EditorialA Flemish Kermis with a Performance of the Farce 'Een cluyte van Plaeyerwater'. A Performance of the Farce 'Een Cluyte van Plaeyerwater' (A Clod from Plaeyerwater) at a Flemish Kermis. Dating: c. 1570. Measurements: h 112 cm ? w 157 cm.
EditorialA Flemish Kermis with a Performance of the Farce 'Een cluyte van Plaeyerwater'. A Performance of the Farce 'Een Cluyte van Plaeyerwater' (A Clod from Plaeyerwater) at a Flemish Kermis. Dating: c. 1570. Measurements: h 112 cm ? w 157 cm.
EditorialLa Farce du p?t? et de la tarte. La farce du p?t? et de la tarte, tres bonne et forte joyeus? a quatre personnages, arrang?e et mise en nouveau langage par Gassies de Brulies. Illustrations de J. Geoffroy : Gassies, Georges, 1862-.
EditorialDomestic economy [a farce in one act] and Good for nothing [a comic drama in one act] written respectively by M. Lemon and J.B. Buckstone : Lemon, Mark, 1809-1870.
EditorialTwelve farce scenes, Uncut magazine with twelve farce scenes about a forbidden love, possibly from a theater play. The images are numbered in the lower center from I to XII, couple of lovers, hiding, hiding oneself, Theodoor Koning (mentioned on object...
EditorialA Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 ? 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England.
EditorialShakkyo no shinikyogen, Farce of the lions at stone bridge., Kobayashi, Kiyochika, 1847-1915, artist, 1904., 1 print : woodcut, color ; 37 x 24.8 cm.
EditorialShakkyo no shinikyogen, Farce of the lions at stone bridge., Kobayashi, Kiyochika, 1847-1915, artist, 1904., 1 print : woodcut, color ; 37 x 24.8 cm.
EditorialA Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 ? 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England.
EditorialBaissez le rideau, la farce est jou?e. Dated: 1834. Dimensions: image: 19.9 x 27.7 cm (7 13/16 x 10 7/8 in.) sheet: 27.5 x 36.1 cm (10 13/16 x 14 3/16 in.). Medium: lithograph.
EditorialA Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 ? 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England.
EditorialA Scene in the New Farce Called The Rivals. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English,1785-1825). Date: 1819. Dimensions: 226 ? 342 mm (plate). Hand-colored etching on ivory laid paper. Origin: England.
EditorialEnd of the Irish Farce of Catholic Emancipation. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1805. Dimensions: 347 ? 448 mm (image); 388 ? 460 mm (plate); 410 ? 497 mm (sheet). Hand-colored etching on...
EditorialBaissez le rideau, la farce est jou?e. Dated: 1834. Dimensions: image: 19.9 x 27.7 cm (7 13/16 x 10 7/8 in.) sheet: 27.5 x 36.1 cm (10 13/16 x 14 3/16 in.). Medium: lithograph.
EditorialBernard Blackmantle (Charles Molloy Westmacott) reading his Farce in the Green Room of the Theatre Royal, Drury Lane. Handcoloured copperplate drawn and engraved by Thomas Wageman from The English Spy, London, 1825. Written by Bernard Blackmantle, a ps...
EditorialA Flemish Kermis with a Performance of the Farce 'Een cluyte van Plaeyerwater'. A Performance of the Farce 'Een Cluyte van Plaeyerwater' (A Clod from Plaeyerwater) at a Flemish Kermis. Dating: c. 1570. Measurements: h 112 cm ? w 157 cm.
EditorialMr. Henry Gattie as Monsieur Morbleu in the farce "Monsieur Tonson" at the Theatre Royal Drury Lane. Gattie (1774-1844) was a popular actor and singer known for his impersonations of Frenchmen and Irishmen. Handcoloured stipple copperplate engraving by...
EditorialThe Newcastle Rider confronting a man at an inn demanding a better room. [Ducks and Green Pease; or the Newcastle Rider: a farce of one act [by J. Lund], founded in fact. To which is added The cure for a drunkard; a tale in verse. (The Newcastle Rider;...
EditorialA little farce at a railway station. An amusing cartoon on the subject of being single. . Punch, or the London Charivari. London, July 16, 1859. Whole page. Source: P.P.5270, page 23.
EditorialOpera Comqiue Theatre, Westminster. "Our Flat", 1889. Poster depicting a chair with a large cushion onto which are pinned the letters spelling 'Our Flat'. A collection of pamphlets, handbills, and miscellaneous printed matter relating to Victorian ente...
EditorialA little farce at a railway station. An amusing cartoon on the subject of being single. Punch, or the London Charivari. London, July 16, 1859. Source: P.P.5270, page 23.
EditorialFront cover of the programme for "The girl on the film", a musical farce. A woman emerging from behind curtains, one breast exposed. A collection of programmes for performances at the Gaiety Theatre, London between 1898 and 1950. The majority between 1...
EditorialMiguel de Cervantes (1547-1616). Spanish writer. Short farce The Ruffian widower named Trampagos (El Rufian viudo llamado Trampagos). Engraving. 1868. Private collection.
EditorialMiguel de Cervantes (1547-1616). Spanish writer. Short farce The Divorce judge (El Juez de los divorcios). Engraving. 1868. Private collection.
EditorialMiguel de Cervantes (1547-1616). Spanish writer. Short farce The Divorce judge (El Juez de los divorcios). Engraving. 1868. Private collection.
EditorialBaissez le rideau, la farce est jou?e. Dated: 1834. Dimensions: image: 19.9 x 27.7 cm (7 13/16 x 10 7/8 in.) sheet: 27.5 x 36.1 cm (10 13/16 x 14 3/16 in.). Medium: lithograph.
EditorialDrawings and Prints, Print, Scene in a Farce called The Quaker, Subject, Artist, Subject, William Parsons, Thomas Rowlandson, John Bannister, British, 1735?1795 London, British, London 1757?1827 London, British, London 1760?1836 London, Parsons, Willia...
EditorialFarce of the Death at stone bridge from the series Hurrah for Japan! One Hundred Victories, One Hundred Laughs (Nihon banzai hyakusen hyashusho), Meiji period (1868?1912), October 1904, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 ...
EditorialBernard Blackmantle (Charles Molloy Westmacott) reading his Farce in the Green Room of the Theatre Royal, Drury Lane. Handcoloured copperplate drawn and engraved by Thomas Wageman from The English Spy, London, 1825. Written by Bernard Blackmantle, a ps...
EditorialShakkyo no shinikyogen, Farce of the lions at stone bridge., Kobayashi, Kiyochika, 1847-1915, artist, 1904., 1 print : woodcut, color ; 37 x 24.8 cm.
EditorialShakkyo no shinikyogen, Farce of the lions at stone bridge., Kobayashi, Kiyochika, 1847-1915, artist, 1904., 1 print : woodcut, color ; 37 x 24.8 cm.
EditorialMr. Henry Gattie as Monsieur Morbleu in the farce "Monsieur Tonson" at the Theatre Royal Drury Lane. Gattie (1774-1844) was a popular actor and singer known for his impersonations of Frenchmen and Irishmen. Handcoloured stipple copperplate engraving by...
EditorialMiguel de Cervantes (1547-1616). Spanish writer. Short farce The Divorce judge (El Juez de los divorcios). Engraving. 1868. Private collection.
EditorialMiguel de Cervantes (1547-1616). Spanish writer. Short farce The Ruffian widower named Trampagos (El Rufian viudo llamado Trampagos). Engraving. 1868. Private collection.
EditorialMiguel de Cervantes (1547-1616). Spanish writer. Short farce The Divorce judge (El Juez de los divorcios). Engraving. 1868. Private collection.
EditorialMURAL ~ ROMAN ~ 1ST-3RD CE ~ Three actors on a stage, acting out an "Atellan Farce", with the man at left wearing the mask of a slave. Wallpainting from Pompeii, Italy.