EditorialView of the monuments to Abusambul, Temple of Abu Simbel, Signed: D'apr?s M. Huyot; Baltar sc, Pl. 57, p. 107, Huyot (inv.); Baltar (sc. d'apr?s Huyot), Franz Christian Gau; Barthold Georg Niebuhr: Antiquit?s de la Nubie: ou monumens in?dits des bords ...
EditorialLuis XVII de Francia (1785-1795). Rey titular de Francia y Navarra. Muri? a la edad de 10 a?os en la Prisi?n del Temple de Par?s, en ?poca de la Revoluci?n Francesa. Copia de un retrato pintado por Vigee-Lebrun. Grabado por Huyot. La Ilustraci?n Espa?o...
EditorialNew Testament. Gospel of John. Chapter XIX. Jesus reaches the top of Calvary. Gustave Dore's drawing. Engraving by Huyot. 19th century. Colored.
EditorialNew Testament. Gospel of John. Chapter XIX. Jesus reaches the top of Calvary. Gustave Dore's drawing. Engraving by Huyot. 19th century. Colored.
EditorialNew Testament. Gospel of John. Chapter XIX. Jesus reaches the top of Calvary. Gustave Dore's drawing. Engraving by Huyot. 19th century. Colored.
EditorialChateaubriand, Franc_ois Rene, Vicomte de (1768-1848). French writer and member of the French Academy (1811). Portrait. Engraving by Huyot. "Historia de Francia", 1883. Colored.
EditorialChateaubriand, Franc_ois Rene, Vicomte de (1768-1848). French writer and member of the French Academy (1811). Portrait. engraving by Huyot. "Historia de Francia", 1883.
EditorialFashionable ladies and gentlemen playing the card game Comet (named for the 1758 visit of Halley's comet) in a drawing room. A servant brings carafes of wine. Lithograph by Huyot after Charles-Dominique-Joseph Eisen from Paul Lacroix' The Eighteenth Ce...
EditorialNew Testament. Gospel of John. Chapter XIX. Jesus reaches the top of Calvary. Gustave Dore's drawing. Engraving by Huyot. 19th century. Colored.
EditorialThe incomparable Ravel, a guitar-playing French tightrope artist from the early 19th century, with two dancers on thick ropes. Woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialItinerant cocoa or hot chocolate seller, Paris, circa 1800. She wears a tank of hot chocolate on her back, carries cups on her chest, and serves a cup to a soldier in uniform with musket and backpack. Illustration drawn by Carle Vernet, woodcut by Huyo...
EditorialFashionable woman riding a horse side-saddle and losing her hat because of her perruque (wig), circa 1800. Drawn by Carle Vernet, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialCafe au lait stand in a Paris street, c. 1800, with customers including flower girl, woman with basket and working men. Illustration drawn by Debucourt, woodcut engraving by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialParisian tea party, with Incroyables and Merveilleuses, the early 19th century. Drawn by F. S. Harriet, engraved by Godefroy, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialSocial visit to a Paris salon, circa 1800. A group of dandies attempt to entertain three seated belles in a drawing room. Drawn by P-L Debucourt, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialMilliners' workshop, with hatmakers and customers trying on hats, circa 1800. Fashionable women in elegant dresses and fichu (neckerchief) looking at bonnets. Illustration drawn by Jean-Francois Bosio, woodcut by Huyot from Paul Lacroix's "Directoire, ...
EditorialThe equestrian acrobat Antonio Franconi standing on a galloping horse, Cirque Olympique in Paris, circa 1800. Drawn by Carle Vernet, woodcut by Huyot from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialTHE PROCESSION OF THE ELDERS, BY GUSTAVE DOR?. Dore, 1832 - 1883, French. Engraving for the Purgatorio by Dante. Wood engraving by Jules Huyot after Gustave Dore, with signatures in the print. romanticism, colour, color engraving.