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Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 399 x 550 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 406 x 546 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 408 x 555 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial Portrait of Titian. Agostino Carracci (Italian, 1557-1602); after a self-portrait by Titian (Italian, c. 1488-1576). Date: 1587. Dimensions: 323 x 234 mm (image/sheet, cut within plate mark). Engraving on ivory laid paper. Origin: Italy.
Editorial Tarquin and Lucretia. Cornelis Cort (Netherlandish, 1533/36-1578); after Titian (Italian, c. 1488-1576). Date: 1566-1576. Dimensions: 420 x 288 mm (plate); 424 x 291 mm (sheet). Engraving on ivory laid paper. Origin: Netherlands.
Editorial Self-Portrait. after Tiziano Vecellio, called Titian; Italian, c. 1488-1576. Date: 1780-1799. Dimensions: 544 x 391 mm. Black chalk, with stumping, on gray wove paper, tipped on to ivory laid paper. Origin: Italy.
Editorial Madonna and Child. Cornelis Visscher (Dutch, c. 1629-1658); after Titian (Italian, c. 1488-1576). Date: 1649-1658. Dimensions: . Engraving on paper. Origin: Holland.
Editorial The Entombment. Giulio di Antonio Bonasone (Italian, active 1531-1574); after Titian (Italian, c. 1488-1576). Date: 1563. Dimensions: 292 x 178 mm (plate); 296 x 183 mm (sheet). Engraving on paper. Origin: Italy.
Editorial The Milkmaid. Nicol? Boldrini (Italian, c. 1500-1566); after Titian (Italian, c. 1488-1576). Date: 1512-1566. Dimensions: 377 x 530 mm (image); 383 x 535 mm (sheet). Woodcut printed in black on paper. Origin: Italy.
Editorial Tobias and the Angel. after Tiziano Vecellio, called Titian; Italian, c. 1488-1576. Date: 1508-1576. Dimensions: 181 x 135 mm. Pen and black ink, with brush and gray wash, on ivory laid paper. Origin: Italy.
Editorial Portrait of Titian. Agostino Carracci (Italian, 1557-1602); after a self-portrait by Titian (Italian, c. 1488-1576). Date: 1587. Dimensions: 323 x 234 mm (image/sheet, cut within plate mark). Engraving on ivory laid paper. Origin: Italy.
Editorial Saint Jerome in the Wilderness. Nicol? Boldrini (Italian, c. 1500-1566); after Titian (Italian, c. 1488-1576). Date: 1525-1530. Dimensions: 382 ? 527 mm. Woodcut in black on paper. Origin: Italy.
Editorial Self-Portrait. after Tiziano Vecellio, called Titian; Italian, c. 1488-1576. Date: 1780-1799. Dimensions: 544 x 391 mm. Black chalk, with stumping, on gray wove paper, tipped on to ivory laid paper. Origin: Italy.
Editorial Madonna and Child. Cornelis Visscher (Dutch, c. 1629-1658); after Titian (Italian, c. 1488-1576). Date: 1649-1658. Dimensions: . Engraving on paper. Origin: Holland.
Editorial The Entombment. Giulio di Antonio Bonasone (Italian, active 1531-1574); after Titian (Italian, c. 1488-1576). Date: 1563. Dimensions: 292 x 178 mm (plate); 296 x 183 mm (sheet). Engraving on paper. Origin: Italy.
Editorial The Milkmaid. Nicol? Boldrini (Italian, c. 1500-1566); after Titian (Italian, c. 1488-1576). Date: 1512-1566. Dimensions: 377 x 530 mm (image); 383 x 535 mm (sheet). Woodcut printed in black on paper. Origin: Italy.
Editorial Tobias and the Angel. after Tiziano Vecellio, called Titian; Italian, c. 1488-1576. Date: 1508-1576. Dimensions: 181 x 135 mm. Pen and black ink, with brush and gray wash, on ivory laid paper. Origin: Italy.
Editorial Portrait of Titian. Agostino Carracci (Italian, 1557-1602); after a self-portrait by Titian (Italian, c. 1488-1576). Date: 1587. Dimensions: 323 x 234 mm (image/sheet, cut within plate mark). Engraving on ivory laid paper. Origin: Italy.
Editorial Saint Jerome in the Wilderness. Nicol? Boldrini (Italian, c. 1500-1566); after Titian (Italian, c. 1488-1576). Date: 1525-1530. Dimensions: 382 ? 527 mm. Woodcut in black on paper. Origin: Italy.
Editorial Tarquin and Lucretia. Cornelis Cort (Netherlandish, 1533/36-1578); after Titian (Italian, c. 1488-1576). Date: 1566-1576. Dimensions: 420 x 288 mm (plate); 424 x 291 mm (sheet). Engraving on ivory laid paper. Origin: Netherlands.
Editorial Head of a Dog, n.d., Bernard Baron (French, 1696-1762), after Tiziano Vecellio, called Titian (Italian, c. 1488-1576), Italy, Red chalk on oiled golden-yellow transparentized laid paper, 263 x 235 mm (max.).
Editorial Portrait of Titian, 1843, Johann August Eduard Mandel (German, 1810-1882), after Titian (Italian, c. 1488-1576), Germany, Engraving in black on paper, 308 x 247 mm (image), 408 x 310 mm (plate), 452 x 347 mm (sheet).
Editorial Penitent Magdalene, 18th century, After Tiziano Vecellio, called Titian, Italian, c. 1488-1576, Italy, Red chalk, with stumping, on ivory laid paper, 232 x 189 mm.
Editorial Left Arm of a Hunter, n.d., Bernard Baron (French, 1696-1762), after Tiziano Vecellio, called Titian (Italian, c. 1488-1576), France, Red chalk on oiled golden-yellow transparentized laid paper, 338 ? 194 mm (ma?.).
Editorial Portrait of the Poet Pietro Aretino, n.d., Cornelis van Dalen, II (Dutch, seventeenth century), after Titian (Italian, c. 1488-1576), Netherlands, Engraving on paper, 375 x 278 mm (image), 410 x 293 mm (plate), 466 x 354 mm (sheet).
Editorial Right Hand of Jupiter, n.d., Bernard Baron (French, 1696-1762), after Tiziano Vecellio, called Titian (Italian, c. 1488-1576), France, Red chalk on oiled golden-yellow, 219 ? 266 mm (ma?.).
Editorial Head of a Hunter, n.d., Bernard Baron (French, 1696-1762), after Tiziano Vecellio, called Titian (Italian, c. 1488-1576), France, Red chalk on oiled golden-yellow transparentized laid paper, 318 ? 236 mm.
Editorial Landscape with a Luteplayer, 1627, Unknown artist, after Giovanni Francesco Grimaldi (Italian, c. 1606-1680), after Titian (Italian, c. 1488-1576), Venice, Etching on ivory laid paper, 343 x 470 mm (image), 347 x 473 mm (sheet).
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 406 x 558 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 405 x 553 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 410 x 544 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 406 x 546 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 404 x 545 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 408 x 555 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Six Saints, c. 1535. Niccolo Boldrini (Italian, c. 1500-aft 1566), after Titian (Italian, c. 1488-1576). Woodcut.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 419 x 547 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 399 x 550 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 410 x 544 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 406 x 546 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial Madonna and Child. Cornelis Visscher (Dutch, c. 1629-1658); after Titian (Italian, c. 1488-1576). Date: 1649-1658. Dimensions: . Engraving on paper. Origin: Holland.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 412 x 552 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 400 x 556 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Entombment. Giulio di Antonio Bonasone (Italian, active 1531-1574); after Titian (Italian, c. 1488-1576). Date: 1563. Dimensions: 292 x 178 mm (plate); 296 x 183 mm (sheet). Engraving on paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 410 x 544 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 401 x 546 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 408 x 555 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 412 x 552 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 419 x 547 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 406 x 558 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 400 x 556 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Entombment. Giulio di Antonio Bonasone (Italian, active 1531-1574); after Titian (Italian, c. 1488-1576). Date: 1563. Dimensions: 292 x 178 mm (plate); 296 x 183 mm (sheet). Engraving on paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 406 x 546 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Milkmaid. Nicol? Boldrini (Italian, c. 1500-1566); after Titian (Italian, c. 1488-1576). Date: 1512-1566. Dimensions: 377 x 530 mm (image); 383 x 535 mm (sheet). Woodcut printed in black on paper. Origin: Italy.
Editorial Massacre of the Innocents. Circle of Tiziano Vecellio, called Titian; Italian, c. 1488-1576. Date: 1585-1600. Dimensions: 285 x 427 mm (max.). Charcoal, heightened with touches of white chalk, on gray laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 408 x 555 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial Portrait of Titian. Agostino Carracci (Italian, 1557-1602); after a self-portrait by Titian (Italian, c. 1488-1576). Date: 1587. Dimensions: 323 x 234 mm (image/sheet, cut within plate mark). Engraving on ivory laid paper. Origin: Italy.
Editorial Saint Jerome in the Wilderness. Nicol? Boldrini (Italian, c. 1500-1566); after Titian (Italian, c. 1488-1576). Date: 1525-1530. Dimensions: 382 ? 527 mm. Woodcut in black on paper. Origin: Italy.
Editorial Design: Landscape Study, from Encyclop?die. Beno?t-Louis Pr?vost (French, c. 1735-1809); after Titian (Italian, c. 1488-1576); published by Andr? le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1...
Editorial Self-Portrait. after Tiziano Vecellio, called Titian; Italian, c. 1488-1576. Date: 1780-1799. Dimensions: 544 x 391 mm. Black chalk, with stumping, on gray wove paper, tipped on to ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 405 x 553 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 410 x 544 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 401 x 546 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial The Submersion of Pharoah's Army in the Red Sea. After Titian (Italian, c. 1488-1576); published by Domenico dalle Greche (Italian, active 1543-1558). Date: 1510-1520. Dimensions: 404 x 545 mm. Woodcut in black on ivory laid paper. Origin: Italy.
Editorial Tarquin and Lucretia. Cornelis Cort (Netherlandish, 1533/36-1578); after Titian (Italian, c. 1488-1576). Date: 1566-1576. Dimensions: 420 x 288 mm (plate); 424 x 291 mm (sheet). Engraving on ivory laid paper. Origin: Netherlands.
Editorial Madonna and Child. Cornelis Visscher (Dutch, c. 1629-1658); after Titian (Italian, c. 1488-1576). Date: 1649-1658. Dimensions: . Engraving on paper. Origin: Holland.