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Editorial At No. 10 Gandhi arriving at No. 10 Dow
Editorial Fundamental church principles : Morrison, James Dow, 1844-1934.
Editorial Beeldenstorm, 1566 The Beeldestormery in the year 1568 in Vlaenderen and Braband started and spread throughout the Netherlands in wynig Tyds (title on object), View in a church where the iconoclasm in full is going on. Statues of saints are brought dow...
Editorial The reminiscences of Neal Dow. Recollections of eighty years : Dow, Neal, 1804-1897.
Editorial Strip of bobbin lace with a continuous tendril with a rose and curl up and down, Strip of natural-colored bobbin lace, old Flemish bobbin lace with braided soil. The repeating pattern consists of a continuous thin branch, always with one up and one dow...
Editorial Strip of bobbin lace with calyx flower in semicircular shells, Strip of natural-colored bobbin lace, old-Flemish lace. Pattern with semi-circular scallops, with in each scallop a symmetrical and simply designed calyx flower with two leaves, hanging dow...
Editorial Gilded bronze pedestal belonging to De muze Urania, Gilt bronze pedestal in Louis XVI style, belonging to 'De muze Urania' of painted Meissen porcelain, The base is oval and hollow. The top has three holes. The middle section is concave and extends dow...
Editorial Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines". Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 302 ? 235 mm (image/chine); 490 ? 345 mm (sheet). Lithograph in black on light gray China paper coll?, laid dow...
Editorial Sheet of Skteches. Denis Auguste Marie Raffet; French, 1804-1860. Date: 1829. Dimensions: 55 ? 130 mm (image, including stray marks); 65 ? 137 mm (plate); 61 ? 135 mm (primary support); 133 ? 221 mm (secondary support). Etching on cream chine, laid dow...
Editorial Study for the Omen of the Future Greatness of Augustus: Left Portion. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 372 x 295 mm. Pen and brown ink with brush and brown wash, on ivory laid paper, laid dow...
Editorial Virgin Mary Handing Scapular to Saint Simon Stock. Paolo Caliari, called Paolo Veronese; Italian, 1528-1588. Date: 1550-1600. Dimensions: 344 x 250 mm. Pen and iron gall ink, brown and gray wash, heightened with lead white, on blue laid paper, laid dow...
Editorial Selections from the poems. Edited with introd., notes, and vocabulary by John G. Dow : Burns, Robert, 1759-1796.
Editorial Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines". Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 302 ? 235 mm (image/chine); 490 ? 345 mm (sheet). Lithograph in black on light gray China paper coll?, laid dow...
Editorial Sheet of Skteches. Denis Auguste Marie Raffet; French, 1804-1860. Date: 1829. Dimensions: 55 ? 130 mm (image, including stray marks); 65 ? 137 mm (plate); 61 ? 135 mm (primary support); 133 ? 221 mm (secondary support). Etching on cream chine, laid dow...
Editorial Study for the Omen of the Future Greatness of Augustus: Left Portion. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 372 x 295 mm. Pen and brown ink with brush and brown wash, on ivory laid paper, laid dow...
Editorial Virgin Mary Handing Scapular to Saint Simon Stock. Paolo Caliari, called Paolo Veronese; Italian, 1528-1588. Date: 1550-1600. Dimensions: 344 x 250 mm. Pen and iron gall ink, brown and gray wash, heightened with lead white, on blue laid paper, laid dow...
Editorial Left hand side of sheet 'The world upside dow' (El mundo al reves) 1861; right hand side of sheet 'the life of the man who works well and the other badly' (vida del hombre obrando bien y obrando mal) 1859.
Editorial The Argilla Road, Arthur Wesley Dow (American, 1857-1922), 1912, color woodblock print, 4-1/4 x 7-1/16 in. (image) 6 7/16 x 9 in. (sheet).
Editorial Christ on Mount of Olives, page 52 from the Treasury (Schatzbehalter), 1491, Michael Wolgemut and Workshop (German, 1434/37?1519), published by Anton Koberger (German, 1440?1513), Germany, Woodcut on cream laid paper with letterpress on verso, laid dow...
Editorial Death: It is I Who Make You Serious; Let Us Embrace Each Other, plate 20 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 302 ? 212 mm (image); 303 ? 213 mm (chine); 452 ? 346 mm (sheet). Lithograph in black on cream China paper laid dow...
Editorial Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines". Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 302 ? 235 mm (image/chine); 490 ? 345 mm (sheet). Lithograph in black on light gray China paper coll?, laid dow...
Editorial City Island, New York, c. 1900. Arthur Wesley Dow (American, 1857-1922). Cyanotype; image: 12 x 17.1 cm (4 3/4 x 6 3/4 in.); paper: 12.4 x 17.2 cm (4 7/8 x 6 3/4 in.); matted: 35.6 x 45.7 cm (14 x 18 in.).
Editorial Imogen. Erastus Dow Palmer; American, 1817-1904; Cast by Ferdinand Barbedienne; French, 1810-1892. Date: 1874. Dimensions: 43.2 ? 13 ? 11.4 cm (17 ? 5 1/8 ? 4 1/2 in.). Bronze. Origin: United States.
Editorial Sheet of Skteches. Denis Auguste Marie Raffet; French, 1804-1860. Date: 1829. Dimensions: 55 ? 130 mm (image, including stray marks); 65 ? 137 mm (plate); 61 ? 135 mm (primary support); 133 ? 221 mm (secondary support). Etching on cream chine, laid dow...
Editorial Cameo of John J. Francis. Erastus Dow Palmer; American, 1817-1904. Date: 1846-1849. Dimensions: 5 ? 3.8 cm (2 ? 1 1/2 in.). Plaster and silver gilt. Origin: Albany.
Editorial Morning, c. 1850. Erastus Dow Palmer (American, 1817-1904). Marble; framed: 72.5 x 5 cm (28 9/16 x 1 15/16 in.); diameter: 53.3 cm (21 in.).
Editorial Evening, c. 1850. Erastus Dow Palmer (American, 1817-1904). Marble; framed: 72 x 5 cm (28 3/8 x 1 15/16 in.); diameter: 53.3 cm (21 in.).
Editorial Study for the Omen of the Future Greatness of Augustus: Left Portion. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 372 x 295 mm. Pen and brown ink with brush and brown wash, on ivory laid paper, laid dow...
Editorial Imogen. Erastus Dow Palmer; American, 1817-1904; Cast by Ferdinand Barbedienne; French, 1810-1892. Date: 1874. Dimensions: 43.2 ? 13 ? 11.4 cm (17 ? 5 1/8 ? 4 1/2 in.). Bronze. Origin: United States.
Editorial Seated Nude Woman, Three-Quarter View. Henri Matisse; French, 1869-1954. Date: 1931. Dimensions: 233 ? 133 mm (image); 244 ? 145 mm (primary support); 247 ? 150 mm (plate); 381 ? 285 mm (secondary support). Etching in black on gray wove paper, laid dow...
Editorial Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines". Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 302 ? 235 mm (image/chine); 490 ? 345 mm (sheet). Lithograph in black on light gray China paper coll?, laid dow...
Editorial Death: It is I Who Make You Serious; Let Us Embrace Each Other, plate 20 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 302 ? 212 mm (image); 303 ? 213 mm (chine); 452 ? 346 mm (sheet). Lithograph in black on cream China paper laid dow...
Editorial Study for the Omen of the Future Greatness of Augustus: Left Portion. after Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1519-1546. Dimensions: 372 x 295 mm. Pen and brown ink with brush and brown wash, on ivory laid paper, laid dow...
Editorial Virgin Mary Handing Scapular to Saint Simon Stock. Paolo Caliari, called Paolo Veronese; Italian, 1528-1588. Date: 1550-1600. Dimensions: 344 x 250 mm. Pen and iron gall ink, brown and gray wash, heightened with lead white, on blue laid paper, laid dow...
Editorial Sheet of Skteches. Denis Auguste Marie Raffet; French, 1804-1860. Date: 1829. Dimensions: 55 ? 130 mm (image, including stray marks); 65 ? 137 mm (plate); 61 ? 135 mm (primary support); 133 ? 221 mm (secondary support). Etching on cream chine, laid dow...
Editorial Cameo of John J. Francis. Erastus Dow Palmer; American, 1817-1904. Date: 1846-1849. Dimensions: 5 ? 3.8 cm (2 ? 1 1/2 in.). Plaster and silver gilt. Origin: Albany.
Editorial Saint Jerome in Penitence. Follower of Luca Cambiaso; Italian, 1527-1585. Date: 1575-1585. Dimensions: 429 x 265 mm. Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper, pieced and pricked for transfer, laid dow...
Editorial Left hand side of sheet 'The world upside dow' (El mundo al reves) 1861; right hand side of sheet 'the life of the man who works well and the other badly' (vida del hombre obrando bien y obrando mal) 1859.
Editorial View of Ipswich, or A Bend in the River.
Editorial Above the Old Bridge, Ipswich, or Little Venice.
Editorial Egyptian art. Tomb of Nakht-Kau. The wooden figures of the tomb-models had magical life, therefore they were able to work for the dead person. Tomb group from Heracleopolis, 1st Intermediate Period, 2140-2040 BC. Ship with oars and cabin is sailing dow...
Editorial Haystacks, Ipswich. Dated: c. 1894. Dimensions: image: 12.1 x 17.2 cm (4 3/4 x 6 3/4 in.) sheet: 15.6 x 20.8 cm (6 1/8 x 8 3/16 in.). Medium: platinum print.
Editorial The Derelict (The Lost Boat). Date/Period: 1916. Print. Color woodcut. Height: 176 mm (6.92 in); Width: 137 mm (5.39 in).
Editorial Haystacks, Ipswich. Dated: c. 1894. Dimensions: image: 12.1 x 17.2 cm (4 3/4 x 6 3/4 in.) sheet: 15.6 x 20.8 cm (6 1/8 x 8 3/16 in.). Medium: platinum print.
Editorial MODERN ART.
Editorial Left hand side of sheet 'The world upside dow' (El mundo al reves) 1861; right hand side of sheet 'the life of the man who works well and the other badly' (vida del hombre obrando bien y obrando mal) 1859.
Editorial VASE.
Editorial Marsh Creek.
Editorial View of Ipswich, or A Bend in the River.
Editorial The Long Road-Argilla Road, Ipswich.
Editorial VASE.
Editorial The White Captive.
Editorial VASE.
Editorial Lily.
Editorial Infant Ceres.
Editorial VASE.
Editorial Indian Girl, or The Dawn of Christianity.
Editorial Ipswich Town, or Harbor Scene.
Editorial MODERN ART.
Editorial linen press.
Editorial Above the Old Bridge, Ipswich, or Little Venice.
Editorial Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof on brown paper, Image: 2 3/16 ? 3 3/4 in. (5.6 ? 9.5 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof on cream paper, Image: 2 5/16 ? 3 7/8 in. (5.9 ? 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut on cream paper, Image: 2 5/16 ? 3 7/8 in. (5.9 ? 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof on cream paper, Image: 2 5/16 ? 3 15/16 in. (5.9 ? 10 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial Nabby's Point, ca. 1913, Made in Ipswich, Massachusettes, United States, Color woodcut on cream paper, Image: 2 5/16 ? 3 7/8 in. (5.9 ? 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial Drawings and Prints, Print, The Big Sky, or Marshes, Artist, Arthur Wesley Dow, American, Ipswich, Massachusetts 1857?1922 New York State, Dow, Arthur Wesley, 1857, 1922, ca. 1912.
Editorial Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof on cream paper, Image: 2 15/16 ? 3 7/8 in. (7.5 ? 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial The Long Road ? Argilla Road, Ipswich, ca. 1898?1912, Color woodcut, image: 4 1/4 x 7 1/16 in. (10.8 x 17.9 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State), The horizontal orientation of this landscape is unus...
Editorial Drawings and Prints, Print, The Big Sky, or Marshes, Artist, Arthur Wesley Dow, American, Ipswich, Massachusetts 1857?1922 New York State, Dow, Arthur Wesley, 1857, 1922, ca. 1912.
Editorial Harbor and Orchard, ca. 1902?1908, Color woodcut, image: 6 1/4 x 4 7/8 in. (15.9 x 12.4 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State), This panoramic image captures the view from Dow's studio on Bayberry Hil...
Editorial Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof on cream paper, Image: 2 5/16 ? 3 7/8 in. (5.9 ? 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof with colored pencil additions, on cream paper, Image: 2 1/4 ? 3 13/16 in. (5.7 ? 9.7 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachu...
Editorial 'The Derelict' or 'The Lost Boat', 1916, Made in Ipswich, Massachusettes, United States, Color woodcut; working proof, 5 9/16 ? 3 7/8 in. (14.1 ? 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial Drawings and Prints, Print, The Big Sky, or Marshes, Artist, Arthur Wesley Dow, American, Ipswich, Massachusetts 1857?1922 New York State, Dow, Arthur Wesley, 1857, 1922, ca. 1912.
Editorial Ipswich Town, or Harbor Scene, ca. 1893?95, Color woodcut on paper stained green, image: 5 x 2 1/4 in. (12.7 x 5.7 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State), Part of a series titled 'Along Ipswich River,...
Editorial 'The Derelict' or 'The Lost Boat', 1916, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof of single color block, Image: 5 5/8 ? 3 7/8 in. (14.3 ? 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 185...
Editorial Drawings and Prints, Print, Marsh Creek, Artist, Arthur Wesley Dow, American, Ipswich, Massachusetts 1857?1922 New York State, Dow, Arthur Wesley, 1857, 1922, ca. 1907, 1902.
Editorial Nabby's Point, ca. 1913, (none assigned) Ipswich, Massachusettes, United States, Color woodcut; trial proof on cream paper, Image: 2 5/16 ? 3 7/8 in. (5.9 ? 9.8 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial 'The Derelict' or 'The Lost Boat', 1916, (none assigned) Ipswich, Massachusettes, United States, Color woodcut, Image: 5 9/16 ? 3 7/8 in. (14.1 ? 9.8 cm), Paper, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857?1922 New York State).
Editorial Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.?early 1st century A.D., Roman, Glass; cast and cut, Other: 7/8 x 1 in. (2.2 x 2.5 cm), Glass, Body fragment., Translucent cobalt blue and opaque white., Convex curving side, tapering dow...
Editorial Glass perfume bottle, Mid Imperial, 2nd?3rd century A.D., Roman, Glass; blown, Overall: 6 in. (15.2 cm), Glass, Large candlestick unguentarium. Colorless. Tubular rim folded out, down, over and pressed into top of mouth; cylindrical neck, expanding dow...
Editorial Glass jug, Late Imperial, 5th century A.D., Roman, Syrian, Glass; mold-blown, H. 6 1/4 in. (15.9 cm), Glass, Translucent blue green, with same color handle and trail., Thick folded rim, flattened into broad flaring mouth; cylindrical neck expanding dow...
Editorial Three Edinburgh bucks: the daft highland laird James Robertson, the town guardsman John Dhu or Dow, and the idiot Jamie Duff. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.
Editorial Egyptian art. Tomb of Nakht-Kau. The wooden figures of the tomb-models had magical life, therefore they were able to work for the dead person. Tomb group from Heracleopolis, 1st Intermediate Period, 2140-2040 BC. Ship with oars and cabin is sailing dow...
Editorial 1885 CONSTRUCCION EN BATH MAINE DEL"LORENZO DOW BAKER" A VAPOR CON CARBON.