EditorialVenus Disarming Cupid. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1852-1862. Dimensions: 387 ? 258 mm. Charcoal, with stumping, scraping and erasing, heightened with white gouache, on dark cream wove paper with inclusions. Origin: France.
EditorialVenus Disarming Cupid. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1852-1862. Dimensions: 387 ? 258 mm. Charcoal, with stumping, scraping and erasing, heightened with white gouache, on dark cream wove paper with inclusions. Origin: France.
EditorialVenus Disarming Cupid. Date/Period: 1524 - 1530. Drawing. Pen and brown ink, brown wash, heightened with white, traces of black chalk on paper tinted in pink pen and brown ink, brown wash, heightened with white, traces of black chalk on paper tinted in...
EditorialVenus Disarming Mars, Drapery Study, c. 1632/35. Peter Paul Rubens (Flemish, 1577-1640). Pen and brown ink and brush and brown wash (right half); black chalk, with stumping (left half); sheet: 19.9 x 49.2 cm (7 13/16 x 19 3/8 in.).
EditorialLoveless Disarming Himself. Unknown Artist (French, early 19th century); after Jacques-Louis David (French, 1748-1825). Date: 1819-1829. Dimensions: 257 ? 394 mm. Lithograph in black on white wove paper. Origin: France.
EditorialVenus Disarming Cupid. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1852-1862. Dimensions: 387 ? 258 mm. Charcoal, with stumping, scraping and erasing, heightened with white gouache, on dark cream wove paper with inclusions. Origin: France.
EditorialLoveless Disarming Himself. Unknown Artist (French, early 19th century); after Jacques-Louis David (French, 1748-1825). Date: 1819-1829. Dimensions: 257 ? 394 mm. Lithograph in black on white wove paper. Origin: France.
EditorialCupids Disarming Sleeping Nymphs. Dated: c. 1690/1705. Dimensions: overall: 52.4 x 75.5 cm (20 5/8 x 29 3/4 in.) framed: 71.1 x 93.7 x 7.6 cm (28 x 36 7/8 x 3 in.). Medium: oil on copper.
Editorial"Venus disarming Cupid," by Pradier, and "Cyparissus", by Chaudet. Photographic Views of the Progress of the Crystal Palace, Sydenham. Taken during the progress of the works, by desire of the directors, by Philip H. Delamotte. Together with a list of t...
Editorial'The Disarming of Cupid'- a sonnet illustration. The Works of Shakspere. Imperial edition. Edited (with a biography) by Charles Knight, etc. London : J. S. Virtue & Co., [1877?]. Source: L.R.410.f.7, opposite page 662. Language: English.
EditorialVenus Disarming Cupid. Date/Period: 1524 - 1530. Drawing. Pen and brown ink, brown wash, heightened with white, traces of black chalk on paper tinted in pink pen and brown ink, brown wash, heightened with white, traces of black chalk on paper tinted in...
EditorialVenus Disarming Cupid. Date/Period: 1524 - 1530. Drawing. Pen and brown ink, brown wash, heightened with white, traces of black chalk on paper tinted in pink pen and brown ink, brown wash, heightened with white, traces of black chalk on paper tinted in...
EditorialCupids Disarming Sleeping Nymphs. Dated: c. 1690/1705. Dimensions: overall: 52.4 x 75.5 cm (20 5/8 x 29 3/4 in.) framed: 71.1 x 93.7 x 7.6 cm (28 x 36 7/8 x 3 in.). Medium: oil on copper.
EditorialGentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent, second position after parrying the Thrust in Tierce, or Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent on the Thrust in Tierce, or Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
EditorialGentleman fencer disarming his opponent after parrying (le croize d'epee apres la parade du contre de quarte), 18th century. Copperplate engraving by D. Jenkins after an illustration drawn from the life by J. Roberts from Mr. J. Olivier's Fencing Famil...