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Editorial Francisco Javier Rovira Fern?ndez de Mesa (1740-1823). Marino y escritor espa?ol. Teniente general de la Real Armada Espa?ola. Ilustraci?n por Llanta. Litograf?a. Cr?nica General de Espa?a. Historia Ilustrada y Descriptiva de sus Provincias. Tomo Valen...
Editorial Pintura atribu?da a Giuseppe Caloriti (1681-h.1740). Pintor italiano. Vista de La Valeta y de las Tres Ciudades, hacia 1733. Museo Nacional de Bellas Artes. La Valeta. Malta.
Editorial Grasp All, Lose All (Qui trop embrasse, mal etrient). Dated: c. 1816. Dimensions: image: 27.1 x 21 cm (10 11/16 x 8 1/4 in.) sheet: 34.8 x 25.6 cm (13 11/16 x 10 1/16 in.). Medium: lithograph.
Editorial The Sea.
Editorial George IV (1762-1830) as Prince Regent, after Lawrence.
Editorial Henrietta Middleton.
Editorial Passing off of the Storm.
Editorial Standing Courtesan.
Editorial Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816-1850).
Editorial Christ and the Woman of Samaria.
Editorial A Female Allegorical Figure.
Editorial The Old Pine, Darien, Connecticut.
Editorial sunset sky.
Editorial Souvenir with portrait of a man.
Editorial The Rebuke of Adam and Eve.
Editorial Newport Rocks.
Editorial Mercy's Dream.
Editorial Still Life: Fruit.
Editorial John Wood Dodge.
Editorial Euphemia White Van Rensselaer.
Editorial Marinus Willett.
Editorial The Marital Bliss of Nala and Damayanti: Folio from a Nala-Damayanti Series.
Editorial Lady Maria Conyngham (died 1843).
Editorial The Demon Hiranyaksha Departs the Demon Palace: Folio from a Bhagavata Purana Series.
Editorial Salt Meadow in October.
Editorial LAKE GEORGE.
Editorial SUNSET.
Editorial Paris-Th??tre.
Editorial Vicente Joaquin Osorio de Moscoso y Guzman (1756-1816). 15th Marquis of Astorga and 12th Count of Altamira. Portrait attributed to Luis Egidio Melendez (1716-1780), 1775. Lazaro Galdiano Museum. Madrid. Spain.
Editorial Market of the Patriarchs (March? des Patriarches). Charles Marville; French, 1816-1878/79. Date: 1857-1867. Dimensions: 33.9 ? 26.8 cm (image/paper); 56.6 ? 39.9 cm (mount). Albumen print. Origin: France.
Editorial Antonio Caballero Fernandez de Rodas (1816-1876). Spanish military. Portrait. Illustration by Llanta. Lithography. Cronica General de Espa?a. Historia Ilustrada y Descriptiva de sus Provincias. Asturias and Leon, 1867.
Editorial Gabriel V. Ludlow.
Editorial The Shop and Warehouse of Duncan Phyfe, 168-172 Fulton Street, New York City.
Editorial Hudson River Scene.
Editorial PORTRAIT OF A LADY.
Editorial Copy after "Rubens, His Wife Helena Fourment (1614-1673), and Their Son Frans (1633-1678) ".
Editorial Seventh Regiment on Review, Washington Square, New York.
Editorial William Middleton.
Editorial Jean Marc Nattier (1685-1766).
Editorial Twilight in the Cedars at Darien, Connecticut.
Editorial Thomas (1740-1825) and Martha Neate (1741-after 1795) with His Tutor, Thomas Needham.
Editorial Juan Lembeye Lartaud (1816-1889). Spanish naturalist and ornithologist. Portrait by Francisco Sobrino Iglesias (1824-?), 1864. Museum of Fine Arts. A Coru?a, Galicia, Spain. (On loan, I.E.S. Eusebio da Guarda).
Editorial Isabella of Naples (1740-1742). Infanta of Spain. Portrait by Clemente Ruta (1685-1767), 1741. Museum of Fine Arts. A Coru?a, Galicia, Spain. (On loan, Prado Museum, Madrid).
Editorial Market of the Patriarchs (March? des Patriarches). Charles Marville; French, 1816-1878/79. Date: 1857-1867. Dimensions: 33.9 ? 26.8 cm (image/paper); 56.6 ? 39.9 cm (mount). Albumen print. Origin: France.
Editorial Satyr Family with the Obelisk, from Scherzi. Giambattista Tiepolo; Italian, 1696-1770. Date: 1735-1740. Dimensions: 225 x 175 mm (plate); 234 x 182 mm (sheet). Etching on paper. Origin: Italy.
Editorial Portrait of Charles VI (1685-1740), Holy Roman Emperor.
Editorial FRANCISCO DE GOYA: "The celebrated Picador, Fernando del Toro, Draws the Fierce Beast ?".
Editorial Otro modo de cazar a pie (Another Way of Hunting on Foot). Dated: in or before 1816. Medium: etching, burnished aquatint, drypoint and burin [first edition impression].
Editorial Plate 20 from the 'Tauromaquia': The agility and audacity of Juanito Api?ani in [the ring] at Madrid. Goya (Francisco de Goya y Lucientes).
Editorial Plate 3 of the 'Tauromaquia': The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open.
Editorial Plate 11 from the 'Tauromaquia': The Cid campeador spearing another bull.
Editorial Plate 8 from the 'Disparates': The men in sacks.
Editorial Plate 9 from the 'Disparates': General folly.
Editorial Plate 12 from the 'Disparates': If Marion will dance, then she has to take the consequences.
Editorial Portrait of Fran?ois-Andr? Vincent (1746-1816).
Editorial The Rider Standing by His Horse, from Capricci. Giambattista Tiepolo; Italian, 1696-1770. Date: 1740-1750. Dimensions: 140 x 184 mm (plate); 216 x 292 mm sheet). Etching on paper. Origin: Italy.
Editorial Baptism of the Chamberlain of Queen Candace of Ethiopia. Christian Wilhelm Ernst Dietrich; German, 1712-1774. Date: 1740. Dimensions: 182 x 272 mm. Etching on paper. Origin: Germany.
Editorial Landscape with a Woman at a Well. Dated: c. 1740. Dimensions: plate: 13.5 x 20.8 cm (5 5/16 x 8 3/16 in.) sheet: 15.7 x 23 cm (6 3/16 x 9 1/16 in.). Medium: etching.
Editorial Coupin de La Couperie. Dated: 1816. Medium: lithograph.
Editorial Plate 19 of the 'Tauromaquia': Another madness of his in the same ring.
Editorial Still Life Fruit and Wine Glass.
Editorial Plate 22 from the 'Tauromaquia': Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. Goya (Francisco de Goya y Lucientes). ESCAMILLA NICOLASA.
Editorial John Taylor Johnston.
Editorial A Female Allegorical Figure.
Editorial Plate 26 from the 'Tauromaquia': A picador is unhorsed and falls under the bull.
Editorial Still Life: Flowers and Fruit.
Editorial Eug?ne Joseph Stanislas Foullon d'?cotier (1753-1821).
Editorial Plate 23 from the 'Tauromaquia': Mariano Ceballos, alias the Indian, kills the bull from his horse. Goya (Francisco de Goya y Lucientes).
Editorial Plate 4 of the 'Tauromaquia': They play another with the cape in an enclosure.
Editorial Anna Watson Stuart.
Editorial Plate C: The dogs let loose on the bull.
Editorial The Death of Harmonia.
Editorial Plate 14 from the 'Disparates': Carnival Folly.
Editorial Plate 29 of the 'Tauromaquia': Pepe Illo making the pass of the 'recorte'.
Editorial Plate 25 from the 'Tauromaquia': They loose dogs on the bull.
Editorial Plate 13 from the 'Disparates': A Way of Flying.
Editorial Plate 15 from the 'Disparates': Clear Folly.
Editorial Plate 5 from the 'Disparates': Flying Folly.
Editorial Plate 9 of the 'Tauromaquia': A Spanish knight kills the bull after having lost his horse.
Editorial General ?tienne-Maurice G?rard (1773-1852).
Editorial Plate 24 of the 'Tauromaquia': The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. Goya (Francisco de Goya y Lucientes). MARIANO CEBALLOS.
Editorial Plate 17 of the 'Tauromaquia': The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls.
Editorial Michael Angelo and Emma Clara Peale.
Editorial The Servant Justified.
Editorial A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian).
Editorial Mrs. Francis Brinley and Her Son Francis.
Editorial John Haviland.
Editorial Still Life with Ham.
Editorial Portrait of Coupin de la Couperie. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824); printed by Gottfried Engelmann (French, 1788-1839). Date: 1816. Dimensions: 220 x 180 mm (image); 305 x 232 mm (sheet). Lithograph in black on cream wove paper....
Editorial Portrait of Coupin de la Couperie. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824); printed by Gottfried Engelmann (French, 1788-1839). Date: 1816. Dimensions: 250 x 188 mm (image); 306 x 230 mm (sheet). Lithograph in black on ivory wove paper....
Editorial Richard II, from Twelve Characters from Shakespeare. John Hamilton Mortimer; English, 1740-1779. Date: 1775. Dimensions: 402 ? 424 mm (plate); 600 ? 400 mm (sheet). Etching on cream wove paper. Origin: England.
Editorial Saint William of Maleval. After Salvator Rosa; Italian, 1615-1673; Carlo Antonini ?; c.1740 - c.1784. Date: 1780. Dimensions: 349 x 236 mm (plate); 367 x 249 mm (sheet). Etching in sanguine on ivory laid paper. Origin: Italy.
Editorial Bonneville. Dated: published 1816. Medium: etching and mezzotint.
Editorial Landscape with Ruined Monuments. Dated: c. 1740. Dimensions: plate: 14.4 x 21.6 cm (5 11/16 x 8 1/2 in.) sheet: 17.7 x 24.5 cm (6 15/16 x 9 5/8 in.). Medium: etching on laid paper.
Editorial Mill near the Grand Chartreuse. Dated: published 1816. Medium: etching and mezzotint.
Editorial Ville de Thun. Dated: published 1816. Medium: etching and mezzotint.
Editorial Disparate desordenado (Disorderly Folly). Dated: in or after 1816. Medium: etching, aquatint and drypoint.
Editorial View of a Town with a Bishop's Tomb. Dated: c. 1740. Dimensions: plate: 30.2 x 30.2 cm (11 7/8 x 11 7/8 in.) sheet: 31 x 31.2 cm (12 3/16 x 12 5/16 in.). Medium: etching in black on laid paper.
Editorial EXTERIOR- PORTADA PRINCIPAL - FACHADA PROYECTADA EN 1740 POR EL PINTOR HIPOLITO ROVIRA.