EditorialSilk frock or robe ? la fran?aise with vertical yellow and white stripes and multi-colored bouquets with oval pouffes and lined with a multicolored ikat, frock or robe ? la fran?aise made of silk with vertical yellow and white stripes and scatter motif...
EditorialLidded vase Plate with a bouqet, flower sprays and a butterfly, Porcelain covered vase on a high, spreading base, ending in a square base. The belly is cylindrical, with the upper part slightly indented and provided with two dolphin-shaped ears. The ab...
EditorialMusashib? Benkei drags with a large temple bell, A ferocious looking man drags with a huge temlokloklok. The man is the famous warrior Musashib? Benkei, who, according to tradition, already possessed enormous strength at a young age. Exiled from the Mi...
EditorialHow Wearily, Oh, How Wearily Drags Life (valentine). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 61 x 65 mm (card). Engraving with hand-coloring on ivory card. Origin: United States.
EditorialHow Wearily, Oh, How Wearily Drags Life (valentine). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 61 x 65 mm (card). Engraving with hand-coloring on ivory card. Origin: United States.
EditorialRed-figured cup, Greek, made in Athens, 440-430 BCE. The decoration is dedicated entirely to the deeds of the Athenian hero Theseus. In the tondo he drags the dead or dying Minotaur from the Labyrinth of Knossos, its maze of passages suggested by the m...
EditorialHow Wearily, Oh, How Wearily Drags Life (valentine). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 61 x 65 mm (card). Engraving with hand-coloring on ivory card. Origin: United States.
EditorialHow Wearily, Oh, How Wearily Drags Life (valentine). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 61 x 65 mm (card). Engraving with hand-coloring on ivory card. Origin: United States.
EditorialBattle between Araz the Turkman and Shahmar Zand: the former drags the latter along, caught by his lasso. Shahinshahnama of Fath 'Ali Khan Saba. 1810. opaque watercolour. Persian style; Qajar style. Source: I.O.Islamic 3442 f.113. Language: Persian.
EditorialFresco from Gragnano of the flight of Aeneas represented by cynocephali (dogheaded monkeys) with huge phalli. Aeneas carries Anchises and drags along Ascanius in Phrygian cap. Handcoloured lithograph by A. Delvaux from Cesar Famin's "Musee royal de Nap...
EditorialRustam drags the Khaqan. Shahnama of Firdawsi, with 39 miniatures. Opaque w. 1614. Rustam drags the Khaqan from his elephant. Beside the latter is another elephant with two Indian riders in Mughal turbans, followed by a group of foreigners, one Indian ...
EditorialIsfandiyar lassoes Gurgsar. Shahnama of Firdawsi, with 39 miniatures. Opaque w. 1614. Isfandiyar lassoes Gurgsar and drags him from his horse. The usual crowded battle-scene, somewhat rubbed along the left-hand edge. 25.5 by 19.5 cm. Image taken from ...
EditorialBattle between Araz the Turkman and Shahmar Zand: the former drags the latter along, caught by his lasso. Shahinshahnama of Fath 'Ali Khan Saba. 1810. opaque watercolour. Persian style; Qajar style. Source: I.O.Islamic 3442 f.113. Language: Persian.
EditorialThe Calumny of Apelles. King Midas sits in judgement on " Ignorance" and " Suspicion". The plaintiff brings " Calumny" as a witness, who drags " Envy" by the hair. Botticelli recreated a lost painting by Greek pa...
EditorialCalumny of Apelles, 1565. An allegory in which Truth triumphs over all her enemies. The subject is taken from a painting by the classical Greek artist Apelles. Latin titles explain the figures: Sitting on a throne to the right is a king with large ears...
EditorialRed-figured cup, Greek, made in Athens, 440-430 BCE. The decoration is dedicated entirely to the deeds of the Athenian hero Theseus. In the tondo he drags the dead or dying Minotaur from the Labyrinth of Knossos, its maze of passages suggested by the m...
EditorialFresco from Gragnano of the flight of Aeneas represented by cynocephali (dogheaded monkeys) with huge phalli. Aeneas carries Anchises and drags along Ascanius in Phrygian cap. Handcoloured lithograph by A. Delvaux from Cesar Famin's "Musee royal de Nap...
EditorialMan in long carrick coat with five pelerines or capes. "Our young men shorten their jackets but lengthen their coats. The coat is long, heavy and awkward, it drags along the ground like a dressing gown. It sweeps the streets, and has to be lifted up li...
EditorialFresco from Gragnano of the flight of Aeneas represented by cynocephali (dogheaded monkeys) with huge phalli. Aeneas carries Anchises and drags along Ascanius in Phrygian cap. Handcoloured lithograph by A. Delvaux from Cesar Famin's "Musee royal de Nap...
EditorialSocrate arrachant Alcibiade du sein de la Volupte-Socrates drags Alkibiades from the arms of voluptous pleasure,1791. Canvas,46 x 63 cm R. F.1976-9.
EditorialHercules drags Cacus from his cave, 1621 Painted for the villa Porta Pinciana in Rome, property of cardinal Ludovico Ludovisi. Canvas, 121 x 149 cm INV. 795.
EditorialThe Calumny of Apelles. King Midas sits in judgement on " Ignorance" and " Suspicion". The plaintiff brings " Calumny" as a witness, who drags " Envy" by the hair. Botticelli recreated a lost painting by Greek pa...
EditorialCalumny of Apelles, 1565. An allegory in which Truth triumphs over all her enemies. The subject is taken from a painting by the classical Greek artist Apelles. Latin titles explain the figures: Sitting on a throne to the right is a king with large ears...
EditorialAchilles on a chariot, drawn by his horses Balios and Xanthos, drags the body of Hector. The figure on the right perhaps is Patroclos. From the outer wall of the Church of Maria Saal (2nd CE), original from Virunum, capital of the Roman province Noricum.
EditorialRed-figured cup, Greek, made in Athens, 440-430 BCE. The decoration is dedicated entirely to the deeds of the Athenian hero Theseus. In the tondo he drags the dead or dying Minotaur from the Labyrinth of Knossos, its maze of passages suggested by the m...