EditorialSiege Machines 2 Onosander, Fig. 1: The Thurn of Vegetius, Fig. 2: The wrong muscle, Fig. 3: A Sambuca, Fig. 4: Catapulta, Fig. 5: Another Catapulta, Tab. XIV, after p. 104, Albrecht Heinrich Baumg?rtner: Vollst?ndige Sammlung aller Kriegsschriftstelle...
EditorialMarine mouse muscle, Mustela, Murix, Animals, Fig. 161, Fol. LXXXIXv, Apiarius, Mathias (imp.), 1536, [Hortus sanitatis oder Garth der Gesundtheyt: von den vier Geschlechten als Thier, V?gel, Vischen und edlem Gesteyn]. [Gedruckt und volendet zu Strass...
EditorialModel of a 10-Gun Transport, Polychromed, rigged truss model: all guns are missing. Two levels: lower deck and upper deck, slightly raised behind the large mast. Not a figurehead but a curl with leaf ornament, the galleon has four conveniences. Strongl...
EditorialParalysie du muscle frontal droit, cancro?de, A. de Montmeja (French, active 1870s), Paris, France, 1871, Albumen silver print, 11.7 ? 9.3 cm (4 5/8 ? 3 11/16 in.).
EditorialM?canisme de la physionomie humaine: Figure 7: ?tude du m?chanisme et de l'expression du muscle frontal chez un vieillard: ? droit, attention; ? gauche, repos, c. 1856. Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806-1875), Adrien Tournac...
EditorialPosterior View of Muscle Man, plate nine from Complete Anatomy Course. Arnault ?loi Gautier D'Agoty; French, 1741-1780 or 1783. Date: 1773. Dimensions: 548 ? 400 mm (plate); 610 ? 450 mm (sheet). Color mezzotint, aquatint, and engraving on ivory laid p...
EditorialP. T. Barnum's 'Boston Prize Ladies'. 5,000 dollars reward! First arrival in England of Barnum's great and world renowned Boston prize ladies, who have been especially engaged to complete a tour of Great Britain at an enormous outlay. Miss Minnie & Rho...
EditorialThe muscle of attention (left); Eyebrow contraction due to bright light (right), plate 10 from the album, The Mechanism of Human Facial Expression. Dated: 1854-1856. Dimensions: image: 22.1 ? 16.7 cm (8 11/16 ? 6 9/16 in.) mount: 40.3 ? 27.7 cm (15 7/...
EditorialMuscle structure. Leonardo da Vinci believed the study of the human body and of its proportions and muscles to be useful in artistic representation. The Science and Technology Museum Leonardo da Vinci. Milan. Italy.
EditorialThe muscle of attention (left); Eyebrow contraction due to bright light (right), plate 10 from the album, The Mechanism of Human Facial Expression. Dated: 1854-1856. Dimensions: image: 22.1 ? 16.7 cm (8 11/16 ? 6 9/16 in.) mount: 40.3 ? 27.7 cm (15 7/...
EditorialMuscle structure. Leonardo da Vinci believed the study of the human body and of its proportions and muscles to be useful in artistic representation. The Science and Technology Museum Leonardo da Vinci. Milan. Italy.
EditorialFlayed human body revealing muscle system and tendons seen from the rear. Copperplate engraving by Robert Benard after an illustration by Bernhard Albinus from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
EditorialDissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
EditorialFlayed human body revealing muscle system and tendons seen from the front. Copperplate engraving by Robert Benard after an illustration by Bernhard Albinus from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
EditorialBlack-lip oyster, Pinctada margaritifera (Pearl muscle, Mytilus margaritifer). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
EditorialAnatomy of the human eye, showing eyeball, optic nerve, muscle, cornea, retina, sections through eye. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and...
EditorialMuscle structure. Leonardo da Vinci believed the study of the human body and of its proportions and muscles to be useful in artistic representation. The Science and Technology Museum Leonardo da Vinci. Milan. Italy.
Editorial" Muscle Man", the superficial muscular layer, one of the 1992 wax models ordered from Florentine scientists Prof. Paolo Mascagni and Felice Fontana by Emperor Joseph II for the education of army surgeons, 1785.