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Editorial Banks of the Loing.
Editorial Cremorne Gardens, No. 2.
Editorial Landscape with a Sunlit Stream.
Editorial The Trees, Early Afternoon, France.
Editorial WATERFALL.
Editorial All?e of Chestnut Trees.
Editorial Woman in the Garden of Monsieur Forest, 1889?91, Oil on canvas, 21 7/8 x 18 1/4 in. (55.6 x 46.4 cm), Paintings, Henri de Toulouse-Lautrec (French, Albi 1864?1901 Saint-Andr?-du-Bois), From 1889 to 1891, Lautrec experimented with the plein-air approach...
Editorial Impressionists' camp. Date/Period: 1889. Painting. Oil on paper mounted on cardboard. Height: 139 mm (5.47 in); Width: 240 mm (9.44 in).
Editorial The French and English Fleets, Cherbourg.
Editorial [Fontainebleau Forest].
Editorial The Seine at Vetheuil.
Editorial Across the Room.
Editorial All?e of Chestnut Trees.
Editorial WATERFALL.
Editorial [Fontainebleau Forest].
Editorial La place de la Bastille.
Editorial Banks of the Loing.
Editorial Impression, Rising Sun, painted 1872 in Le Havre, France; Impressionists".
Editorial The Seine at Vetheuil.
Editorial [Fontainebleau Forest].
Editorial The French and English Fleets, Cherbourg.
Editorial SELF-PORTRAIT.
Editorial Impressionists' camp. Date/Period: 1889. Painting. Oil on paper mounted on cardboard. Height: 139 mm (5.47 in); Width: 240 mm (9.44 in).
Editorial The Trees, Early Afternoon, France.
Editorial La place de la Bastille.
Editorial SELF-PORTRAIT.
Editorial WATERFALL.
Editorial The French and English Fleets, Cherbourg.
Editorial Impression, Soleil Levant (Impression, Rising Sun) Oil on canvas, painted 1872 in Le Havre, France. Critics called Monet and his circle-at first ironically-" Impressionists" after the title of this work.
Editorial Impression, Soleil Levant (Impression, Rising Sun) Oil on canvas, painted 1872 in Le Havre, France. Critics called Monet and his circle-at first ironically-" Impressionists" after the title of this work.
Editorial Impressionists' camp. Date/Period: 1889. Painting. Oil on paper mounted on cardboard. Height: 139 mm (5.47 in); Width: 240 mm (9.44 in).
Editorial La place de la Bastille.
Editorial The Trees, Early Afternoon, France.
Editorial Banks of the Loing.
Editorial Cremorne Gardens, No. 2.
Editorial The Seine at Vetheuil.
Editorial Landscape with a Sunlit Stream.
Editorial Across the Room.
Editorial Mme Vuillard in a Set Designer's Studio.
Editorial The French and English Fleets, Cherbourg.
Editorial [Fontainebleau Forest].
Editorial All?e of Chestnut Trees.
Editorial SELF-PORTRAIT.
Editorial WATERFALL.
Editorial Young Woman Knitting, ca. 1883, Oil on canvas, 19 3/4 x 23 5/8 in. (50.2 x 60 cm), Paintings, Berthe Morisot (French, Bourges 1841?1895 Paris), Morisot, who exhibited with the Impressionists between 1874 and 1886, painted a number of figures out-of-doo...
Editorial Spring (Fruit Trees in Bloom), 1873, Oil on canvas, 24 1/2 x 39 5/8 in. (62.2 x 100.6 cm), Paintings, Claude Monet (French, Paris 1840?1926 Giverny), Monet made this work in the vicinity of his home in Argenteuil, a village on the Seine northwest of Pa...
Editorial The Orchard, 1902, Platinum print, Image: 24 x 19.1 cm (9 7/16 x 7 1/2 in.), Photographs, Clarence H. White (American, 1871?1925), Made in the year that the Photo-Secession was formed, Clarence White's 'The Orchard' perfectly embodies the tenets of Pic...
Editorial Woman in the Garden of Monsieur Forest, 1889?91, Oil on canvas, 21 7/8 x 18 1/4 in. (55.6 x 46.4 cm), Paintings, Henri de Toulouse-Lautrec (French, Albi 1864?1901 Saint-Andr?-du-Bois), From 1889 to 1891, Lautrec experimented with the plein-air approach...
Editorial Dutch Fishing Boats, Verso: Sketches of Boats, 1870, Watercolor over black chalk on paper., 6 3/8 x 10 1/2 in. (16.2 x 26.7 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819?1891 La-C?te-Saint-Andr?), This Dutch seascape was painted in Nevers,...
Editorial Impression, Soleil Levant (Impression, Rising Sun) Oil on canvas, painted 1872 in Le Havre, France. Critics called Monet and his circle-at first ironically-" Impressionists" after the title of this work.