EditorialAttributed to Jan Matsys, The Rent Receiver's Office, At the collector, painting, 1514, Oil on canvas transferred from wood, Height, 70 cm (27.5 inches), Width, 106 cm (41.7 inches), Signed, QVINTEN.MATSIIS.1514.
EditorialJan Matsys, A Merry Company, The Happy Society, painting, oil on panel, Height, 91 cm (35.8 inches), Width, 128 cm (50.3 inches), Signed, IOANNES QVINTINI MASSISIS, FACIEB, .
EditorialParacelsus (Teophrastus Bombastus von Hohenheim) (1493-1541), physician and philosopher. Contempory copy of a lost original. Oil on wood, 92 x 54 cm RF 1730.
EditorialVirgin and Child. Dating: c. 1525 - c. 1530. Measurements: support: h 75.4 cm ? w 62.9 cm; sight size: h 75 cm; sightsize: w 62 cm; frame: h 110 cm ? w 96.5 cm.
EditorialLe preteur et sa femme - The money-lender and his wife, 1514. Detail. For overall view please see 40-03-01/18. Oil on wood, 70.5 x 67cm. Inv. 1444.
EditorialSainte Madeleine - Saint Mary Magdalen. Detail of the ointment pot depicting the circumcision symbolizing the notion of purification. For overall view please see 39-19-16/3. Canvas, 85 x 73cm. R.F.2006-1.
EditorialCast bronze medal of Erasmus of Rotterdam, 1519. The Latin and Greek inscriptions around the portrait tell us that it was executed from life, but that " his writings will present a better image". CM, M2193.
EditorialQuentin Matsys. Pictorum aliquot celebrium, pr?cipue? Germani? Inferioris, effigies. [By H. Hondius, the Elder.]. Hagae-Comitis : 'ex officina Henrici Hondii, [1610?]. Plates, signed: H. H., derived from the collection originally compiled by Hierony...
EditorialLe preteur et sa femme - The money-lender and his wife, 1514. Detail. For overall view please see 40-03-01/18. Oil on wood, 70.5 x 67cm. Inv. 1444.
EditorialSainte Madeleine - Saint Mary Magdalen. Detail of the ointment pot depicting the circumcision symbolizing the notion of purification. For overall view please see 39-19-16/3. Canvas, 85 x 73cm. R.F.2006-1.
EditorialCast bronze medal of Erasmus of Rotterdam, 1519. The Latin and Greek inscriptions around the portrait tell us that it was executed from life, but that " his writings will present a better image". CM, M2193.