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Editorial Tobias Curing His Father's Blindness.
- 2020-03-02
- 1
Editorial Tobias Curing His Father's Blindness.
- 2020-03-02
- 1
Editorial Vase Vase with ornaments inspired by Gothic, Renaissance and Eastern motifs, Vaal, oval, flat bottom, five times constricted body, ending in an irregularly shaped border. On the body bands and surfaces with ornaments inspired by Gothic, Renaissance and...
- 2020-01-15
- 1
Editorial Dish, Dish made of glass, Large dish made of blue-green glass. Low, round base with polished pontil mark. On the shelf a white catch in which cutting into the cameo technique saves a seascape with five seagulls, the largest two with a yellow beak and y...
- 2020-01-15
- 1
Editorial Carte des Cantons de Schaffhausen, Zurich, Thurgovie, St. Gall, Appenzell, Schwyz, Zug, et Glarus, Suisse, Map of the canton of Schaffhausen, Thurgau, St. Gallen, Appenzell, Zurich, Schwyz, Zug, Glarus and Uri, signed: Grav? par L. Slaes, Fig. 5, accor...
- 2020-01-15
- 1
Editorial Bain de Pfeffers (St. Gall), View of Bad Pf?fers (St. Gallen), Fig. 38, S. 99, Champin, Jean Jacques, 1800, [Jean-Jacques] Champin: Album portatif d?di? aux amateurs et particuli?rement aux voyageurs en Suisse: texte fran?ais et anglais. Paris: Lith. d...
- 2020-01-15
- 1
Editorial Fran?ois Rude, French, 1784-1855, Allegorical Figure, ca. 1825, iron gall ink over black chalk on laid paper, Sheet: 9 7/8 ? 11 5/8 inches (25.1 ? 29.5 cm).
- 2020-01-15
- 1
Editorial La ville & l'abbaye de S. Gall., Vogelschauplan of St. Gallen, P. 284 (Bd. 3), 1730, Johann Georg Altmann: L'?tat et les d?lices de la Suisse, en forme de relation critique, par plusieurs auteurs c?l?bres. Amsterdam: chez Wetsteins et Smith, 1730.
- 2020-01-15
- 1
Editorial Baths of Pfeffers. (Canton of St. Gall), Bad Pf?fer, Signed: W: H. Bartlett; G. K. Richardson, Plate 55, after p. 176 (vol. 1), Bartlett, William Henry; Richardson, G. K., 1836, William Beattie, Switzerland. London: Virtue, 1836.
- 2020-01-15
- 1
Editorial Fran?ois Rude, French, 1784-1855, Allegorical Figure with Lute, ca. 1825, iron gall ink over black chalk on laid paper, Sheet: 8 3/4 ? 10 1/2 inches (22.2 ? 26.7 cm).
- 2020-01-15
- 1
Editorial Guercino (Giovanni Francesco Barbieri), Italian, 1591-1666, St. Peter Weeping with Keys, between early and mid-17th century, pen and brown (iron gall) ink on cream colored antique laid paper, lined on the verso with thin tissue paper, Sheet: 12 ? 8 inc...
- 2020-01-15
- 1
Editorial From the liver and gall bladder, The Liver and Gallbladder, Tab. 24, p. 253, Kulmus, Johann Adam, Johann Adam Kulmus: Anatomische Tabellen: nebst darzu geh?rigen Anmerkungen [...]. Siebente verbesserte Ausgabe. Augsburg: verlegts Elias Tobias Lotter, 1764.
- 2020-01-15
- 1
Editorial Lac de Wallenstadt (Canton de St. Gall), View of the Catholic B?hlkirche Hl. Kreuz and Walensee, Fig. 36, S. 95, Champin, Jean Jacques, 1800, [Jean-Jacques] Champin: Album portatif d?di? aux amateurs et particuli?rement aux voyageurs en Suisse: texte f...
- 2020-01-15
- 1
Editorial Abbaye de Pfeffers (Canton de St. Gall), View of Pf?fers Abbey (St. Gallen), Fig. 37, S. 97, Champin, Jean Jacques, 1800, [Jean-Jacques] Champin: Album portatif d?di? aux amateurs et particuli?rement aux voyageurs en Suisse: texte fran?ais et anglais. ...
- 2020-01-15
- 1
Editorial Vase with Juda token, Small vase with low, cylindrical foot, spherical body of colorless glass and slightly tapered neck. Double ?berfang in light gray and purple. The decor of Juda tokens made in two etchings. On the body the signature Gall?., ?mile G...
- 2020-01-15
- 1
Editorial Healing of Tobit History of Tobias (series title), Left in the background Tobias and the Archangel Raphael return to Niniveh. Upon returning home Tobias places the bile of the fish on the eyes of his blind father Tobit. Then Tobit can see again. Anna a...
- 2020-01-15
- 1
Editorial Bowl with clematis, Slightly concave bottom, oval, sculpted body of colorless glass. Double ?berfang in purple and blue. The decor, a clematis, applied in two etchings, acid-polished and polished. On the body the signature Gall? with the number 2 below...
- 2019-12-18
- 1
Editorial Vase with a cricket, a spider, a grasshopper and a dragonfly between flower and leaf vines, Vase with flat bottom. Bent body merging into a bent, square mouth, flat, bent ears. On the body in wheel engraving a cricket, a grasshopper and a dragonfly bet...
- 2019-12-18
- 1
Editorial Diseases of the gall-bladder and bile-ducts : Robson, Arthur William Mayo, 1853-.
- 2019-12-18
- 1
Editorial Vase with maple branches, Concave, ground, flattened spherical body of colorless glass, ending in a long neck. Double ?berfang in orange and red on a yellow and colorless background. Decor of maple branches with berries, partly matte etched. On the bod...
- 2019-12-18
- 1
Editorial Akseli Gallen-Kallela, The Artist's Mother, Artist's mother, painting, portrait, 1896, Tempera on canvas, Height, 33 cm (12.9 inches), Width, 29 cm (11.4 inches), Signed, AXEL GALL?N KALLELA, 1896th.
- 2019-12-18
- 1
Editorial Bards of the Gael and Gall : examples of the poetic literature of Erinn, done into English after the metres and modes of the Gael : Sigerson, George, 1839-1925.
- 2019-12-18
- 1
Editorial Franz Joseph Gall, founder of the doctrine of phrenology, Silver Medal. Front: man's chest piece with a two-line circumference. Reverse: skull on which is a veil, on a block whose side is decorated with a crossed burning torch and a serpentine within a...
- 2019-12-18
- 1
Editorial Pisa. Cam.o San.o - Gall. dell'Inconso'Abe., Giacomo Brogi, 1860 - 1880.
- 2019-12-18
- 1
Editorial La Familia Sharp. Cuadro que recrea los conciertos de la orquesta de los miembros de la familia Sharp que realizaban en una barcaza por el r?o T?mesis. Realizado por Johan Jospeh Zoffany (1733-1810). Oleo sobre lienzo, 1779-1781. National Portrait Gall...
- 2019-12-18
- 1
Editorial Initial M: David's Theft of the Spear and Chalice. Date/Period: Ca. 1270 - 1280. Folio. Tempera colors, gold, and iron gall ink on parchment. Height: 170 mm (6.69 in); Width: 119 mm (4.68 in).
- 2019-12-18
- 1
Editorial Initial Q: A Priest Stabbed by a Soldier. Date/Period: Ca. 1270 - 1280. Folio. Tempera colors, gold, and iron gall ink on parchment. Height: 170 mm (6.69 in); Width: 119 mm (4.68 in).
- 2019-12-18
- 2
Editorial I'm Not Going in There Anymore! - I Think There are Crayfish Down There..., plate one from Les Baigneurs. Honor? Victorin Daumier; French, 1808-1879. Date: 1839-1842. Dimensions: 221 ? 276 mm (image); 270 ? 352 mm (sheet). Lithograph in black, with add...
- 2019-12-17
- 1
Editorial Study. Denis Auguste Marie Raffet; French, 1804-1860. Date: 1833. Dimensions: 147 ? 266 mm. Pen and iron gall ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on ivory wove paper. Origin: France.
- 2019-12-17
- 1
Editorial Studies of Warriors, Horsemen, and Lions (recto); Studies of Heads and Nude Figures, Ceiling Plan, and Inscriptions (verso). Pietro Buonaccorsi, called Perino del Vaga; Italian, 1501-1547. Date: 1528-1533. Dimensions: 199 x 385 mm. Pen and iron gall in...
- 2019-12-17
- 1
Editorial The Slaying of Red Comyn by Robert the Bruce. Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1810-1816. Dimensions: 315 ? 206 mm. Pen and brown iron gall ink, with brush and brown and gray wash, over chalk (recto), and black chalk (verso), on...
- 2019-12-17
- 1
Editorial Portrait of Marie-Gabrielle Capet. Fran?ois-Andr? Vincent; French, 1746-1816. Date: 1790. Dimensions: 462 ? 440 mm (primary support); 588 ? 512 mm (secondary support). Black and white chalks, with touches of red chalk, on tan laid paper, laid down on c...
- 2019-12-17
- 1
Editorial Frontispiece from the "Iconography". Unknown Artist (Italian, 17th century); after Anthony van Dyck (Flemish, 1599-1641). Date: 1650-1699. Dimensions: 299 x 190 mm. Pen and iron gall ink on cream laid paper. Origin: Italy.
- 2019-12-17
- 1
Editorial Saint Roch. Giovanni Francesco Barbieri, called Il Guercino; Italian, 1591-1666. Date: 1611-1666. Dimensions: 268 x 272 mm (primary support, sight); 290 x 290 mm (secondary support, sight). Pen and brown iron gall ink with brush and brown wash on cream...
- 2019-12-17
- 1
Editorial Landscape with a Large Tree on the Right and a Distant View of a Town on the Left. Giovanni Francesco Grimaldi, called Il Bolognese; Italian, 1606-1680. Date: 1626-1680. Dimensions: 218 x 315 mm. Pen and brown iron gall ink, over charcoal, on ivory lai...
- 2019-12-17
- 1
Editorial Study for Polycrates' Crucifixion. Salvator Rosa; Italian, 1615-1673. Date: 1657-1667. Dimensions: 132 x 67 mm. Pen and brown iron gall ink on tan laid paper, laid down on cream laid paper. Origin: Italy.
- 2019-12-17
- 1
Editorial Two Frigate. Claude Lorrain; French, 1600-1682. Date: 1641-1682. Dimensions: 319 ? 224 mm. Pen and iron gall ink, and brush and brown wash, with graphite, on buff laid paper, laid down on cream laid paper. Origin: France.
- 2019-12-17
- 1
Editorial Study for Polycrates' Crucifixion. Salvator Rosa; Italian, 1615-1673. Date: 1656-1667. Dimensions: 177 x 141 mm. Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper. Origin: ...
- 2019-12-17
- 2
Editorial The Coronation of the Virgin. Ercole Setti; Italian, 1530-1617. Date: 1575. Dimensions: 184 x 203 mm. Pen and brown iron-gall ink and brush and brown wash, heightened with white gouache, over traces of graphite, on blue laid paper, squared in graphite ...
- 2019-12-17
- 2
Editorial Pan. Possibly a follower of Giovanni Benedetto Castiglione; Italian, 1609-1664. Date: 1629-1665. Dimensions: 324 x 244 mm. Pen and iron gall ink, with brush and gray and brown wash, over black chalk, on ivory laid paper (pricked for transfer). Origin: ...
- 2019-12-17
- 1
Editorial Mythological Scene: Triumph of Alexander(?) (recto). possibly Fran?ois Chauveau (French, 1613-1676); possibly Charles Le Brun (French, 1619-1690); possibly S?bastien Bourdon (French, 1616-1671). Date: 1633-1676. Dimensions: 212 ? 244 mm. Pen and iron g...
- 2019-12-17
- 1
Editorial Two Young Women in Conversation. Guercino, school of; Italian, 1591-1666. Date: 1610-1700. Dimensions: 222 x 204 mm. Pen and iron gall ink on buff laid paper, laid down on cream laid paper. Origin: Italy.
- 2019-12-17
- 1
Editorial Harpies Attacking Aeneas and His Companions. Domenico Gargiulo, called Micco Spadaro; Italian, 1609-c. 1675. Date: 1629-1699. Dimensions: 191 x 266 mm. Pen and iron gall ink on cream laid paper. Origin: Italy.
- 2019-12-17
- 1
Editorial Christ on the Cross: Study for the Crucifixion with Saints. Guercino; Italian, 1591-1666. Date: 1623-1625. Dimensions: 258 x 174 mm. Pen and iron gall ink on buff laid paper, laid down on ivory wove paper. Origin: Italy.
- 2019-12-17
- 1
Editorial Fall of the Damned (recto); Sketches of Seated Saint John the Baptist (verso). Circle of Ludovico Cardi, called Il Cigoli; Italian, 1559-1613. Date: 1500-1599. Dimensions: 263 x 199 mm. Pen and iron gall ink with brush and blue and brown wash, possibly...
- 2019-12-17
- 1
Editorial Virgin and Child. Circle of (or after) Francesco Vanni; Italian, 1563-1610. Date: 1588-1593. Dimensions: 140 x 100 mm. Pen and iron gall ink with brush and brown wash, on ivory laid paper, squared in graphite. Origin: Italy.
- 2019-12-17
- 1
Editorial Laoco?n. Italian; 16th century. Date: 1550-1559. Dimensions: 182 ? 276 mm. Pen and iron gall ink with brush and brown wash, on tan laid paper, laid down on cream wove card. Origin: Italy.
- 2019-12-17
- 1
Editorial Allegorical Subject (Angel above Two Sibyls). Luca Cambiaso; Italian, 1527-1585. Date: 1560-1566. Dimensions: 275 x 254 mm. Pen and iron gall ink and brush and brown wash, on tan laid paper, laid down on cream laid paper, laid down on ivory laid card. ...
- 2019-12-17
- 1
Editorial Vulcan's Forge. Attributed to Luca Cambiaso; Italian, 1527-1585. Date: 1568-1572. Dimensions: 312 x 215 mm (max.). Pen and iron gall ink with traces of black chalk, on cream laid paper, laid down on ivory laid paper. Origin: Italy.
- 2019-12-17
- 1
Editorial Return of the Prodigal Son. Unknown Artist; North Italian, 16th century. Date: 1500-1599. Dimensions: 256 x 189 mm. Pen and iron gall ink on tan laid paper, laid down on brown laid card. Origin: Northern Italy.
- 2019-12-17
- 1
Editorial Abraham and Isaac. Attributed to Luca Cambiaso; Italian, 1527-1585. Date: 1568-1572. Dimensions: 286 x 212 mm (max.). Pen and iron gall ink on ivory laid paper. Origin: Italy.
- 2019-12-17
- 1
Editorial Virgin Mary Handing Scapular to Saint Simon Stock. Paolo Caliari, called Paolo Veronese; Italian, 1528-1588. Date: 1550-1600. Dimensions: 344 x 250 mm. Pen and iron gall ink, brown and gray wash, heightened with lead white, on blue laid paper, laid dow...
- 2019-12-17
- 1
Editorial Souvenir of a Castle in Vosges, 1857, Brush and iron gall washes, pen and iron gall ink, white gouache; outline of castle obtained by using a paper stencil, sheet: 18 1/2 x 12 3/16 in. (47 x 31 cm), Drawings, Victor Hugo (French, Besan?on 1802?1885 Paris).
- 2019-12-17
- 1
Editorial Suiza. Abanderado del cant?n de Saint-Gall, hacia el a?o 1804. Grabado en color de 1943, publicado por Editions Fraumunster, de Zurich.
- 2019-12-17
- 1
Editorial Decorated Incipit Page; Unknown; Saint Gall, Switzerland, Europe; late 10th century; Tempera colors, gold paint, silver paint, and ink on parchment; Leaf: 27.8 x 19.2 cm (10 15/16 x 7 9/16 in.).
- 2019-12-17
- 1
Editorial Inhabited Letters SI; Unknown; Saint Gall, Switzerland, Europe; late 10th century; Tempera colors, gold paint, silver paint, and ink on parchment; Leaf: 27.8 x 19.2 cm (10 15/16 x 7 9/16 in.).
- 2019-12-17
- 1
Editorial Decorated Initial C; Unknown; Saint Gall, Switzerland, Europe; late 10th century; Tempera colors, gold paint, silver paint, and ink on parchment; Leaf: 27.8 x 19.2 cm (10 15/16 x 7 9/16 in.).
- 2019-12-17
- 1
Editorial Decorated Monogram IN; Unknown; Saint Gall, Switzerland, Europe; late 10th century; Tempera colors, gold paint, silver paint, and ink on parchment; Leaf: 27.8 x 19.2 cm (10 15/16 x 7 9/16 in.).
- 2019-12-17
- 1
Editorial Franz Joseph Gall (1758-1828). M?dico alem?n, fisi?logo y anatomista, fundador de la frenolog?a. Grabado de 1860.
- 2019-12-17
- 1
Editorial Display case with marquetry in floral motifs, Display case made of oak and fruit wood, glued with elm roots, rosewood and maple wood resting on four high legs. The cupboard consists of a lower and upper cupboard that are separated from each other by me...
- 2019-11-19
- 1
Editorial The Crucifixion, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/16 x 6 1/8 in.).
- 2019-11-19
- 1
Editorial Four Young Birds in a Nest, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/16...
- 2019-11-19
- 2
Editorial A Pelican Feeding her Young, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/1...
- 2019-11-19
- 1
Editorial The Man of Sorrows, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/16 x 6 1/8...
- 2019-11-19
- 2
Editorial A Pig, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/16 x 6 1/8 in.).
- 2019-11-19
- 1
Editorial Initial R: A Saint Holding a Scroll, Bute Master (Franco-Flemish, active about 1260 - 1290), Northeastern (illuminated), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf: 17 x ...
- 2019-11-19
- 2
Editorial Initial I: The Virgin Holding the Christ Child's Hand, Bute Master (Franco-Flemish, active about 1260 - 1290), Paris (written), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf...
- 2019-11-19
- 1
Editorial Initial D: God Refusing the Jews' Sacrifice, Bute Master (Franco-Flemish, active about 1260 - 1290), Paris (written), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf: 17 x 11....
- 2019-11-19
- 1
Editorial Three Birds Pecking at a Crocodile, Unknown, Crete, Greece, 1510?1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 ? 15.6 cm (...
- 2019-11-19
- 1
Editorial Initial D: Ecclesia Holding a Cross-Staff and a Chalice and Synagoga Dropping the Tablets of the Law, Bute Master (Franco-Flemish, active about 1260 - 1290), Paris (written), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera col...
- 2019-11-19
- 1
Editorial An Ox, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/16 x 6 1/8 in.).
- 2019-11-19
- 1
Editorial Initial V: The Divine Hand Crowing David, Bute Master (Franco-Flemish, active about 1260 - 1290), Northeastern (illuminated), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf: ...
- 2019-11-19
- 1
Editorial Initial D: Rechab and Baanah Bringing Ishbosheth's Head to David, Bute Master (Franco-Flemish, active about 1260 - 1290), Paris (written), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parc...
- 2019-11-19
- 1
Editorial The Presentation in the Temple, Master of Guillaume Lambert (French, active about 1475 - 1485), Lyon, France, 1478 (based on date included in Easter calculation), Tempera colors, gold paint, and iron gall ink on parchment bound between pasteboard cover...
- 2019-11-19
- 1
Editorial The Nativity, Master of Guillaume Lambert (French, active about 1475 - 1485), Lyon, France, 1478 (based on date included in Easter calculation), Tempera colors, gold paint, and iron gall ink on parchment bound between pasteboard covered with brown jans...
- 2019-11-19
- 1
Editorial Initial V: A Seated Man Holding a Scroll, Bute Master (Franco-Flemish, active about 1260 - 1290), Paris (written), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf: 17 x 11.9 c...
- 2019-11-19
- 1
Editorial An Elephant, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 ? 15.6 cm (8 9/16 ? 6 1/8 in.).
- 2019-11-19
- 1
Editorial Initial S, Bute Master (Franco-Flemish, active about 1260 - 1290), Paris (written), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf: 17 x 11.9 cm (6 11/16 x 4 11/16 in.).
- 2019-11-19
- 1
Editorial Four Wolves, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/16 x 6 1/8 in.).
- 2019-11-19
- 1
Editorial Initial S: An Archer Shooting an Arrow, Bute Master (Franco-Flemish, active about 1260 - 1290), Northeastern (illuminated), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf: 17...
- 2019-11-19
- 1
Editorial Initial N: God Removing Synagoga's Blindfold, Bute Master (Franco-Flemish, active about 1260 - 1290), Paris (written), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf: 17 x 11...
- 2019-11-19
- 1
Editorial The Head of Christ, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/16 x 6 1/8...
- 2019-11-19
- 1
Editorial L'Abondance, Sculpture by Andr? Vauthier-Gall?, Decoration of the Louvre, Paris, ?douard Baldus (French, born Germany, 1813 - 1889), Paris, France, 1852?1857, Salted paper print, 10.9 ? 8.3 cm (4 5/16 ? 3 1/4 in.).
- 2019-11-19
- 1
Editorial Pentecost, Master of Guillaume Lambert (French, active about 1475 - 1485), Lyon, France, 1478 (based on date included in Easter calculation), Tempera colors, gold paint, and iron gall ink on parchment bound between pasteboard covered with brown janseni...
- 2019-11-19
- 1
Editorial A Peacock, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/16 x 6 1/8 in.).
- 2019-11-19
- 1
Editorial Initial I: A Bird Escaping from a Man's Basket, Bute Master (Franco-Flemish, active about 1260 - 1290), Paris (written), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf: 17 x ...
- 2019-11-19
- 1
Editorial An Owl, Unknown, Crete, Greece, 1510 - 1520, Pen and red lead and iron gall inks, watercolors, tempera colors, and gold paint on paper bound between wood boards covered with probably original brown calf, Leaf: 21.7 x 15.6 cm (8 9/16 x 6 1/8 in.).
- 2019-11-19
- 1
Editorial The Adoration of the Magi, Master of Guillaume Lambert (French, active about 1475 - 1485), Lyon, France, 1478 (based on date included in Easter calculation), Tempera colors, gold paint, and iron gall ink on parchment bound between pasteboard covered wi...
- 2019-11-19
- 1
Editorial Initial Q, Bute Master (Franco-Flemish, active about 1260 - 1290), Paris (written), France, illumination about 1270 - 1280, written about 135 - 1375, Tempera colors, gold, and iron gall ink on parchment, Leaf: 17 x 11.9 cm (6 11/16 x 4 11/16 in.).
- 2019-11-19
- 1
Editorial Initial S: The Lord Appearing to David in the Water. Date/Period: Ca. 1270 - 1280. Folio. Tempera colors, gold, and iron gall ink on parchment. Height: 170 mm (6.69 in); Width: 119 mm (4.68 in).
- 2019-11-19
- 1
Editorial American, Pennsylvania German: Cover for a Book of Copy Models (Vorschriften-B?chlein), Johann Adam Eyer, American, Pennsylvania German, 1784, Watercolor, pen and iron gall ink, and pen and red watercolor on laid paper, This Pennsylvania German waterco...
- 2019-11-19
- 1
Editorial Francisco de Goya: Old People Singing and Dancing, Francisco de Goya, c. 1812?1820, Brush and iron gall ink with graphite underdrawing on antique laid paper, Overall: 7 7/8 x 5 3/8 in. (20 x 13.7 cm).
- 2019-11-19
- 1
Editorial Francisco de Goya: Old People Singing and Dancing, Francisco de Goya, c. 1812?1820, Brush and iron gall ink with graphite underdrawing on antique laid paper, Overall: 7 7/8 x 5 3/8 in. (20 x 13.7 cm).
- 2019-11-19
- 1
Editorial Francisco de Goya: Old People Singing and Dancing, Francisco de Goya, c. 1812?1820, Brush and iron gall ink with graphite underdrawing on antique laid paper, Overall: 7 7/8 x 5 3/8 in. (20 x 13.7 cm).
- 2019-11-19
- 1
Editorial American, Pennsylvania German: Birth Certificate, Samuel Slank, American, Pennsylvania German, 1840, Opaque water-based paint, iron gall (?) ink, and graphite on wove paper, Overall (primary support): 12 x 15 3/8 in. (30.5 x 39.1 cm).
- 2019-11-19
- 1
Editorial American, Pennsylvania German: Cover for a Book of Copy Models (Vorschriften-B?chlein), Johann Adam Eyer, American, Pennsylvania German, 1784, Watercolor, pen and iron gall ink, and pen and red watercolor on laid paper, This Pennsylvania German waterco...
- 2019-11-19
- 1
Editorial American, Pennsylvania German: Birth Certificate, Samuel Slank, American, Pennsylvania German, 1840, Opaque water-based paint, iron gall (?) ink, and graphite on wove paper, Overall (primary support): 12 x 15 3/8 in. (30.5 x 39.1 cm).
- 2019-11-19
- 1
Editorial Francisco de Goya: Dogs Chasing a Cat on a Man on a Donkey, Francisco de Goya, c. 1812?1820, Brush and iron gall ink with graphite underdrawing on antique laid paper, Overall: 7 7/8 x 5 3/8 in. (20 x 13.7 cm).
- 2019-11-19
- 1
Editorial Francisco de Goya: Dogs Chasing a Cat on a Man on a Donkey, Francisco de Goya, c. 1812?1820, Brush and iron gall ink with graphite underdrawing on antique laid paper, Overall: 7 7/8 x 5 3/8 in. (20 x 13.7 cm).
- 2019-11-19
- 1
Editorial American, Pennsylvania German: Birth Certificate, Samuel Slank, American, Pennsylvania German, 1840, Opaque water-based paint, iron gall (?) ink, and graphite on wove paper, Overall (primary support): 12 x 15 3/8 in. (30.5 x 39.1 cm).
- 2019-11-19
- 1
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