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Editorial Iphigenia Recognizing Her Brother. Medium: engraving.
- 2020-03-02
- 1
Editorial Psyche Served in Her Bath by Nymphs She Cannot See. Agostino dei Musi (Italian, c. 1490-after 1536); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 2...
- 2019-12-17
- 1
Editorial Psyche's Father Consulting the Oracle. Agostino dei Musi (Italian, c. 1490-after 1536); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520); printed by Antonio Salamanca (Italian, 1478...
- 2019-12-17
- 1
Editorial Man Under a Laurel Tree. Agostino dei Musi (Italian, c. 1490-after 1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1530. Dimensions: 311 x 229 mm (image/sheet, trimmed to platemark). Engraving in black on ivory laid paper...
- 2019-12-17
- 1
Editorial Emperor Freeing the Slave Androcles. Agostino dei Musi; Italian, c. 1490-after 1536. Date: 1511-1521. Dimensions: 402 x 270 mm (image/plate); 404 x 268 mm (sheet). Engraving in black on ivory laid paper. Origin: Italy.
- 2019-12-17
- 1
Editorial Man Carrying the Base of a Column. Agostino dei Musi (Italian, c. 1490-after 1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1530. Dimensions: 227 x 140 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory...
- 2019-12-17
- 1
Editorial Foliage Ornament from Ancient Roman Church. Agostino dei Musi; Italian, c. 1490-after 1536. Date: 1525-1540. Dimensions: 179 x 128 mm (image/sheet, trimmed to and within plate mark). Engraving in black on ivory laid paper. Origin: Italy.
- 2019-12-17
- 1
Editorial Marcantonio Raimondi (Italian, ca. 1470/1482 - 1527/1534), possibly after Raphael (Italian, 1483-1520) or Agostino Musi (Italian, ca. 1490 - after 1536). Standard Bearer, 16th century. Engraving on laid paper. Plate: 250 mm x 180 mm (9.84 in. x 7.09 in.).
- 2019-12-17
- 1
Editorial Man Under a Laurel Tree. Agostino dei Musi (Italian, c. 1490-after 1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1530. Dimensions: 311 x 229 mm (image/sheet, trimmed to platemark). Engraving in black on ivory laid paper...
- 2019-11-18
- 1
Editorial The Altar of Love. Agostino dei Musi (Italian, c. 1490-after 1536); printed by Antonio Salamanca (Italian, 1478-1562). Date: 1510-1536. Dimensions: 293 x 221 mm (image); 297 x 221 (plate/sheet). Engraving in black on ivory laid paper. Origin: Italy.
- 2019-11-18
- 1
Editorial Emperor Freeing the Slave Androcles. Agostino dei Musi; Italian, c. 1490-after 1536. Date: 1511-1521. Dimensions: 402 x 270 mm (image/plate); 404 x 268 mm (sheet). Engraving in black on ivory laid paper. Origin: Italy.
- 2019-11-18
- 2
Editorial Psyche's Father Consulting the Oracle. Agostino dei Musi (Italian, c. 1490-after 1536); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520); printed by Antonio Salamanca (Italian, 1478...
- 2019-11-18
- 1
Editorial The Cumaean Sybil. Agostino dei Musi (Italian, c. 1490-after 1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520); printed by Antonio Salamanca (Italian, 1478-1562). Date: 1516. Dimensions: 168 x 128 mm (image); 169 x 129 mm (sheet). Engr...
- 2019-11-18
- 1
Editorial Man Carrying the Base of a Column. Agostino dei Musi (Italian, c. 1490-after 1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1530. Dimensions: 227 x 140 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory...
- 2019-11-18
- 1
Editorial Foliage Ornament from Ancient Roman Church. Agostino dei Musi; Italian, c. 1490-after 1536. Date: 1525-1540. Dimensions: 179 x 128 mm (image/sheet, trimmed to and within plate mark). Engraving in black on ivory laid paper. Origin: Italy.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: Birdseye View of the Port of Rome.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina.
- 2019-11-18
- 1
Editorial The Philosophers.
- 2019-11-18
- 1
Editorial Isaac Blessing Jacob.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: The Arch of Constantine, Rome.
- 2019-11-18
- 1
Editorial An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius.
- 2019-11-18
- 1
Editorial Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed.
- 2019-11-18
- 1
Editorial Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: Laocoon.
- 2019-11-18
- 1
Editorial Bird's Eye View of Rome.
- 2019-11-18
- 1
Editorial Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: Castello Sant' Angelo.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: Vase Encircled by Acanthus Leaves.
- 2019-11-18
- 2
Editorial Cleopatra Bitten by an Asp.
- 2019-11-18
- 1
Editorial Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants.
- 2019-11-18
- 1
Editorial Album or Scrapbook with Grotesque Designs Copied after Prints.
- 2019-11-18
- 1
Editorial saint matthew.
- 2019-11-18
- 1
Editorial The March of Silenus. Medium: engraving.
- 2019-11-18
- 1
Editorial The Too Credulous Psyche Looks at Cupid, 1530/40, Agostino dei Musi (Italian, c. 1490-after 1536), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), printed by Antonio Salamanca (It...
- 2019-11-18
- 1
Editorial Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola.
- 2019-10-28
- 1
Editorial Naked woman (Leda) and swan (Zeus) embrace on a river bank; two figures jump into the water at middle ground; a town and bridge in the background.
- 2019-10-28
- 1
Editorial Speculum Romanae Magnificentiae: Ionic Capital.
- 2019-10-28
- 1
Editorial Speculum Romanae Magnificentiae: Apollo Belvedere.
- 2019-10-28
- 1
Editorial Speculum Romanae Magnificentiae: Corinthian Entablature.
- 2019-10-28
- 1
Editorial Speculum Romanae Magnificentiae: Ionic Base.
- 2019-10-28
- 1
Editorial Iphigenia Recognizing Her Brother. Medium: engraving.
- 2019-07-16
- 1
Editorial M.B.I.2- CANTIGA STA MARIA-N?1-F29R-CODICE DE LOS MUSICOS-ALFONSO X CON ESCRIBAS CABALLEROS Y MUSI.
- 2019-05-28
- 1
Editorial The Position and Camp of the Armies of Charles V and Soliman II, 1532. Agostino Musi (Italian, 1490-1540). Engraving.
- 2019-04-01
- 1
Editorial The Rich Old Woman. Agostino Musi (Italian, 1490-1540). Engraving.
- 2019-04-01
- 1
Editorial Man Under a Laurel Tree. Agostino dei Musi (Italian, c. 1490-after 1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1530. Dimensions: 311 x 229 mm (image/sheet, trimmed to platemark). Engraving in black on ivory laid paper...
- 2019-04-01
- 1
Editorial The Altar of Love. Agostino dei Musi (Italian, c. 1490-after 1536); printed by Antonio Salamanca (Italian, 1478-1562). Date: 1510-1536. Dimensions: 293 x 221 mm (image); 297 x 221 (plate/sheet). Engraving in black on ivory laid paper. Origin: Italy.
- 2019-04-01
- 1
Editorial M.B.I.2- CANTIGA STA MARIA-N?1-F29R-CODICE DE LOS MUSICOS-ALFONSO X CON ESCRIBAS CABALLEROS Y MUSI.
- 2019-03-25
- 1
Editorial Man Under a Laurel Tree. Agostino dei Musi (Italian, c. 1490-after 1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1530. Dimensions: 311 x 229 mm (image/sheet, trimmed to platemark). Engraving in black on ivory laid paper...
- 2019-03-18
- 1
Editorial The Altar of Love. Agostino dei Musi (Italian, c. 1490-after 1536); printed by Antonio Salamanca (Italian, 1478-1562). Date: 1510-1536. Dimensions: 293 x 221 mm (image); 297 x 221 (plate/sheet). Engraving in black on ivory laid paper. Origin: Italy.
- 2019-03-18
- 1
Editorial Emperor Freeing the Slave Androcles. Agostino dei Musi; Italian, c. 1490-after 1536. Date: 1511-1521. Dimensions: 402 x 270 mm (image/plate); 404 x 268 mm (sheet). Engraving in black on ivory laid paper. Origin: Italy.
- 2019-03-18
- 2
Editorial Psyche's Father Consulting the Oracle. Agostino dei Musi (Italian, c. 1490-after 1536); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520); printed by Antonio Salamanca (Italian, 1478...
- 2019-03-18
- 1
Editorial Man Carrying the Base of a Column. Agostino dei Musi (Italian, c. 1490-after 1536); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1515-1530. Dimensions: 227 x 140 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory...
- 2019-03-18
- 1
Editorial Foliage Ornament from Ancient Roman Church. Agostino dei Musi; Italian, c. 1490-after 1536. Date: 1525-1540. Dimensions: 179 x 128 mm (image/sheet, trimmed to and within plate mark). Engraving in black on ivory laid paper. Origin: Italy.
- 2019-03-18
- 1
Editorial Shepherds and Satyr in a Landscape. Agostino dei Musi; Italian, c. 1490-after 1536. Date: 1505-1536. Dimensions: 169 ? 175 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory paper. Origin: Italy.
- 2019-03-11
- 1
Editorial A White Bird Telling Venus of Cupid's Illness. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x...
- 2019-03-11
- 2
Editorial Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol.
- 2019-02-22
- 1
Editorial Moses Striking the Rock.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina.
- 2019-02-22
- 1
Editorial Isaac Blessing Jacob.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: The Arch of Constantine, Rome.
- 2019-02-22
- 1
Editorial An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: Laocoon.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: Castello Sant' Angelo.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: Vase Encircled by Acanthus Leaves.
- 2019-02-22
- 1
Editorial Cleopatra Bitten by an Asp.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: Dance of Fauns and Bacchants.
- 2019-02-22
- 1
Editorial Album or Scrapbook with Grotesque Designs Copied after Prints.
- 2019-02-22
- 1
Editorial saint matthew.
- 2019-02-22
- 1
Editorial The March of Silenus. Medium: engraving.
- 2019-02-22
- 1
Editorial Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight.
- 2019-02-22
- 1
Editorial Grotesque with a Female Figure (Minerva?) in a Temple-like Structure with a Cupola.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: Ionic Capital.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: Apollo Belvedere.
- 2019-02-22
- 1
Editorial Speculum Romanae Magnificentiae: Corinthian Entablature.
- 2019-02-22
- 1
Editorial An allegory of Peace; Peace personified as a woman standing in a landscape holding the left hand of a winged genius.
- 2019-02-22
- 1
Editorial Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed.
- 2019-02-22
- 1
Editorial Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them.
- 2019-02-22
- 1
Editorial Naked woman (Leda) and swan (Zeus) embrace on a river bank; two figures jump into the water at middle ground; a town and bridge in the background.
- 2019-02-22
- 1
Editorial saint matthew.
- 2019-02-15
- 1
Editorial Cleopatra.
- 2019-02-15
- 1
Editorial Iphigenia Recognizing Her Brother. Medium: engraving.
- 2019-02-01
- 1
Editorial Orpheus. Dated: 1528. Medium: engraving.
- 2019-02-01
- 1
Editorial The March of Silenus. Medium: engraving.
- 2019-02-01
- 1
Editorial Pope Paul III. Dated: 1534. Medium: engraving.
- 2019-02-01
- 1
Editorial Hieronymus Alexander, Archbishop of Brindisi. Dated: 1536. Medium: engraving.
- 2019-02-01
- 1
Editorial Portrait of Barbarossa.
- 2019-01-25
- 1
Editorial Hills near Golconda and Hyderabad. c.1797. Two 'profiles' of hills near Golconda and Hyderabad (r.) and a sketch map of a river's course (perhaps the Musi) with triangulation notes (v.). Pen-and-ink. British school. Originally published/produced in c....
- 2019-01-24
- 1
Editorial Temples at the source of the Musi River. Bason & Religious Structures. India, Andhra Pradesh, Musi River 1797. Tank and temples at the source of the Musi River . March 1797 . Inscribed on front in ink: ‘Bason & Religions Structures at the Source of...
- 2019-01-23
- 1
Editorial Hills near Golconda and Hyderabad. c.1797. Two 'profiles' of hills near Golconda and Hyderabad (r.) and a sketch map of a river's course (perhaps the Musi) with triangulation notes (v.). Pen-and-ink. British school. Originally published/produced in c....
- 2018-12-06
- 1
Editorial Musi River in the foreground; a figure fishing from a rock; cattle and figures on a grass field to the right; the walls and city of Hyderabad on the left and in the distance. North East View of HYDRABAD. [London] ; [Bengal] : Published according to Act...
- 2018-12-06
- 1
Editorial Chundoo Lal's sati Ghaut [Hyderabad]. View of riverside ghat, looking across the Musi towards the temple on the far side and the Old Bridge on the left. Photograph. 1908. Source: Photo 1024/(49).
- 2018-12-06
- 1
Editorial Temples at the source of the Musi River. Bason & Religious Structures. India, Andhra Pradesh, Musi River 1797. Tank and temples at the source of the Musi River . March 1797 . Inscribed on front in ink: ‘Bason & Religions Structures at the Source of...
- 2018-12-06
- 1
Editorial Iphigenia Recognizing Her Brother. Medium: engraving.
- 2018-11-29
- 1
Editorial Orpheus. Dated: 1528. Medium: engraving.
- 2018-11-29
- 1
Editorial The Battle with the Cutlass. Medium: engraving.
- 2018-11-29
- 1
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