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Editorial Bernardo de G?lvez y Madrid, I Conde de G?lvez (1746-1786). Militar y pol?tico espa?ol, h?roe de Pensacola y Virrey de Nueva Espa?a. Retrato. Litograf?a. Cr?nica General de Espa?a, Historia Ilustrada y Descriptiva de sus Provincias. Tomo Las Antillas, ...
Editorial Espa?a. Madrid. Fiestas del centenario de Calder?n de la Barca. Recepci?n en el Ayuntamiento. El sal?n de honor en la primera noche de los festejos. Dibujo del natural de Ferrant. Grabado por Bernardo Rico y Ortega (1825-1894). La Ilustraci?n Espa?ola ...
Editorial Bernardo Licino (h.1485-1550). Pintor italiano. M?sico. Museo Nacional de Bellas Artes. La Valeta. Malta.
Editorial vaprio d'adda.
Editorial Don Bernardo de Iriarte (1735-1814).
Editorial Saint Reparata before the Emperor Decius.
Editorial Madonna and Child Enthroned.
Editorial Annunciation in an Initial M.
Editorial The Nativity.
Editorial Pirna: The Obertor from the South.
Editorial CASTILLA-LA MANCHA. SIGUENZA. CATEDRAL, erigida en el S. XII por el Obispo de Sig?enza Don Bernardo de Agen y consagrada en el a?o 1169. Combina los estilos rom?nico, g?tico y barroco. Presenta aspecto de fortaleza. Provincia de Guadalajara. Espa?a.
Editorial Bernardo Strozzi / 'Tobias heals his Father'. 1640 - 1644. Oil on canvas.
Editorial Portrait of a Woman with a Man at a Casement.
Editorial Tobias Curing His Father's Blindness.
Editorial Man Rolling. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 110 x 168 mm (plate). Etching on paper. Origin: Spain.
Editorial Dead Kabyle. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 210 x 400 mm. Etching on paper. Origin: Spain.
Editorial The Arno between the Ponte Vecchio and Ponte Santa Trinit?, Florence.
Editorial RETABLO MAYOR REALIZADO ENTRE 1670 Y 1675 - BARROCO SEVILLANO. SIMON DE PINEDA BERNARDO. CARIDAD.
Editorial Sheet 1: Roman soldiers carrying banners depicting the triumphant victories of Julius Caesar, from The Triumph of Julius Caesar.
Editorial Sheet 5: Elephants, from The Triumph of Julius Caesar.
Editorial The Assumption of the Virgin.
Editorial Portrait of Eduardo Zama?ois, Spanish Painter. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 326 x 238 mm. Etching on paper. Origin: Spain.
Editorial Spain, province of Ciudad Real, Aldea del Rey. Remains of the Castle and Convent of Calatrava. Fortress built by the Calatravian knights between 1213 and 1217. Exterior view. Illustration by Fernando Miranda. Engraving by Bernardo Rico, 19th century. C...
Editorial Galileo Galilei (1564-1642). Italian astronomer and physicist. Engraving by Bernardo Rico (1825-1894). Cronica General de Espa?a, Historia Ilustrada y Descriptiva de sus Provincias. Castilla-La Nueva, 1869.
Editorial Tobias Curing His Father's Blindness.
Editorial Santiago Ap?stol (? -h.42). Uno de los disc?pulos predilectos de Jes?s. Retrato de Santiago Peregrino por Bernardo Lorente Germ?n (1680-1759), primera mitad del siglo XVIII. Museo de las Peregrinaciones y de Santiago. Santiago de Compostela. Provincia ...
Editorial Bernardo Gritti, Proprefect of Bergamo. Dating: 1646. Place: Italy. Measurements: h 114.2 cm ? w 100.5 cm; d 8.5 cm.
Editorial Seated Man in Profile. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1869. Dimensions: 321 x 226 mm. Pen and brown ink on off-white wove paper. Origin: Spain.
Editorial Moroccan Family. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1862. Dimensions: 236 x 140 mm. Etching on paper. Origin: Spain.
Editorial Meditation. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 215 x 160 mm. Etching on paper. Origin: Spain.
Editorial Portrait of Velasquez. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 184 x 130 mm. Etching on paper. Origin: Spain.
Editorial Rafael Montesinos Ramiro (1811-1877). Spanish painter. Portrait by Bernardo Lopez Piquer (1799-1874), 1855. Museum of Romanticism. Madrid. Spain.
Editorial Bernardo Lopez Piquer (1799-1874). Spanish painter. Portrait of the banker Jaime Ceriola, ca.1835. Museum of Romanticism. Madrid. Spain.
Editorial War of Africa (1859-1860). Conflict between Spain and Morocco. Entrance of the Spanish troops in Tetouan, February 6, 1860. Take of the city of Tetouan by the Spanish artillery and infantry. Three-color lithography by Bernardo Blanco y Perez (1828-1876...
Editorial Dead Kabyle. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 210 x 400 mm. Etching on paper. Origin: Spain.
Editorial Bernardo Strozzi, The Tribute Money, Treasure, Painting, oil on canvas, Height, 172 cm (67.7 inches), Width, 222 cm (87.4 inches).
Editorial Sheet 8: Procession of Musicians, from The Triumph of Julius Caesar.
Editorial Sheet 6: Men carrying trophies, from The Triumph of Julius Caesar.
Editorial Sheet 2: a Triumphal Chariot, from The Triumph of Julius Caesar.
Editorial Sheet 4: Men carrying trophies at left, trumpeters at tight, from The Triumph of Julius Caesar.
Editorial Sheet 5: Elephants, from The Triumph of Julius Caesar.
Editorial Sheet 3: The trophies of war, from The Triumph of Julius Caesar.
Editorial Sheet 4: Men carrying trophies at left, trumpeters at right, from The Triumph of Julius Caesar.
Editorial Lactatio de San Bernardo y San Francisco de As?s con el ni?o Jesus , siglo XVII, museo en la cilla, zona del siglo XIII que serv?a de bodega y almac?n, Monasterio de Santa Mar?a de San Salvador de Ca?as, Ca?as, La Rioja, Spain.
Editorial Cross section of the dome of the Cathedral of Florence, Copperplate Plate 9: Taglio del Tamburo, e Cupola con sua Lanterna; Bernard, San. Sgrillius sculp, Longitudinal section through tambour, dome, and lantern; Filippo Brunelleschi, St. Maria, Sgrilli...
Editorial Travel from Paris to London to Calais and Boulogne, Map: Viaggio da Parigi a Londra by Calais e per Boulogne, pl. 8, to p. 378, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra....
Editorial Stradale del Sempione, Map Simplon area: Valais and Lake Maggiore; Plate 10, after p. 438, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra. Milano: Paolo Ripamonti Carpano, 1838.
Editorial Bernardo Strozzi, Italian, 1581-1644, Street Musicians, ca. 1630, oil on canvas, Unframed: 43 1/4 ? 61 5/8 inches (109.8 ? 156.5 cm).
Editorial Travel from Geneva to Paris to Lyon and Autun and to Dijon and Troyes, Map: Viaggio da Ginevra a Parigi by Lione e Autun e via Digione e Troyes, pl. 7, to p. 314, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Co...
Editorial Interior view of the church of G. S. Bernardo, Interior view of the church on the Great St. Bernard, pl. 3, to p. 84, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parig...
Editorial General overview of the city and the iron wire ponta of Freiburg, View of Friborg with bridge, plate 5, to p. 184, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e...
Editorial Bernardo Cavallino, Italian, 1616-1656 (?), Saint Agatha, mid 1640's, oil on canvas, Unframed: 27 1/8 ? 22 1/4 inches (68.9 ? 56.5 cm).
Editorial Triumphal arch and remains of the Roman amphitheater in the city of Aosta, Roman triumphal arch Ruin of the amphitheater in Aosta, frontispiece, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra....
Editorial Pilgrimage to the Great Saint Bernard, Lausanne, Friborg, Geneva, Title Page;, Amati, Giacinto, 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra. Milano: Paolo Ripamonti Carpano...
Editorial Madonna del Magnificat.
Editorial Joseph interpreting the dreams of the baker and the butler.
Editorial The Immaculate Conception of the Virgin.
Editorial View of G. S. Bernardo and passage of the French army led by the First Consolo Bonaparte, French Army move under Napoleon Bonaparte over the Great St. Bernard, pl. 2, to p. 80, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Berna...
Editorial Bernardo Bellotto, Italian, 1722-1780, View of the Tiber in Rome with the Castel Sant'Angelo, 1743 or 1744, oil on canvas, Unframed: 34 3/8 ? 58 3/8 inches (87.3 ? 148.3 cm).
Editorial The plant with the high of the factory, where comes the head of the water Felice, Moses Fountain (Fontana dell'Acqua Felice) in Piazza San Bernardo in Rome, 56, fol. 55v, Fontana, Domenico (fec.); Bonifacio, Natale (inc.), 1590, Domenico Fontana: Della...
Editorial View of the G. S. Bernardo hospice, and passage of the German army under the orders of the general austr. Frimont, German army train under the command of General Frimont in front of the hospice at the Great St. Berhard, plate 1, to p. 72, Citterio, F. ...
Editorial Henry VII Chapel - St. Paul's Cathedral - Abbadia of Westminster - Tunnel under the Thames, London: Chapel of Henry VII, St. Paul's Cathedral, Westminster Abbey, tunnel under the Thames, pl. 9, to p. 412, Citterio, F. (inc.), 1838, Giacinto Amati, Pere...
Editorial The Maroniere and the Turkish dog of G. S. Bernardo to the discovery, St. Bernard avalanche dogs and soldiers in the snow, Grosser Sankt Bernhard, plate 4, after p. 88, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Los...
Editorial Facade of the Freiburg cathedral, Main portal of the cathedral in Friborg, plate 6, after p. 188, Citterio, F. (inc.), 1838, Giacinto Amati, Peregrinazione al Gran San Bernardo, Losanna, Friburgo, Ginevra. Con una corsa Lione, Parigi e Londra. Milano: ...
Editorial Portrait of Hebrew Giovanni Bernardo De Rossi, historical persons, Giovanni Bernardo de Rossi, Frisi (mentioned on object), 1700 - 1799, paper, etching, h 222 mm ? w 155 mm.
Editorial Bernardo Gritti, Proprefect of Bergamo. Dating: 1646. Place: Italy. Measurements: h 114.2 cm ? w 100.5 cm; d 8.5 cm.
Editorial Men of Bernardo Cavallino, Lot and his Daughters, Lot and his daughters, Oil on canvas, Height, 68 cm (26.7 inches), Width, 82 cm (32.2 inches).
Editorial Bernardo Bellotto, View of the Grand Canal with the Palazzi Foscari and Moro Lin, painting, oil on canvas, Height, 101 cm (39.7 inches), Width, 162 cm (63.7 inches).
Editorial The Shade of Samuel Invoked by Saul. Date/Period: Ca. 1650 - 1656. Painting. Oil on copper. Height: 610 mm (24.01 in); Width: 864 mm (34.01 in).
Editorial Vienna Viewed from the Belvedere Palace. Date/Period: From 1758 until 1761. Painting. Oil on canvas. Height: 135 cm (53.1 in); Width: 213 cm (83.8 in).
Editorial Sheet 8: Procession of Musicians, from The Triumph of Julius Caesar.
Editorial Sheet 6: Men carrying trophies, from The Triumph of Julius Caesar.
Editorial Sheet 4: Men carrying trophies at left, trumpeters at tight, from The Triumph of Julius Caesar.
Editorial Sheet 1: Roman soldiers carrying banners depicting the triumphant victories of Julius Caesar, from The Triumph of Julius Caesar.
Editorial Sheet 2: A figure on a triumphal chariot surrounded by figures on horseback, from The Triumph of Julius Caesar.
Editorial Sheet 5: Elephants, from The Triumph of Julius Caesar.
Editorial The Filthy Man. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 170 x 110 mm. Etching on paper. Origin: Spain.
Editorial Man Rolling. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 110 x 168 mm (plate). Etching on paper. Origin: Spain.
Editorial Arab Seated, His Hands Crossed on His Knees. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 140 x 102 mm (plate). Etching on paper. Origin: Spain.
Editorial Mule Driver. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 105 x 70 mm (plate). Etching on paper. Origin: Spain.
Editorial Fortune Teller. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 110 x 170 mm (plate). Etching on paper. Origin: Spain.
Editorial A Beggar. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 252 x 176 mm. Etching on paper. Origin: Spain.
Editorial Meditation. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 215 x 160 mm. Etching on paper. Origin: Spain.
Editorial Portrait of Velasquez. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 184 x 130 mm. Etching on paper. Origin: Spain.
Editorial Costume of the Time of Goya. Mariano Jos? Mar?a Bernardo Fortuny y Carb?; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 235 x 155 mm. Etching on paper. Origin: Spain.
Editorial The Ruins of the Pirnaischer Suburb with the Palais F?rstenhof. Bernardo Bellotto; Italian, 1721-1780. Date: 1766. Dimensions: 468 x 630 mm (image); 527 x 637 mm (image plate mark); 542 x 647 mm (text plate mark); 640 x 772 mm (sheet). Etching with eng...
Editorial Christ at Emmaus Presenting the Bread. Bernardo Strozzi (Il Prete Genovese or Il Cappuccino); Italian, 1581-1664. Date: 1630-1640. Dimensions: 302 x 242 mm. Black chalk, heightened with white chalk, on gray laid paper with blue fibers. Origin: Italy.
Editorial Exterior View of the Italian Gate of the Ramparts of the Town of Dresden. Bernardo Bellotto; Italian, 1721-1780. Date: 1750. Dimensions: 531 x 838 mm (plate); 522 x 820 mm (sheet). Etching on ivory laid paper. Origin: Italy.
Editorial Pilate Washing His Hands, with Christ Being Led Away. After Giovanni de Boulogne, called Giambologna (Italian, 1529-1608); or style of Bernardo Castello (Italian, 1557-1629). Date: 1580-1599. Dimensions: 115 x 154 mm. Pen and brown ink, over traces of ...
Editorial Saint John the Baptist and San Bernardo degli Uberti. After Andrea del Sarto; Italian, 1486-1530. Date: 1580-1599. Dimensions: 199 x 102 mm. Black and red chalk, on tan laid paper, laid down on card. Origin: Italy.
Editorial An Old Woman at the Toilet Table. Medium: etching and engraving.
Editorial Saint Reparata Tortured with Red-Hot Irons, Tempera on wood, gold ground (tooled pattern added possibly in the late nineteenth century), 13 x 16 1/2 in. (33 x 41.9 cm), Paintings, Bernardo Daddi (Italian, Florence (?) ca. 1290?1348 Florence), Martyred ...
Editorial The Crucifixion, Tempera on wood, gold ground, Arched top, 18 3/4 x 10 1/4 in. (47.6 x 26 cm), Paintings, Workshop of Bernardo Daddi (Italian, Florence (?) ca. 1290?1348 Florence).
Editorial Madonna and Child Enthroned with Saints, Tempera on wood, gold ground, Central panel, overall 19 1/2 x 11 1/4 in. (49.5 x 28.6 cm), painted surface 13 1/4 x 7 3/4 in. (33.7 x 19.7 cm); left wing 18 1/8 x 5 1/2 in. (46 x 14 cm); right wing 18 1/4 x 5 5/...
Editorial Christ Enthroned with Saints, ca. 1325, Tempera on wood, gold ground, Irregular, 7 1/2 x 9 in. (19.1 x 22.9 cm), Paintings, Bernardo Daddi (Italian, Florence (?) ca. 1290?1348 Florence), According to the inscription, this well-preserved panel was paint...
Editorial Saint Catherine of Alexandria, Oil on canvas, 50 1/4 x 40 1/4 in. (127.6 x 102.2 cm), Paintings, Workshop of Bernardo Cavallino (Italian, Naples 1616?1656 Naples), Saint Catherine, a fourth-century Christian martyr, is shown with the spiked wheel used ...
Editorial San Bernardo de Claravall (1090-1153), te?logo y monje cisterciense, y quinto maestre de la orden del Temple, ante el rey Conrado III de Alemania (1093-1152). Grabado de 1880.
Editorial BERNARDO GIOTTO 1266-1337.
Editorial Estados Unidos. Chicago. Trabajos preparatorios para la elecci?n presidencial. Sesi?n celebrada por la "Convenci?n Nacional Republicana", en la gran sala de la Exposici?n, el 1 de junio de 1884. Grabado por Bernardo Rico (1825-1894). La Ilustraci?n Esp...
Editorial FERNANDO III "EL SANTO" REY DE CASTILLA Y LEON , A?OS 1217-1252. NACE EN VALPARAISO (ZAMORA) EN EL A?O 1201 Y MUERE EN SEVILLA EN EL A?O 1252. OLEO DE BERNARDO LLORENTE (1685-1757 ) COLECCION PARTICULAR.