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Editorial Te Po (The Long Night). Dated: 1894/1895. Medium: woodcut in bistre on cream paper.
- 2020-03-02
- 1
Editorial Portrait of a Man. probably Jacques Louis Constant Le Cerf (French, active 1814-1824); possibly Louis Le Cerf (French, born 1787); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 174 ? 132 mm (im...
- 2019-12-17
- 1
Editorial Head of a Woman, plate I. Th?ophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1898. Dimensions: 227 ? 150 mm (image/plate); 312 ? 226 mm (sheet). Etching and drypoint from a zinc plate in bistre on ivory laid paper. Origin: France.
- 2019-12-17
- 1
Editorial Passage of a Soul. Odilon Redon; French, 1840-1916. Date: 1891. Dimensions: 82 ? 51 mm (image); 94 ? 57 mm (plate); 332 ? 247 mm (sheet). Etching and drypoint in bistre on ivory laid paper. Origin: France.
- 2019-12-17
- 1
Editorial Head of a Woman, plate I. Th?ophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1898. Dimensions: 227 ? 150 mm (image/plate); 312 ? 226 mm (sheet). Etching and drypoint from a zinc plate in bistre on ivory laid paper. Origin: France.
- 2019-11-19
- 1
Editorial Passage of a Soul. Odilon Redon; French, 1840-1916. Date: 1891. Dimensions: 82 ? 51 mm (image); 94 ? 57 mm (plate); 332 ? 247 mm (sheet). Etching and drypoint in bistre on ivory laid paper. Origin: France.
- 2019-11-19
- 1
Editorial Portrait of a Man. probably Jacques Louis Constant Le Cerf (French, active 1814-1824); possibly Louis Le Cerf (French, born 1787); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 174 ? 132 mm (im...
- 2019-11-19
- 1
Editorial Small waterfall in the mountains, bistre and ink, washed, sheet: 15.1 x 20.1 cm, U. l., Signed with pen: J Ant Linck, Jean-Antoine Linck, Genf 1766?1843 Genf.
- 2019-11-18
- 1
Editorial Warwick Castle from the Lodge Hill, plate 1, January 1776, Paul Sandby, English, 1731-1809, England, Etching and aquatint, printed in bistre ink on heavy cream laid paper, 301 ? 450 mm (image), 340 ? 480 mm (plate), 440 ? 635 mm (sheet).
- 2019-11-18
- 1
Editorial Caesar?s Tower and Part of Warwick Castle from the Island, plate three from Views of Warwick Castle, January 1776, Paul Sandby, English, 1731-1809, England, Etching and aquatint in bistre on heavy cream laid paper, 298 ? 458 mm (image), 325 ? 483 mm (p...
- 2019-11-18
- 1
Editorial Part of Warwick Castel from the Southeast, plate 4, January 1776, Paul Sandby, English, 1731-1809, England, Etching and aquatint, printed in bistre ink on heavy cream laid paper, 295 ? 455 mm (image), 325 ? 480 mm (plate), 440 ? 635 mm (sheet).
- 2019-11-18
- 1
Editorial Rinaldo and Armida, n.d., Francesco Fontebasso, Italian, 1709-1769, Italy, Pen and brown inks (iron gall and bistre) and watercolor on ivory laid paper, 198 x 78 mm.
- 2019-10-28
- 2
Editorial Nancy Outside in July XVI: Japanese Bistre. Jim Dine (American, born 1935); printed and published by Aldo Crommelynck (French, 1931-2008). Date: 1981. Dimensions: 599 x 496 mm (image/plate); 926 x 680 mm (sheet). Photogravure from one copper plate on i...
- 2019-07-16
- 1
Editorial Victory of Myrina, ca.180 BCE Terracotta and pink bistre clay. H: 27,8 cm.
- 2019-07-16
- 1
Editorial Francisco de Goya y Lucientes / 'A lo menos hace algo. Album C, 8'. 1808 - 1814. Wash, Brush, Pencil, Bistre, Grey-brown ink on laid paper.
- 2019-07-09
- 1
Editorial Francisco de Goya y Lucientes / 'Si no me engano, ba a dejar el avito. Album C, 18'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-07-09
- 1
Editorial Francisco de Goya y Lucientes / 'Esto degemoslo como estaba. Album C, 30'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-07-09
- 1
Editorial Francisco de Goya y Lucientes / 'To the desert to be a saint, amen ( Album C, 7)'. 1808 - 1814. Wash, Brush, Bistre, Black chalk lines on laid paper.
- 2019-07-09
- 1
Editorial Francisco de Goya y Lucientes / 'Puede ser que sea bueno. Album C, 62'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-07-09
- 1
Editorial Francisco de Goya y Lucientes / 'Esto ya se be. Album C, 51'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink, Black chalk lines on laid paper.
- 2019-07-09
- 1
Editorial Francisco de Goya y Lucientes / 'Ya hace mucho tiempo, que somos Conocidos. Album C, 119'. 1812 - 1814. Wash, Brush, Bistre, Grey-brown ink, Black chalk lines on laid paper.
- 2019-07-09
- 1
Editorial Francisco de Goya y Lucientes / 'Muchas Viudas an llorado como tu. ?lbum C, 104'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Scraping out on laid paper.
- 2019-07-09
- 1
Editorial Marquis Caulaincourt. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1901. Dimensions: 417 ? 571 mm (plate); 488 ? 649 mm (sheet). Etching and aquatint in tones of bistre-sanguine on paper. Origin: France.
- 2019-06-13
- 1
Editorial Self-Portrait III, from La Petite Banlieue. Georges Rouault; French, 1871-1958. Date: 1929. Dimensions: 340 ? 245 mm (image); 560 ? 415 mm (sheet). Color lithograph in black, ochre, green and bistre on white wove paper. Origin: France.
- 2019-05-16
- 1
Editorial Passage of a Soul. Odilon Redon; French, 1840-1916. Date: 1891. Dimensions: 82 ? 51 mm (image); 94 ? 57 mm (plate); 332 ? 247 mm (sheet). Etching and drypoint in bistre on ivory laid paper. Origin: France.
- 2019-04-16
- 1
Editorial St Prosdocimus baptizing St Giustina. Date/Period: Between ca. 1735 and ca. 1740. Drawing. Pen and bistre ink and wash. Height: 335 mm (13.18 in); Width: 250 mm (9.84 in).
- 2019-04-16
- 1
Editorial Francisco de Goya y Lucientes / 'Por casarse con quien quiso. Album C, 93'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper.
- 2019-04-09
- 1
Editorial Francisco de Goya y Lucientes / 'Por no trabajar. ?lbum C, 1'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-04-09
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of the City with the Louvre taken from the Pont Marie, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-09
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of the Palace and Village of Choisi on the Banks of the Seine, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 2
Editorial Twenty Views of Paris and Environs: View of St. Cloud and Mount Calvary taken from Pont de S?ve, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of Bell Vue and Pont de S?ve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial Woman Fixing Her Hair, Three-Quarter View. Th?ophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1902. Dimensions: 358 ? 243 mm (image/plate); 454 ? 327 mm (sheet). Soft ground etching and aquatint from a zinc plate in bistre (brown)...
- 2019-04-01
- 1
Editorial Woman Fixing Her Nails. Th?ophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1902. Dimensions: 381 ? 225 mm (image); 381 ? 225 mm (plate); 453 ? 328 mm (sheet). Aquatint and soft ground etching from a zinc plate in brown (bistre) on...
- 2019-04-01
- 2
Editorial Pollard Poplars. Louis Auguste Lep?re; French, 1849-1918. Date: 1910. Dimensions: 211 ? 258 mm (image/plate); 260 ? 309 mm (sheet). Etching in bistre on cream laid paper. Origin: France.
- 2019-04-01
- 1
Editorial Head of a Woman, plate I. Th?ophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1898. Dimensions: 227 ? 150 mm (image/plate); 312 ? 226 mm (sheet). Etching and drypoint from a zinc plate in bistre on ivory laid paper. Origin: France.
- 2019-04-01
- 1
Editorial Portrait of a Man. probably Jacques Louis Constant Le Cerf (French, active 1814-1824); possibly Louis Le Cerf (French, born 1787); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 174 ? 132 mm (im...
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle and Notre Dame taken from the Arsenal, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 2
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, taken from Pont de la Concorde, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of the Gate of St. Denis taken from the Suburbs, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, and taken from Pont Notre Dame, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of the Tuilleries and Bridge taken from Quay d'Orsay, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 1
Editorial A Selection of Twenty of the Most Picturesque Views in Paris: The Watermill above the Bridge at Charenton, 1802. Thomas Girtin (British, 1775-1802). Soft-ground etching with bistre wash.
- 2019-04-01
- 4
Editorial Francisco de Goya y Lucientes / 'Estos creen en los buelos de las abes. ?lbum C, 33'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-04-01
- 5
Editorial Francisco de Goya y Lucientes / 'Menos. Album C, 55'. 1808 - 1814. Wash, Brush, Bistre, Black chalk lines on laid paper.
- 2019-04-01
- 3
Editorial Francisco de Goya y Lucientes / 'No haver escrito para tontos. Album C, 96'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper.
- 2019-04-01
- 9
Editorial Francisco de Goya y Lucientes / 'Busca un medico. Album C, 121'. 1812 - 1814. Wash, Brush, Bistre, Grey-brown ink, Black chalk lines on laid paper.
- 2019-04-01
- 4
Editorial Francisco de Goya y Lucientes / 'Swooning in the countryside. Album B, 7'. 1794 - 1795. Brush, Bistre, Grey-brown ink on laid paper.
- 2019-04-01
- 4
Editorial Francisco de Goya y Lucientes / 'Rara penitencia. Album C, 34'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-04-01
- 5
Editorial Francisco de Goya y Lucientes / 'Esto degemoslo como estaba. Album C, 30'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-04-01
- 1
Editorial Francisco de Goya y Lucientes / 'Por casarse con quien quiso. Album C, 93'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper.
- 2019-04-01
- 4
Editorial Francisco de Goya y Lucientes / 'Todo lo desprecia. Album C, 133'. 1812 - 1814. Wash, Brush, Bistre, Grey-brown ink, Black chalk lines on laid paper.
- 2019-04-01
- 6
Editorial Francisco de Goya y Lucientes / 'Habrazo Paternal. Album C, 10'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-04-01
- 3
Editorial Francisco de Goya y Lucientes / 'Many have ended up like this ( Album C, 91)'. 1810 - 1811. Wash, Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper.
- 2019-04-01
- 8
Editorial Francisco de Goya y Lucientes / 'Concert. Album B, 27'. 1794 - 1795. Wash, Brush, Bistre on laid paper.
- 2019-04-01
- 2
Editorial Francisco de Goya y Lucientes / 'Good woman, seemingly. Album C, 9'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-04-01
- 4
Editorial Francisco de Goya y Lucientes / 'Another on the same night (Album C, 40)'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-04-01
- 5
Editorial Francisco de Goya y Lucientes / 'This is how Useful Men Generally End Up. Album C, 17'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-04-01
- 2
Editorial Francisco de Goya y Lucientes / 'Calla. El tiempo muda las oras. ?lbum C, 61'. 1808 - 1814. Wash, Brush, Pencil, Bistre, Grey-brown ink on laid paper.
- 2019-04-01
- 10
Editorial Francisco de Goya y Lucientes / '8th. Album C, 46'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-04-01
- 7
Editorial Francisco de Goya y Lucientes / 'Ya dispertar?. Album C, 58'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-04-01
- 4
Editorial Francisco de Goya y Lucientes / 'Se le murio su amante y se ba al combento. ?lbum C, 20'. 1808 - 1814. Wash, Black chalk, Brush, Bistre on laid paper.
- 2019-04-01
- 3
Editorial Francisco de Goya y Lucientes / '? que bendra el faldellin y los calzones?. ?lbum C, 3'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-04-01
- 2
Editorial Francisco de Goya y Lucientes / 'No te aflijas. Album C, 111'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines on laid paper.
- 2019-04-01
- 2
Editorial Francisco de Goya y Lucientes / 'Muecas de Baco. ?lbum C, 23'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink, Black chalk lines on laid paper.
- 2019-04-01
- 6
Editorial Francisco de Goya y Lucientes / 'No se sabe. Album C, 53'. 1808 - 1814. Wash, Brush, Bistre, Black chalk lines on laid paper.
- 2019-04-01
- 1
Editorial Francisco de Goya y Lucientes / 'Estos creen en los buelos de las abes. ?lbum C, 33'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-03-22
- 5
Editorial Francisco de Goya y Lucientes / 'Menos. Album C, 55'. 1808 - 1814. Wash, Brush, Bistre, Black chalk lines on laid paper.
- 2019-03-22
- 3
Editorial Francisco de Goya y Lucientes / 'No haver escrito para tontos. Album C, 96'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper.
- 2019-03-22
- 9
Editorial Francisco de Goya y Lucientes / 'Busca un medico. Album C, 121'. 1812 - 1814. Wash, Brush, Bistre, Grey-brown ink, Black chalk lines on laid paper.
- 2019-03-22
- 4
Editorial Francisco de Goya y Lucientes / 'Swooning in the countryside. Album B, 7'. 1794 - 1795. Brush, Bistre, Grey-brown ink on laid paper.
- 2019-03-22
- 4
Editorial Francisco de Goya y Lucientes / 'Rara penitencia. Album C, 34'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-03-22
- 5
Editorial Francisco de Goya y Lucientes / 'Esto degemoslo como estaba. Album C, 30'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-03-22
- 1
Editorial Francisco de Goya y Lucientes / 'Por casarse con quien quiso. Album C, 93'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper.
- 2019-03-22
- 4
Editorial Francisco de Goya y Lucientes / 'Todo lo desprecia. Album C, 133'. 1812 - 1814. Wash, Brush, Bistre, Grey-brown ink, Black chalk lines on laid paper.
- 2019-03-22
- 6
Editorial Francisco de Goya y Lucientes / 'Habrazo Paternal. Album C, 10'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-03-22
- 3
Editorial Francisco de Goya y Lucientes / 'Many have ended up like this ( Album C, 91)'. 1810 - 1811. Wash, Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink on laid paper.
- 2019-03-22
- 8
Editorial Francisco de Goya y Lucientes / 'Concert. Album B, 27'. 1794 - 1795. Wash, Brush, Bistre on laid paper.
- 2019-03-22
- 2
Editorial Francisco de Goya y Lucientes / 'Good woman, seemingly. Album C, 9'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-03-22
- 4
Editorial Francisco de Goya y Lucientes / 'Another on the same night (Album C, 40)'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-03-22
- 5
Editorial Francisco de Goya y Lucientes / 'This is how Useful Men Generally End Up. Album C, 17'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-03-22
- 2
Editorial Francisco de Goya y Lucientes / 'Calla. El tiempo muda las oras. ?lbum C, 61'. 1808 - 1814. Wash, Brush, Pencil, Bistre, Grey-brown ink on laid paper.
- 2019-03-22
- 10
Editorial Francisco de Goya y Lucientes / '8th. Album C, 46'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-03-22
- 7
Editorial Francisco de Goya y Lucientes / 'Ya dispertar?. Album C, 58'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper.
- 2019-03-22
- 4
Editorial Francisco de Goya y Lucientes / 'Se le murio su amante y se ba al combento. ?lbum C, 20'. 1808 - 1814. Wash, Black chalk, Brush, Bistre on laid paper.
- 2019-03-22
- 3
Editorial Francisco de Goya y Lucientes / '? que bendra el faldellin y los calzones?. ?lbum C, 3'. 1808 - 1814. Wash, Brush, Bistre on laid paper.
- 2019-03-22
- 2
Editorial Francisco de Goya y Lucientes / 'No te aflijas. Album C, 111'. 1810 - 1811. Wash, Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines on laid paper.
- 2019-03-22
- 2
Editorial Francisco de Goya y Lucientes / 'Muecas de Baco. ?lbum C, 23'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink, Black chalk lines on laid paper.
- 2019-03-22
- 6
Editorial Francisco de Goya y Lucientes / 'No se sabe. Album C, 53'. 1808 - 1814. Wash, Brush, Bistre, Black chalk lines on laid paper.
- 2019-03-22
- 1
Editorial Self-Portrait III, from La Petite Banlieue. Georges Rouault; French, 1871-1958. Date: 1929. Dimensions: 340 ? 245 mm (image); 560 ? 415 mm (sheet). Color lithograph in black, ochre, green and bistre on white wove paper. Origin: France.
- 2019-03-18
- 1
Editorial A Woman Sewing. Jean Fran?ois Millet; French, 1814-1875. Date: 1855. Dimensions: 109 ? 76 mm (image/plate); 119 ? 92 mm (sheet). Etching in bistre ink on ivory wove paper. Origin: France.
- 2019-03-18
- 1
Editorial Nancy Outside in July XVI: Japanese Bistre. Jim Dine (American, born 1935); printed and published by Aldo Crommelynck (French, 1931-2008). Date: 1981. Dimensions: 599 x 496 mm (image/plate); 926 x 680 mm (sheet). Photogravure from one copper plate on i...
- 2019-03-18
- 1
Editorial Seated Woman Wiping Her Feet. Th?ophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1902. Dimensions: 119 ? 180 mm (image/plate); 251 ? 327 mm (sheet). Aquatint and softground etching from a zinc plate in bistre (brown) on ivory wove...
- 2019-03-18
- 1
Editorial Woman Fixing Her Hair, Three-Quarter View. Th?ophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1902. Dimensions: 358 ? 243 mm (image/plate); 454 ? 327 mm (sheet). Soft ground etching and aquatint from a zinc plate in bistre (brown)...
- 2019-03-18
- 1
Editorial Woman Fixing Her Nails. Th?ophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1902. Dimensions: 381 ? 225 mm (image); 381 ? 225 mm (plate); 453 ? 328 mm (sheet). Aquatint and soft ground etching from a zinc plate in brown (bistre) on...
- 2019-03-18
- 2
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