EditorialHamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), September 29, 1796, Stipple engraving; published state, Image: 17 in. ? 23 7/16 in. (43.2 ? 59.5 cm), Prints, After Henry Fuseli (Swiss, Z?rich 1741?1825 London), Fascinate...
EditorialDoll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), March 25, 1795, Stipple engraving; published state, Image: 19 1/2 x 14 3/16 in. (49.6 x 36 cm), Prints, After Henry Fuseli (Swiss, Z?rich 1741?1825 London),...
EditorialThe Academy of Baccio Bandinelli, ca. 1544, Engraving; first state of two, sheet: 12 1/16 x 17 1/4 in. (30.6 x 43.8 cm), Prints, Enea Vico (Italian, Parma 1523?1567 Ferrara), After Baccio Bandinelli (Italian, Gaiole in Chianti 1493?1560 Florence), Bacc...
EditorialCascade of the Aray at Inveraray (Scotland), June 30, 1791, Watercolor over pen and black ink, 9-9/16 x 7-7/16 in. (24.3 x 18.9 cm), Drawings, John White Abbott (British, Exeter 1764?1851 Exeter), A life-long resident of Exeter in Devon, Abbott was a c...
EditorialHamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), September 29, 1796, Stipple engraving; published state, Image: 17 in. ? 23 7/16 in. (43.2 ? 59.5 cm), Prints, After Henry Fuseli (Swiss, Z?rich 1741?1825 London), Fascinate...
EditorialDoll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), March 25, 1795, Stipple engraving; published state, Image: 19 1/2 x 14 3/16 in. (49.6 x 36 cm), Prints, After Henry Fuseli (Swiss, Z?rich 1741?1825 London),...