EditorialVicente Joaquin Osorio de Moscoso y Guzman (1756-1816). 15th Marquis of Astorga and 12th Count of Altamira. Portrait attributed to Luis Egidio Melendez (1716-1780), 1775. Lazaro Galdiano Museum. Madrid. Spain.
EditorialAntonio Sola Llansas (1780-1861). Spanish sculptor. Portrait by Juan Antonio Ribera y Fernandez (1779-1860), ca.1836. Lazaro Galdiano Museum. Madrid. Spain.
EditorialDOS DE LAS CUATRO FUENTES DEL PASEO DEL PRADO IDEADAS POR V RODRIGUEZ HACIA 1780 Y REALIZADAS POR ROBERT MICHEL - FOTOGRAFIA EN BLANCO Y NEGRO - 1960.
EditorialFerdinand, Duke of Parma (1751-1802). Infante of Spain. Portrait of Giuseppe Baldrighi (1723-1803), 1770-1780. Museum of Fine Arts. A Coru?a, Galicia, Spain. (On loan, Prado Museum, Madrid).
EditorialPortrait of Th. Agrippa d'Aubign?. Charles Meryon (French, 1821-1868); after Jules H?bert (Swiss, 1812-1897). Date: 1861-1862. Dimensions: 122 ? 102 mm (image); 123 ? 103 mm (plate); 186 ? 159 mm (sheet). Etching in warm black from tin plate on grayish...
EditorialThe Delights of Motherhood, from Monument du Costume Physique et Moral de la fin du Dix-huiti?me si?cle. Isidor-Stanislas Helman (French, 1743-1806 or 1809); after Jean Michel Moreau (French, 1741-1814); published by Laurent-Fran?ois Prault (French 171...
EditorialWarrior Sleeping. Carle Vernet (French, 1758-1836); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1812-1822. Dimensions: 174 ? 256 mm (image); 259 ? 347 mm (sheet). Lithograph in black on ivory wove paper. Origi...
EditorialThe Mildmay Sea-Piece, plate 40 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); engraved by W. Annis and I.C. Easling. Date: 1812. Dimensions: 181 ? 263 mm (image); 210.5 ? 292 mm (plate); 293.5 ? 443 mm (sheet). Etching and e...
EditorialWooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle. Date/Period: Between 1779 and 1780. Print. Soft-ground etching on medium, slightly textured, blue wove paper. Height: 305 mm (12 in); Width: 391 mm (15.39 in).
EditorialThis is Bad, plate 46 from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 138 x 187 mm (image); 152 x 205 mm (plate); 240 x 340 mm (sheet). Etching, burnished aquatint, lavis, drypoint, and bu...
EditorialThe Worst is to Beg, plate 55 from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 130 x 181 mm (image); 155 x 205 mm (plate); 240 x 340 mm (sheet). Etching, lavis and burnishing on ivory wove ...
EditorialNot in this case, plate 36 from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 140 x 190 mm (image); 155 x 207 mm (plate); 240 x 340 mm (sheet). Etching, burnished aquatint, drypoint, burin an...
EditorialRightly or wrongly, plate two from The Disasters of War. Francisco Jos? de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 139 x 196 mm (image); 152 x 206 mm (plate); 240 x 337 mm (sheet). Etching, lavis, burin, drypoint, and burnish...
EditorialSaint William of Maleval. After Salvator Rosa; Italian, 1615-1673; Carlo Antonini ?; c.1740 - c.1784. Date: 1780. Dimensions: 349 x 236 mm (plate); 367 x 249 mm (sheet). Etching in sanguine on ivory laid paper. Origin: Italy.
EditorialP?xide del acervo de la Capilla del Colegio de Nuestra Se?ora de la Esperanza, hacia 1760-1780. Plata dorada. Museo de la Misericordia de Porto (Museu da Misericordia do Porto). Oporto (Porto). Portugal.
EditorialJohan Arnold Zoutman (1724-93). Vice admiral. Draughtsman: anonymous. Dating: c. 1780. Place: Northern Netherlands. Measurements: h 53 cm ? w 42 cm.