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Editorial Espa?a. Islas Baleares. Isla de Mallorca. Lonja de Palma de Mallorca o Sa Llotja. Vista del edificio g?tico obra de Guillem Sagrera entre 1420 y 1452. Grabado. Cr?nica General de Espa?a, Historia Ilustrada y Descriptiva de sus Provincias. Baleares, 1871.
Editorial Bird on a Branch.
Editorial Heron and Willow.
Editorial Saint Reparata before the Emperor Decius.
Editorial Madonna and Child Enthroned.
Editorial The Crucifixion.
Editorial Manuscript Illumination with Saint Stephen in an Initial S, from an Antiphonary.
Editorial The Nativity.
Editorial The Conversion of Saint Paul.
Editorial The basilica of Aquileia, Italy. Exterior of the south transept. Built on the foundations of an earlier church of the 4th century, gothic and renaissance elements were added to the romanesque builting after an earth-quake in 1348.
Editorial Turkey. Istanbul. Galata Tower. Romantesque style. Built as Tower of Christ in 1348 during an expansion of the Genoese colony in Constantinople.
Editorial Linear Gothic. Spain. 14th century. Priory chair of Blanche of Aragon and Anjou (c.1301-1348), nun and prioress. Friar. Portrait. 1322. It comes from the Monastery of Santa Maria de Sigena (Huesca). Aragon. Diocesan and Regional Museum of Lleida. Catal...
Editorial Turqu?a. Constantinopla (actual Estambul). Torre Galata o tambi?n llamada Christea Turris (Torre de Cristo), construida en 1348 como parte de la expansi?n de la colonia genovesa. Grabado por Lemaitre y L. Thienon. Historia de Turqu?a, por Joseph Marie ...
Editorial Carp and Waterweeds.
Editorial CHRIST CARRYING THE CROSS.
Editorial Benedictine Antiphonary.
Editorial Cassone with painted front panel depicting the Conquest of Trebizond.
Editorial Hexagonal panel with depiction of Daedalus. Copy after a relief by Andrea Pisano (1290-1348). Campanile of Giotto. Cathedral of Florence, La Toscana, Italy.
Editorial Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas.
Editorial The Man of Sorrows.
Editorial Saints Procopius and Adalbert.
Editorial The Assumption of the Virgin.
Editorial Madonna and Child with Angels.
Editorial Saint Jerome in his Study. De heilige Hieronymus in zijn studeervertrek. Dating: c. 1420. Place: Florence. Measurements: h 23 cm ? w 18 cm ? t 3 cm.
Editorial Saint Jerome in his Study. De heilige Hieronymus in zijn studeervertrek. Dating: c. 1420. Place: Florence. Measurements: h 23 cm ? w 18 cm ? t 3 cm.
Editorial Benozzo Gozzoli, Italian, ca. between 1420 and 1422-1497, Virgin and Child with Angels, ca. 1460, gold leaf and tempera on wood panel, Unframed: 25 3/4 ? 19 7/8 inches (65.4 ? 50.5 cm).
Editorial Islamic, Iraqi, Bi-folio from the 'Five Suras', Sura XXXV: 13-21, between 1300 and 1420, Ink and gold on paper, Page: 16 3/4 ? 27 1/2 inches (42.5 ? 69.9 cm).
Editorial Madonna and Child, between 1410 and 1420, Gilt terracotta with polychrome decoration, Overall: 26 5/8 ? 14 7/8 ? 13 1/8 inches (67.6 ? 37.8 ? 33.3 cm).
Editorial Andrea Pisano, Italian, 1270-1348, Bell, 1338, bronze, Overall: 32 ? 26 3/4 inches (81.3 ? 67.9 cm).
Editorial Unknown (Italian), Pieta, c. 1400/1420, Linden wood with polychrome decoration, Overall: 43 1/2 ? 30 ? 18 5/8 inches (110.5 ? 76.2 ? 47.3 cm).
Editorial Giovanni de Fondulis da Crema, Italian, between 1420 and 1430 - before 1497, Saint John the Baptist, 1470, polychromed terracotta, Overall: 55 1/2 ? 13 1/4 ? 11 1/8 inches (141 ? 33.7 ? 28.3 cm).
Editorial possibly Nicolo Pizolo, Italian, 1421 (?) - died before 1453, possibly Giovanni da Pisa, Italian, 1420 - died before 1460, Madonna and Child, c. 1450, Terracotta, Overall: 30 3/8 ? 21 ? 4 inches (77.2 ? 53.3 ? 10.2 cm).
Editorial workshop of Agostino di Giovanni, Italian, 1285-1348, Madonna and Child with Angels, c. 1335/1340, marble, Overall: 30 ? 37 ? 2 1/2 inches (76.2 ? 94 ? 6.4 cm).
Editorial Duke armed at war, followed by his men-at-arms. 1380 to 1420, Army Commander, Signed: F. Philippoteaux; Deghouy, Fig. 9, after p. 840, Philippoteaux, F?lix (fec.); Deghouy, L?opold (sc.), Adrien Pascal, Camp, Jules du Camp, Germain-Nicolas Brahaut, Sic...
Editorial The Nativity (Ford Nativity), ca. between 1420 and 1430, Terracotta with traces of polychromy (vermillion, malachite, azurite, lead and white) and gilding, Unframed: 18 1/2 ? 14 ? 3 1/4 inches (47 ? 35.6 ? 8.3 cm).
Editorial Matteo dei Pasti, Italian, ca. 1420-after 1467, Sigismond Pandolfo Malatesta (obverse); The Castle at Rimini (reverse), 1446, Bronze cast, Overall: 5/8 ? 3 3/16 inches (1.6 ? 8.1 cm).
Editorial Virgin and Child, c. 1420/1430, Wood with traces of polychrome, Overall: 36 7/8 ? 11 5/8 ? 7 1/8 inches (93.7 ? 29.5 ? 18.1 cm).
Editorial after Bertoldo di Giovanni, Italian, 1420-1491, Jason Resting after Slaying the Dragon, early 20th Century, bronze, Overall: 8 3/4 ? 4 7/8 ? 4 3/4 inches (22.2 ? 12.4 ? 12.1 cm).
Editorial circle of Bertoldo di Giovanni, Italian, 1420-1491, Triumph of Love, late 15th century, Bronze, dark brown-green patina, Overall: 1 1/8 ? 3 ? 1/8 inches (2.9 ? 7.6 ? 0.3 cm).
Editorial Fragment of blue velvet brocade with pomegranate motifs, Fragment of blue silk velvet brocade with a pattern of wavy tendrils, rose hips and large pomegranates. For similar fragments, see A to C, and E and F., anonymous, Italy, c. 1420 - c. 1499, silk,...
Editorial Medal from the student corps of the University of Leiden, issued on the occasion of the masquerade of 1840 'The Entry of Jan van Beieren in Leiden in 1420', on name of ANM Pip, Beaten round silver medal, vz: two crowned weapons (Leiden and Bavaria) and...
Editorial The Mercy Seat, God the father sits frontally on a couch with the crucified Christ in front of him. From his mouth the Holy Spirit, in the form of a dove, flies down to the head of Christ. God the Father, whose head leans slightly to the left, stares s...
Editorial Fragment blue velvet brocade with pomegranate motifs, Fragment blue silk velvet brocade with a pattern of wavy tendrils, rose hips and large pomegranates. For similar excerpts, see B to F., anonymous, Italy, c. 1420 - c. 1499, silk, h 68.5 cm ? w 19 cm.
Editorial Emergency mortar or iron bombarde, The bombarde consists of two parts: a front part or boiler of wrought iron and a back part or breech of supposedly cast iron. The construction of the boiler consists of a spiral-wound iron rod of square cross-section....
Editorial Relief with the Deposition Relief with the Descent from the Cross, In a landscape rising to both sides, the cross is flanked by that of both murderers. Two men, on ladders placed against the cross, are in the process of surrendering the limp body of Ch...
Editorial Fragment blue velvet brocade with pomegranate motif, Fragment blue silk velvet brocade with pomegranate motif., anonymous, Italy, c. 1420 - c. 1499, silk, velvet (fabric weave), h 16 cm ? w 26 cm.
Editorial Relief with the Deposition Relief with the Descent from the Cross, In a sloping landscape, in the middle stands the cross between those of the two murderers, whose beard judge turned his back to Christ. Two men on ladders placed against the cross are i...
Editorial Fragment of red velvet brocade with a pattern of floral motifs, Fragment (three pieces glued together) of red silk velvet with a pattern of horizontally rowed lobed leaves on braided stalk between pomegranates and rosettes of gold thread. Pattern is su...
Editorial Apostle, On a polygonal ground, the apostle stands on the right leg and has the bent left leg tilted forward, causing his body to bend slightly in that direction. He has a wide-flanked beard and a somewhat brittle expression. The toes come out under th...
Editorial Rhine guilder, Golden Rhine guilder, beaten by archbisscop of Trier Otto van Ziegenhayn (1418 - 1430). Peter full-length with the key in his right hand. Reverse: Five weapons in four passes. Inscription. Front: OTTONIS ARCP'TREV. Reverse: MON NOVA WES ...
Editorial Fragment of blue velvet brocade with pomegranate motifs, Three fragments of blue silk velvet brocade put together, with a pattern of wavy tendrils, rose hips and large pomegranates. For similar excerpts, see F., F., anonymous, Italy, c. 1420 - c. 1499,...
Editorial Fragment of blue velvet brocade with pomegranate motifs, Two fragments of blue silk velvet brocade put together, with a pattern of wavy tendrils, rose hips and large pomegranates. With white yellow seam. For similar fragments, see A, C to F., anonymous...
Editorial Rhine guilder, Golden Rhine guilder, beaten by Archbishop of Cologne, Diederik van Meurs (1414 - 1463). Obverse: Peter in full length with the key in his right hand, inscription: THEODIC ARPI COLO. Reverse: Five weapons in four passes, inscription: MON...
Editorial Fredrik I, 1369-1420, 'the combatant' of Saxony, painting, Watercolor and gouache on parchment, Height, 13 cm (5.1 inch), Width, 11 cm (4.3 inches).
Editorial The Annunciation to the Shepherds. Date/Period: Ca. 1420. Folio. Tempera colors, gold, and ink on parchment. Height: 202 mm (7.95 in); Width: 149 mm (5.86 in).
Editorial The Annunciation. Date/Period: Ca. 1348 - 1350. Painting. Tempera and gold leaf on panel. Height: 167 mm (6.57 in); Width: 203 mm (7.99 in).
Editorial The Coronation of the Virgin. Date/Period: Ca. 1420. Painting. Tempera and gold leaf on panel. Height: 876 mm (34.48 in); Width: 647 mm (25.47 in).
Editorial The Adoration of the Magi. Date/Period: 1415/1420. Tempera colors, gold paint, gold leaf, and ink on parchment. Width: 14.8 cm. Height: 20.5 cm.
Editorial Initial S: A Monk Praying in the Water. Date/Period: Ca. 1420. Detached leaf. Tempera colors, gold leaf, and ink on parchment. Height: 465 mm (18.30 in); Width: 346 mm (13.62 in).
Editorial DEDALO. Herrero, inventor y arquitecto. Dise?ador del laberinto donde se encerrar?a al Minotauro. Se fabric? unas alas para huir de ?l junto con su hijo. Copia de un relieve de Andrea Pisano (1290-1348), Campanario del Duomo. Florencia. La Toscana. Ita...
Editorial Battering Rams from De re militari (Concerning Military Matters), Plate 45 from Woodcuts from Books of the 15th Century. Matteo de' Pasti (Italian, c. 1420-1467/68); printed and published by Johannes Nicolai de Verona (Italian, c. 1405-1475); original ...
Editorial Jacob and Rachel Lamenting their Son Joseph. English Painter (Master of the Lydgate Troybook); English (London), active about 1420-1430. Date: 1420-1430. Dimensions: 95 ? 92 mm. Opaque watercolor and mordent gilding on parchment. Origin: England.
Editorial Pavise with the Arms of the League of Saint George and Winterthur. Swiss; Winterthur. Date: 1420-1480. Dimensions: 112.7 ? 43.2 cm (45 3/8 ? 17 in.) Wt. 12 lb. 12 oz. Wood, leather, pigskin, iron, gesso, and pigment. Origin: Winterthur.
Editorial Text Leaf from a Book of Hours. French (possibly Loire Valley). Date: 1420-1440. Dimensions: 228 ? 161 mm. Manuscript cutting with decorations in tempera and gold leaf, and gothica textualis inscriptions in Latin in black ink, ruled in red, recto and v...
Editorial Christ and a Pharisee in a Historiated Initial "D" from a Gradual. Spanish (Seville); Master of the Cypresses (Pedro da Toledo or Nicol?s G?mez) (Spanish, flourished c. 1420-1440 or 1460-1490). Date: 1430-1490. Dimensions: 180 x 210 mm (initial); 690 x...
Editorial The Murder of Thomas Becket, page two, from a Book of Hours. Flemish (Bruges); Nicolas Brouwer (Flemish, active c. 1420-c. 1450). Date: 1430-1440. Dimensions: 237 ? 156 mm. Manuscript cutting with tempera and gold leaf, and pen and black ink, and with ...
Editorial The Murder of Thomas Becket, page one, from a Book of Hours. Flemish (Bruges); Nicolas Brouwer (Flemish, active c. 1420-c. 1450). Date: 1430-1440. Dimensions: 237 ? 156 mm. Manuscript cutting with tempera and gold leaf, and pen and black ink, on parchm...
Editorial The Annunciation. Johann Koerbecke; German, about 1420-1490. Date: 1420-1457. Dimensions: Panel: 93.3 ? 65.8 cm (36 3/4 ? 25 7/8 in.); Painted Surface: 36 3/16 ? 25 1/4 in. Oil on panel, transferred to canvas. Origin: Germany.
Editorial Missale: Fol. 290v: Saints Peter and Paul, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Missale: Fol. 22v: Foliage with Fish, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Missale: Fol. 141v: Saint John with Eagle, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Initial S from a Gradual: St. Augustine, c. 1420. Master of the Murano Gradual (Italian). Ink, tempera, and gold on vellum; sheet: 16.8 x 14.9 cm (6 5/8 x 5 7/8 in.).
Editorial Book of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405-30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.).
Editorial Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410-25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.).
Editorial Missale: Fol. 124v: Christ holding the Cross, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Missale: Fol. 186: Decorated Initial T[e igitur] (full page), 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Missale: Fol. 192v: Resurrection of Christ, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Missale: Fol. 225: Chalice with Host, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Missale: Fol. 183: Foliage decoration, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Book of Hours (Use of Paris): Fol. 105v, Initial D with Decorated Border, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405-30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.).
Editorial Missale: Fol. 319v: St. Francis & Full Mass of St. Francis, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial The Caporali Missal, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and gold on vellum; 400 folios; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Missale: Fol. 260: Foliage with Fruit, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Historiated Initial (E) Excised from an Antiphonary: Risen Christ in the Tomb, c. 1420-1450. Italy, Milan, 15th century. Ink, tempera, and gold on parchment; sheet: 13.4 x 14 cm (5 1/4 x 5 1/2 in.).
Editorial Book of Hours (Use of Paris): Fol. 106r, Multiple Initials with Decorated Border, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405-30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.).
Editorial Leaf from a Book of Hours: St. Barbara (6 of 6 Excised Leaves), c. 1420-1430. Or workshop Henri d'Orquevaulx (French). Ink, tempera, silver, and gold on vellum; leaf: 16.1 x 12.4 cm (6 5/16 x 4 7/8 in.).
Editorial Book of Hours (Use of Paris): Annunciation, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410-25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.).
Editorial The Ascension: Leaf from a Book of Hours (4 of 6 Excised Leaves), c. 1420-30. Henri d'Orquevaulx (French), or Workshop. Ink, tempera, silver and gold on vellum; overall: 15.9 x 11.6 cm (6 1/4 x 4 9/16 in.).
Editorial Missale: Folio 400: Colophon, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Book of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405-30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.).
Editorial Missale: Fol. 214: Pentecost, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross), c. 1410-1420. France, Brittany(?), 15th century. Ink, tempera and gold on vellum; each leaf: 17.2 x 12.1 cm (6 3/4 x 4 3/4 in.).
Editorial Missale: Fol. 8v: December Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Missale: Fol. 287: Saint John the Baptist, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Missale: Fol. 4r: March Calendar Page, 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto), c. 1420-1450. Northern Italy, 15th century. Ink, tempera, and gold on vellum; each leaf: 52.1 x 34.9 cm (20 1/2 x 13 3/4 in.).
Editorial Book of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405-30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.).
Editorial Missale: Fol. 185v: Crucifixion with borders (full page), 1469. Bartolommeo Caporali (Italian, c. 1420-1503), assisted by Giapeco Caporali (Italian, d. 1478). Ink, tempera and burnished gold on vellum ; overall: 35 x 25 cm (13 3/4 x 9 13/16 in.).
Editorial Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves), c. 1420-1430. Or workshop Henri d'Orquevaulx (French). Ink, tempera and gold on vellum; each leaf: 16.1 x 12.4 cm (6 5/16 x 4 7/8 in.).
Editorial Book of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405-30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.).