EditorialChurch of the Chartreuse, near Pavia. Details, Plate 2., Ornaments in the church Madonna delle Grazie of the monastery in Certosa di Pavia, signed: J. Jourdan del, J. Bury sc, Fig. 7, p. 31, Jourdan, J. (del.); Bury, Jean Baptiste Marie (sc.), 1853, Ju...
EditorialChurch of Chartreuse near Pavia. Italy, Church of the Madonna delle Grazie of the Certosa di Pavia Monastery, signed J. Jourdan del, J. Bury sc, Fig. 6, p. 29, Jourdan, J. (del.); Bury, Jean Baptiste Marie (sc.), 1853, Jules Gailhabaud: Monuments ancie...
EditorialWindow of Certosa at Pavia, Window of the monastery Certosa in Pavia, Fig. 130, p. 233, 1867, Jacob Burckhardt; Wilhelm L?bke: Geschichte der neueren Baukunst. Stuttgart: Verlag von Ebner & Seubert, 1867.
EditorialDie Certoso bei Pavia, Charterhouse or Certosa di Pavia, Pl. 102, after p. 200, fol. 102r, Carl August Menzel: Die Kunstwerke von dem Alterthum bis in die Gegenwart [...] oder Wegweiser durch das ganze Gebiet der bildenden Kunst [...]. Bd. 2. Leipzig: ...
EditorialFrom the court of the Certosa at Pavia, Certosa di Pavia Monastery, Fig. 16, p. 65, 1867, Jacob Burckhardt; Wilhelm L?bke: Geschichte der neueren Baukunst. Stuttgart: Verlag von Ebner & Seubert, 1867.
EditorialMan Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples, 1596]. Giuseppe Cesari, called Il Cavalier d'Arpino; Italian, 1568-1640. Date: 1595-1596. Dimensions: 248 x 167 mm (max.). Red chalk on tan laid paper, laid...
EditorialMan Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples, 1596]. Giuseppe Cesari, called Il Cavalier d'Arpino; Italian, 1568-1640. Date: 1595-1596. Dimensions: 248 x 167 mm (max.). Red chalk on tan laid paper, laid...
EditorialChurch of the Chartreuse, near Pavia. Details, Plate 3., Ornaments in the church Madonna delle Grazie of the monastery in Certosa di Pavia, signed: J. Jourdan del, J. Bury sculp, Fig. 8, p. 33, Jourdan, J. (del.); Bury, Jean Baptiste Marie (sc.), 1853,...
EditorialDesign for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto); Architectural Drawing of Columns (verso), c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x 34.3 cm...
EditorialDesign for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto), c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x 34.3 cm (19 3/8 x 13 1/2 in.).
EditorialThe Certosa, Florence. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1904. Dimensions: 119 x 219 mm (image/plate); 124 x 221 mm (sheet). Etching in black on cream wove paper. Origin: United States.
EditorialMan Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples, 1596]. Giuseppe Cesari, called Il Cavalier d'Arpino; Italian, 1568-1640. Date: 1595-1596. Dimensions: 248 x 167 mm (max.). Red chalk on tan laid paper, laid...
EditorialDesign for a Fresco of the Tomb of Vincenzo Martinelli (1737-1807) in the Certosa of Bologna, c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite underdrawing; sheet: 47.2 x 29.8 cm (18 9/16 x 11 3/4 in.).
EditorialMan Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples, 1596]. Giuseppe Cesari, called Il Cavalier d'Arpino; Italian, 1568-1640. Date: 1595-1596. Dimensions: 248 x 167 mm (max.). Red chalk on tan laid paper, laid...
EditorialThe Certosa, Florence. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1904. Dimensions: 119 x 219 mm (image/plate); 124 x 221 mm (sheet). Etching in black on cream wove paper. Origin: United States.
EditorialNonnen im Kloster Certosa, mit Blick auf das Meer in Richtung Faraglioni, Capri / Nuns in the Certosa Cloister, overlooking a Moonlit Sea towards the Faraglioni, Capri. Date/Period: Ca. 1823. Painting. Oil on canvas. Height: 73 cm (28.7 in); Width: 98 ...
EditorialAttack on the Castle of St. Elmo, 9th June 1799. View of Castel Sant' Elmo on top of Vomero hill defended by Sicilian Republican and French soldiers, with the Certosa di San Martino on the right and Royalist soldiers firing their guns behind walls amon...
EditorialView of Castel Sant' Elmo on top of Vomero hill defended by Sicilian Republican and French soldiers, with the Certosa di San Martino at right and Royalist soldiers firing their guns behind walls among trees from the foreground; within painted frame. An...
EditorialNonnen im Kloster Certosa, mit Blick auf das Meer in Richtung Faraglioni, Capri / Nuns in the Certosa Cloister, overlooking a Moonlit Sea towards the Faraglioni, Capri. Date/Period: Ca. 1823. Painting. Oil on canvas. Height: 73 cm (28.7 in); Width: 98 ...
EditorialStudy for a painting of the " Supper at Emmaus", around 1524-1525. In front, an older monk looks out directly to the artist; he gestures with both hands. The younger monk behind him is startled and turns his head. The " Supper at Emmaus&...
EditorialPanels from Two Caskets, ca. 1400?1409, Made in Florence, Italy, Italian, Bone and Certosina (inlays of stained woods, bone and horn) with traces of gilding, Ht. 78 3/4 in. (200 cm), Ivories-Bone, Baldassare degli Embriachi (Italian, active 1390?1409) ...
EditorialThe Assumption of the Virgin, Oil and gold on wood, 95 3/8 x 42 1/2 in. (242.3 x 108 cm), Paintings, Bergognone (Ambrogio di Stefano da Fossano) (Italian, Milan ca. 1453?1523 Milan), A successful and popular painter of altarpieces, Bergognone worked fo...
EditorialTHE CERTOSA OF PAVIA, ITALY, 1883: 1. Third. Window of Fa?ade. 2. The Smaller Cloister. 3. Fourth Window of Fa?ade. 4. Door of the Smaller Cloister. 5. Principal Entrance to the Certosa. 6. The "Lavabo" (Washing Basin) in the Sacristy. 7. Second Window...
EditorialNiccolo Acciaiuoli, who founded the Certosa in Florence. Murals from a hall in the Villa Carducci in Legnaia, Italy; painted around 1450. Mural, transferred to canvas,250 x 154 cm Inv. San Marco e Cenacoli 171.
EditorialStudy for a painting of the " Supper at Emmaus", around 1524-1525. In front, an older monk looks out directly to the artist; he gestures with both hands. The younger monk behind him is startled and turns his head. The " Supper at Emmaus&...