Pietro Buonaccorsi, called Perino del Vaga (Italian, 1501-1547); after Giovanni Jacopo Caraglio (Italian, 1500/05-1565). Date: 1580-1599. Dimensions: 209 x 160 mm. Brush and blue wash heightened with lead white (oxidized), on b...
Editorial The Adoration of the Magi, Guillaume Courtois (French, 1628 - 1679), about 1665, Red chalk heightened with white (partly oxidized), the outlines indented with the stylus, 29.8 x 19.7 cm (11 3/4 x 7 3/4 in.).
Editorial Return of Agamemnon. After Francesco Primaticcio; Italian, 1504-1570. Date: 1779-1799. Dimensions: 229 x 198 mm (max.). Black chalk with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid pape...
Editorial Moses Brought to Pharaoh's Daughter. William Hogarth; English, 1697-1764. Date: 1751. Dimensions: 406 ? 525 mm. Various red chalks (one oxidized to black) on cream laid paper. Origin: England.
Editorial Mystic Marriage of Saint Catherine. Paolo Caliari, called Paolo Veronese; Italian, 1528-1588. Date: 1680-1699. Dimensions: 443 x 298 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper,...
Editorial Tobias and the Angel Raphael. Jacopo Ligozzi; Italian, 1547-1627. Date: 1603-1607. Dimensions: 415 ? 345 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), over black chalk, with gray overpaint, (added by a l...
Editorial Linda and Sophronia Freed by Clorinda. Attributed to Elisabetta Sirani; Italian, 1638-1665. Date: 1658-1665. Dimensions: 262 x 205 mm. Brush and brown wash, heightened with lead white (partially oxidized) and pink gouache, over black chalk, on blue lai...
Editorial Head Looking Upwards. Italian, Sienese; Late 16th century. Date: 1580-1599. Dimensions: 294 x 220 mm. Red and black chalk, heightened with lead white (partially oxidized), on tan laid paper, laid down on ivory laid paper. Origin: Italy.
Editorial Adoration of the Christ Child. Filippo Bellini or circle of; Italian, c. 1550-1603. Date: 1580-1600. Dimensions: 670 x 353 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), over traces of red chalk, o...
Editorial Mars (or Alexander?) Distributing the Victor's Wreaths. Andrea Semino; Italian, c. 1525-1594. Date: 1560-1565. Dimensions: 127 x 243 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), over traces of black ...
Editorial Cupid in Triumphal Chariot, Accompanied by Gods and Goddesses. Follower of Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 398 x 258 mm. Pen and brown ink with brush and brown wash, heightened with lead white (pa...
Editorial Seated Male Nude with Outstretched Left Arm. Unknown Artist (Italian, late 16th century); or possibly after Domenico Beccafumi, called Il Mecarino (Italian, 1484-1551); or possibly Imitator of Francesco Salviati (Italian, 1503-1540); or possibly Pelleg...
Editorial Story of Niobe: Youth with Horse; Worshippers. After Polidoro Caldara, called Polidoro da Caravaggio; Italian, c. 1499-c. 1543. Date: 1519-1543. Dimensions: 182 x 189 mm. Pen and brown ink with brush and brown wash, heightened with lead white (oxidized...
Editorial Sacrifice of Isaac. Follower of Lelio Orsi (Italian, c. 1511-1587); or possibly after Giovanni Antonio da Pordenone (Italian, c. 1484-1539). Date: 1531-1587. Dimensions: 383 x 273 mm. Brush and brown ink and wash, heightened with lead white (partly oxi...
Editorial Standing Prophet Holding a Book. After Lattanzio Gambara; Italian, c. 1530-1574. Date: 1550-1599. Dimensions: 252 x 145 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on blue gray laid paper, laid ...
Editorial Peasant Couple Looking in a Basket. After Jacopo Bassano; Italian, c. 1510-1592. Date: 1530-1592. Dimensions: 156 x 204 mm. Pen and brown ink, heightened with lead white (partially oxidized), on laid paper prepared with brown wash, laid down on ivory l...
Editorial Deposition. Luca Penni; Italian, 1500/04-1557. Date: 1540-1546. Dimensions: 289 x 242 mm (max.). Pen and brown ink and brush and brown wash, heightened with lead white (partly oxidized), on buff laid paper, squared in graphite, laid down on ivory laid ...
Editorial Old Woman with Cane in Door, with Black Maid Holding Child, and Other Figures. Follower of Francesco Mazzola, called Parmigianino; Italian, 1503-1540. Date: 1578-1582. Dimensions: 175 x 143 mm (max.). Pen and brown ink, heightened with lead white (part...
Editorial Design for Funerary Monument to the Marchese Francesco Gonzaga. After Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1500-1521. Dimensions: 200 x 300 mm. Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxid...
Editorial Conversion of St. Paul (recto); Man Seen from Back (verso). After Giovanni Antonio de'Sacchis, called Il Pordenone; Italian, c. 1483-1539. Date: 1500-1599. Dimensions: 360 x 275 mm (max.). Pen and brown ink with brush and brown wash, heightened with le...
Editorial Study for the Allegory of Birth. Giorgio Vasari, after; Italian, 1511-1574. Date: 1580-1599. Dimensions: 212 x 323 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on tan wo...
Editorial Virgin and Child with Angel. after Sebastiano del Piombo; Italian, c. 1485-1547. Date: 1500-1547. Dimensions: 169 x 150 mm. Black chalk with red chalk, heightened with lead white (partially oxidized), on tan laid paper laid down on ivory laid card. Ori...
Editorial Pope Sylvester Blessing the Emperor Constantine. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1547. Dimensions: 412 x 560 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on t...
Editorial Marriage of the Virgin. Follower of Parmigianino; Italian, 1503-1540. Date: 1573-1577. Dimensions: 269 x 422 mm. Pen and brown ink with brush and blue wash, corrected with touches of lead white (partially oxidized), over black chalk, on cream laid pape...
Editorial Study for the Resurrection. Santi di Tito; Italian, 1536-1603. Date: 1572-1576. Dimensions: 319 x 217 mm. Pen and brown ink, and brush and brown wash, heightened with lead white (partially oxidized), over traces of black chalk, on tan laid paper. Origi...
Editorial Coronation of the Virgin, with the Martyrdom of Saint Lawrence. Federico Zuccaro; Italian, c.1542-1609. Date: 1565-1575. Dimensions: 571 x 427 mm. Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), ove...
Editorial Sacrificial Scene. Gian Francesco de'Maineri; Italian, active 1489-1506. Date: 1489-1490. Dimensions: 418 x 300 mm (max.). Pen and black ink with brush and gray-and-brown wash, heightened with lead white, partially oxidized, on cream laid paper, edge m...
Editorial Crucified Christ or Marsyas. Follower of Michelangelo Buonarroti; Italian, late 16th century. Date: 1585-1595. Dimensions: 369 x 256 mm. Pen and brown ink, heightened with lead white (partially oxidized), on cream laid paper, squared in black chalk, la...
Editorial Apollo and Daphne. After Pietro Buonaccorsi, called Perino del Vaga (Italian, 1501-1547); after Giovanni Jacopo Caraglio (Italian, 1500/05-1565). Date: 1580-1599. Dimensions: 209 x 160 mm. Brush and blue wash heightened with lead white (oxidized), on b...
Editorial Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter. Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1518-1520. Dimensions: 286 x 197 mm. Black chalk, heightened with white chalk and lead white, partially oxidized, over sty...
Editorial CARPET.
Editorial "Jonah and the Whale", Folio from a Majma' al-Tavarikh (Compendium of Histories) of Hafiz-i Abru.
Editorial Flower Baskets and Farmer's Hat.
Editorial Portrait of a youth with a blended beret, circa 1517, silver pencil, red chalk and a brush, on the forehead and nose elevations in white partially oxidized, on white primed paper, with pen in brown revised by another hand, mounted on paper, sheet: 13.8...
Editorial Story of Niobe: Priests and Worshippers before a Statue of Niobe, n.d., After Polidoro Caldara, called Polidoro da Caravaggio, Italian, c. 1499-c. 1543, Italy, Pen and brown ink with brush and brown and red wash, heightened with lead white (oxidized), ...
Editorial Augustus and the Tiburtine Sibyl, n.d., After Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper, laid down on ivory laid paper, 332 x 259 mm.
Editorial Triumphs of Julius Caesar: Canvas No. VII, 18th century, After Andrea Mantegna, Italian, 1431-1506, Italy, Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash, 370 x 372 mm.
Editorial Fortitude (or Strength) Flanked by Two Satyrs, n.d., Paolo Caliari, called Veronese, Italian, 1528-1588, Italy, Brush and brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk, 392 ? 2...
Editorial Triumphs of Julius Caesar: Canvas No. VI, 18th century, After Andrea Mantegna, Italian, 1431-1506, Italy, Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash, 370 x 370 mm.
Editorial Study for the Adoration of the Magi, 1612, Jacopo Negretti, called Palma il Giovane, Italian, c. 1548-1628, Italy, Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized) over traces of black chalk, on tan laid pap...
Editorial Study for Perseus Liberating Andromeda, n.d., Pietro Buonaccorsi, called Perino del Vaga, after, Italian, 1501-1547, Italy, Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), on tan laid paper, laid down on ivory laid ...
Editorial Sacrificial Scene, n.d., After Polidoro Caldara, called Polidoro da Caravaggio, Italian, c. 1499-c. 1543, Italy, Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on ivory laid paper, 270 x 236 mm.
Editorial Head of a Monastic, n.d., Unknown Florentine, Italian, late 16th Century, Florence, Black and colored chalk heightened with white lead (partially oxidized), on blue laid paper, laid down in album, 264 ? 194 mm.
Editorial Triumphs of Julius Caesar: Canvas No. IX, 18th century, After Andrea Mantegna, Italian, 1431-1506, Italy, Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash, 372 x 377 mm.
Editorial Virgin and Child Appearing to Saint Cajetan of Thiene, 1681/82, Domenico Maria Canuti, Italian, 1626-1684, Italy, Pen and brown and gray ink, with brush and brown wash and red chalk wash, heightened with lead white (partially oxidized), on tan laid pap...
Editorial Saints Mark and Marcellian Led to Their Execution, while Comforted by Saint Sebastian, 18th century, Paolo Caliari, called Paolo Veronese, Italian, 1528-1588, Italy, Pen and black ink with brush and gray wash, heightened with lead white (partly oxidize...
Editorial Two Seated Kings of Judah, Josiah and Hezekiah, 1591, Bernardo Castello, Italian, 1557-1629, Italy, Pen and brown ink with brush and pale brown wash, heightened with lead white (partly oxidized), on blue laid paper, laid down on ivory wove paper, 198 x...
Editorial Rape of Proserpina, 1550/59, Unknown Artist, Italian, mid-16th century, Italy, Pen and black ink with brush and brown wash, heightened with lead white (oxidized), on lunette-shaped cream laid paper prepared with yellow wash, squared in graphite, laid d...
Editorial Necklet, Bracelets, Earrings, Brooches Oxidized Silver and Bright Silver in Antique Egyptian, Greek, and Roman Styles, Fancy jewellery, engraving 1882.
Editorial The Nativity with the Dream of Joseph, c. 1527/30?. Parmigianino (Italian, 1503-1540). Pen and brown and black ink and brush and brown wash, with traces of brush and black wash, heightened with lead white (oxidized); sheet: 8.6 x 7.5 cm (3 3/8 x 2 15/1...
Editorial Copy after Primaticcio's Juno Awakening Sleep, after 1535. Copy after Francesco Primaticcio (Italian, 1504-1570). Pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); ...
Editorial Change of Residence, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1899. Dimensions: 164 ? 301 mm (image); 165 ? 301 mm (primary/secondary support). Second-state impression laid down on first-state impression Wood-bl...
Editorial Mucius Scaevola Crossing the Tiber, Intending to Assassinate Porsenna but Killing his Treasurer by Mistake. After Polidoro Caldara, called Polidoro da Caravaggio; Italian, c. 1499-c. 1543. Date: 1580-1599. Dimensions: 140 x 481 mm. Pen and brown ink wi...
Editorial Boar Hunt, c. 1672. Abraham Hondius (Dutch, c. 1625-1695). Pen and black ink and brush and black and gray wash heightened with lead white (partially oxidized); framing lines in black and brown ink; sheet: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.); seconda...
Editorial Three Studies of a Woman Wearing an Elaborate Headdress, c. 1500. Anonymous, retouched by Peter Paul Rubens (Flemish, 1577-1640). Pen and brown ink (Anonymous, Netherlandish, 16th century); pen and brown ink and brush and brown wash, heightened with le...
Editorial Three Studies of a Woman Wearing an Elaborate Headdress, c. 1500. Anonymous, retouched by Peter Paul Rubens (Flemish, 1577-1640). Pen and brown ink (Anonymous, Netherlandish, 16th century); pen and brown ink and brush and brown wash, heightened with le...
Editorial Flowering Bush above an Eroded Bank, 1565-1570. Federico Barocci (Italian, 1528-1612). Black chalk, brush and brown wash, and lead white (partially oxidized to pink), with traces of red chalk; sheet: 20 x 13.2 cm (7 7/8 x 5 3/16 in.); secondary support...
Editorial Copy of Raphael's Massacre of the Innocents, after 1510. Follower of Raphael (Italian, 1483-1520). Pen and brown ink (iron gall) and brush and brown wash, heightened with traces of lead white(?) (oxidized); framing lines in brown ink; sheet: 22.8 x 30....
Editorial Moses Brought to Pharaoh's Daughter. William Hogarth; English, 1697-1764. Date: 1751. Dimensions: 406 ? 525 mm. Various red chalks (one oxidized to black) on cream laid paper. Origin: England.
Editorial Mystic Marriage of Saint Catherine. Paolo Caliari, called Paolo Veronese; Italian, 1528-1588. Date: 1680-1699. Dimensions: 443 x 298 mm. Pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper,...
Editorial Cupid in Triumphal Chariot, Accompanied by Gods and Goddesses. Follower of Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 398 x 258 mm. Pen and brown ink with brush and brown wash, heightened with lead white (pa...
Editorial Seated Male Nude with Outstretched Left Arm. Unknown Artist (Italian, late 16th century); or possibly after Domenico Beccafumi, called Il Mecarino (Italian, 1484-1551); or possibly Imitator of Francesco Salviati (Italian, 1503-1540); or possibly Pelleg...
Editorial Sacrifice of Isaac. Follower of Lelio Orsi (Italian, c. 1511-1587); or possibly after Giovanni Antonio da Pordenone (Italian, c. 1484-1539). Date: 1531-1587. Dimensions: 383 x 273 mm. Brush and brown ink and wash, heightened with lead white (partly oxi...
Editorial Peasant Couple Looking in a Basket. After Jacopo Bassano; Italian, c. 1510-1592. Date: 1530-1592. Dimensions: 156 x 204 mm. Pen and brown ink, heightened with lead white (partially oxidized), on laid paper prepared with brown wash, laid down on ivory l...
Editorial Deposition. Luca Penni; Italian, 1500/04-1557. Date: 1540-1546. Dimensions: 289 x 242 mm (max.). Pen and brown ink and brush and brown wash, heightened with lead white (partly oxidized), on buff laid paper, squared in graphite, laid down on ivory laid ...
Editorial Study for Jupiter Hurling Thunderbolts. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 383 x 528 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on tan laid p...
Editorial Baptism of Christ. Italian, Bolognese; Mid-16th century. Date: 1558-1562. Dimensions: 320 x 212 mm. Pen and brown ink with brush and brown wash, heightened with lead white, partially oxidized, over black chalk, on tan laid paper, laid down on cream lai...
Editorial Mucius Scaevola Crossing the Tiber, Intending to Assassinate Porsenna but Killing his Treasurer by Mistake. After Polidoro Caldara, called Polidoro da Caravaggio; Italian, c. 1499-c. 1543. Date: 1580-1599. Dimensions: 140 x 481 mm. Pen and brown ink wi...