EditorialDoor profile of the people, Pie and Grimani vine, Seitenansicthen the Porta del Popolo, the Porta Pia, Pl. 77, p. 275, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les figures & descr...
EditorialPrevious profile profiles, Side view of the gate to the house of Grimani on the Strada Pia, Porta Pia and Porta del Popolo in Rome, Tab. 108, p. 277, Augustin-Charles d'Aviler, Vignola, Michelangelo, Leonhard Christoph Sturm, Hertel: Ausf?hrliche Anlei...
EditorialDoor of the vineyard of Patriarch Grimani, Gate to the house of Patriarch Antonio Grimani at the Strada Pia in Rome, Pl. 76, p. 273, 1720, Augustin-Charles d'Aviler: Cours d'architecture: qui comprend les ordres de Vignole, avec des commentaires, les f...
EditorialDoor of the Vine of Patriarch Grimani, Gate of the house of Patriarch Grimani on the Strada Pia in Rome, Tab. 107, p. 275, Augustin-Charles d'Aviler, Vignola, Michelangelo, Leonhard Christoph Sturm, Hertel: Ausf?hrliche Anleitung zu der gantzen Civil-B...
EditorialEdad Media. Cortejo saliendo de paseo. Miniatura del breviario del Cardenal Grimani. Siglo XVII. Biblioteca San Marcos, Venecia. Facs?mil de 1877.
EditorialDoge Antonio Grimani kneels before St Mark, on a plinth with his coat of arms; borders with putti and acanthus decoration. Text with borders of military trophies and putti. The beginning of the Promisio of Doge Grimani, setting for the laws and customs...
EditorialDoge Antonio Grimani kneeling before St Mark, on plinth with his coat of arms; borders with putti and acanthus decoration. Beginning of the Promissio of Doge Grimani, setting forth the laws and customs of which he promised observance on his election as...
EditorialPortrait of a Woman, probably Morosina Morosini, Wife of Marino Grimani, the Doge of Venice. Dating: 1590 - 1600. Measurements: h 114 cm ? w 97.5 cm; d 10 cm.
EditorialMary and Martha before Christ. Stuart de Rothesay Hours. Italy [Rome and Perugia]; before 1511, and between. (Whole folio) Beginning of the Office of the Dead. Mary and Martha, the sisters of Lazarus, gesture towards the stone coffin of their brother, ...
EditorialDavid kneeling in prayer. Stuart de Rothesay Hours. Italy [Rome and Perugia]; before 1511, and between. (Whole folio) Beginning of the Penitential Psalms. David kneeling in prayer, his harp behind him. Produced for Cardinal Marino Grimani Image taken ...
EditorialThe Annunciation. Stuart de Rothesay Hours. Italy [Rome and Perugia]; before 1511, and between. [Whole folio] Beginning of the Hours of the Virgin. The Annunciation. Produced for Cardinal Marino Grimani Image taken from Stuart de Rothesay Hours. Orig...
EditorialDoge Antonio Grimani kneels before St Mark, on a plinth with his coat of arms; borders with putti and acanthus decoration. Text with borders of military trophies and putti. The beginning of the Promisio of Doge Grimani, setting for the laws and customs...
EditorialThe Crucifixion. Stuart de Rothesay Hours. Italy [Rome and Perugia]; before 1511, and between. (Whole folio) Beginning of the Office of the Holy Cross. The Crucifixion. Produced for Cardinal Marino Grimani Image taken from Stuart de Rothesay Hours. O...
EditorialDoge Antonio Grimani kneeling before St Mark, on plinth with his coat of arms; borders with putti and acanthus decoration. Beginning of the Promissio of Doge Grimani, setting forth the laws and customs of which he promised observance on his election as...
Editorialcommission from Marino Grimani. ORIGINAL commission from Marino Grimani, Doge of Venice, to Bernardo Capello as Capitano of Bergamo. Binding. Source: Add. 23970 back binding.
Editorialcommission from Marino Grimani. ORIGINAL commission from Marino Grimani, Doge of Venice, to Bernardo Capello as Capitano of Bergamo. Binding. Source: Add. 23970 front binding.
EditorialCampo Santa Maria Formosa, 1735. In the centre: the church and campanile - to the left: beyond the two narrow bridges spanning the Rio Santa Maria Formosa, the Palazzo Grimani. Oil on canvas, 47 x 80 cm.
EditorialBishop Alvise Grimani. Dated: 1633 or after. Dimensions: overall: 146.7 x 95.1 cm (57 3/4 x 37 7/16 in.) framed: 186.7 x 135.3 x 14.6 cm (73 1/2 x 53 1/4 x 5 3/4 in.). Medium: oil on canvas.
EditorialCampo Santa Maria Formosa, 1735. In the centre: the church and campanile - to the left: beyond the two narrow bridges spanning the Rio Santa Maria Formosa, the Palazzo Grimani. Oil on canvas, 47 x 80 cm.
EditorialDomus Augustiana, cornice, profile projection (recto) Ara Grimani, base (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 8 7/16 x 13 11/16 in. (21.5 x 34.7 cm).
EditorialRelief with lambs and sheep. Marble. Late 1st century BC. Grimani Collection. Museum of Art History (Kunsthistorisches Museum). Vienna. Austria.
EditorialEdad Media. Cortejo saliendo de paseo. Miniatura del breviario del Cardenal Grimani. Siglo XVII. Biblioteca San Marcos, Venecia. Facs?mil de 1877.