EditorialLandscape with a Large Tree on the Right and a Distant View of a Town on the Left. Giovanni Francesco Grimaldi, called Il Bolognese; Italian, 1606-1680. Date: 1626-1680. Dimensions: 218 x 315 mm. Pen and brown iron gall ink, over charcoal, on ivory lai...
EditorialMadonna of Humility. Bolognese; Italian. Date: 1375-1400. Dimensions: Panel: 98.9 x 59.4 cm (39 x 23 3/8 in.); Painted surface: 97.7 x 57 cm (38 1/2 x 22 1/2 in.). Tempera on panel. Origin: Italy.
EditorialSaint Lucy, Tempera and gold on wood, 12 3/8 x 7 3/4 in. (31.4 x 19.7 cm), Paintings, Francesco Zaganelli (Francesco di Bosio) (Italian, Romagnole, active by 1499?died 1532), This charming panel is probably from the framework of a large altarpiece. Its...
EditorialManuscript Illumination with Scenes of Easter in an Initial A, from an Antiphonary, ca. 1320, Made in Bologna, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 9 7/16 x 9 3/8 in. (23.9 x 23.8 cm), Manuscripts and Illuminations, Nerius (Ita...
EditorialHoly Family with Saints Anne, Catherine of Alexandria, and Mary Magdalene; Nosadella, Italian (Bolognese), active about 1550 - 1571; about 1560s; Oil on panel; Unframed: 100.2 x 77.6 cm (39 7/16 x 30 9/16 in.), Framed: 120 x 101 x 5.1 cm (47 1/4 x 39 3...
EditorialThe Incredulity of Thomas (recto), Study for the Figure of Thomas (verso), Pellegrino Tibaldi (Italian (Bolognese), 1527 - 1596), Italy, about 1565 - 1585, Pen and brown ink and brown wash, heightened with white bodycolor, over black chalk (recto), pen...
EditorialLandscape with a Large Tree on the Right and a Distant View of a Town on the Left. Giovanni Francesco Grimaldi, called Il Bolognese; Italian, 1606-1680. Date: 1626-1680. Dimensions: 218 x 315 mm. Pen and brown iron gall ink, over charcoal, on ivory lai...
EditorialMadonna of Humility. Bolognese; Italian. Date: 1375-1400. Dimensions: Panel: 98.9 x 59.4 cm (39 x 23 3/8 in.); Painted surface: 97.7 x 57 cm (38 1/2 x 22 1/2 in.). Tempera on panel. Origin: Italy.
EditorialMale Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso).