EditorialSeated Male Nude with Outstretched Left Arm. Unknown Artist (Italian, late 16th century); or possibly after Domenico Beccafumi, called Il Mecarino (Italian, 1484-1551); or possibly Imitator of Francesco Salviati (Italian, 1503-1540); or possibly Pelleg...
EditorialSeated Male Nude with Outstretched Left Arm. Unknown Artist (Italian, late 16th century); or possibly after Domenico Beccafumi, called Il Mecarino (Italian, 1484-1551); or possibly Imitator of Francesco Salviati (Italian, 1503-1540); or possibly Pelleg...
EditorialGothic art. St. Emilian tables. It represents scenes from the life of St. Emilian and the Virgin. Late 14th century. Tempera. Outside the door left of the altarpiece. Monastery of St. Emilian of Suso. La Rioja Museum. Logrono. Spain.
EditorialGothic art. St. Emilian tables. It represents scenes from the life of St. Emilian and the Virgin. Late 14th century. Tempera. Inside of the right door of the altarpiece. Monastery of St. Emilian of Suso. La Rioja Museum. Logrono. Spain.
EditorialSan Millan de la Cogolla, La Rioja, Spain. Yuso Monastery. Relief of Saint Emilian the Moor-Slayer by Spanish sculptor Diego Lizarraga, 1661-1665. Baroque portico, detail.(472-573) by Spanish sculptor Diego Lizarraga, 1661-1665. Baroque portico, detail.
EditorialCoronation of the Virgin with Saint John the baptist. Date/Period: 1600 - 1650. Painting. Oil on canvas. Height: 620 mm (24.40 in); Width: 500 mm (19.68 in).
EditorialSeated Male Nude with Outstretched Left Arm. Unknown Artist (Italian, late 16th century); or possibly after Domenico Beccafumi, called Il Mecarino (Italian, 1484-1551); or possibly Imitator of Francesco Salviati (Italian, 1503-1540); or possibly Pelleg...
EditorialSeated Male Nude with Outstretched Left Arm. Unknown Artist (Italian, late 16th century); or possibly after Domenico Beccafumi, called Il Mecarino (Italian, 1484-1551); or possibly Imitator of Francesco Salviati (Italian, 1503-1540); or possibly Pelleg...
EditorialPortrait of a Lady. Dated: second half 16th century. Dimensions: overall (diameter): 7.63 cm (3 in.) gross weight: 100.73 gr (0.222 lb.). Medium: bronze.
EditorialLamentation Over the Dead Christ. Dated: second quarter 16th century. Dimensions: overall: 10.6 x 7.3 cm (4 3/16 x 2 7/8 in.) gross weight: 173 gr. Medium: bronze//Yellowish patina.
EditorialThe Adoration of the Shepherds. Dated: 1561. Dimensions: overall: 19.5 x 14.5 cm (7 11/16 x 5 11/16 in.) gross weight: 771 gr. Medium: bronze.
EditorialThe Entombment. Dated: early 16th century. Dimensions: overall: 11.9 x 10.1 cm (4 11/16 x 4 in.) gross weight: 318 gr. Medium: bronze//Dark brown patina (rubbed on exposed surfaces; some lead stopping at back).
EditorialPortrait of a Lady. Dated: late 16th century. Dimensions: overall (diameter): 6.57 cm (2 9/16 in.) gross weight: 52.37 gr (0.115 lb.). Medium: lead.
EditorialCoronation of the Virgin with Saint John the baptist. Date/Period: 1600 - 1650. Painting. Oil on canvas. Height: 620 mm (24.40 in); Width: 500 mm (19.68 in).
EditorialCupid Seated on a Cloud and Holding a Palm (?), 16th century, Pen and brown ink, 4-7/8 x 3-11/16 in. (12.4 x 9.4 cm) maximum, drawing partly silhouetted, Drawings, Anonymous, Italian, Emilian, mid-16th century.
EditorialSan Millan de la Cogolla, La Rioja, Spain. Yuso Monastery. Relief of Saint Emilian the Moor-Slayer by Spanish sculptor Diego Lizarraga, 1661-1665. Baroque portico, detail.(472-573) by Spanish sculptor Diego Lizarraga, 1661-1665. Baroque portico, detail.
EditorialPortrait of a Lady. Dated: second half 16th century. Dimensions: overall (diameter): 7.63 cm (3 in.) gross weight: 100.73 gr (0.222 lb.). Medium: bronze.
EditorialLamentation Over the Dead Christ. Dated: second quarter 16th century. Dimensions: overall: 10.6 x 7.3 cm (4 3/16 x 2 7/8 in.) gross weight: 173 gr. Medium: bronze//Yellowish patina.
EditorialThe Adoration of the Shepherds. Dated: 1561. Dimensions: overall: 19.5 x 14.5 cm (7 11/16 x 5 11/16 in.) gross weight: 771 gr. Medium: bronze.
EditorialFantastic Landscape with Figures. Dated: late 16th century. Dimensions: overall: 63.5 x 83.9 cm (25 x 33 1/16 in.) framed: 84.9 x 104.8 x 6 cm (33 7/16 x 41 1/4 x 2 3/8 in.). Medium: oil on canvas.
EditorialThe Entombment. Dated: early 16th century. Dimensions: overall: 11.9 x 10.1 cm (4 11/16 x 4 in.) gross weight: 318 gr. Medium: bronze//Dark brown patina (rubbed on exposed surfaces; some lead stopping at back).
EditorialPortrait of a Lady. Dated: late 16th century. Dimensions: overall (diameter): 6.57 cm (2 9/16 in.) gross weight: 52.37 gr (0.115 lb.). Medium: lead.
EditorialDeath of Saint Joseph, 17th century, Red chalk, pen and brown ink, highlighted with white gouache and blue-green gouache, squared for transfer in black chalk on light brown laid paper, 10-13/16 x 7-1/16 in. (27.4 x 18 cm), Drawings, Anonymous, Italian,...
EditorialCupid Seated on a Cloud and Holding a Palm (?), 16th century, Pen and brown ink, 4-7/8 x 3-11/16 in. (12.4 x 9.4 cm) maximum, drawing partly silhouetted, Drawings, Anonymous, Italian, Emilian, mid-16th century.
EditorialSan Millan de la Cogolla, La Rioja, Spain. Yuso Monastery. Relief of Saint Emilian the Moor-Slayer by Spanish sculptor Diego Lizarraga, 1661-1665. Baroque portico, detail.(472-573) by Spanish sculptor Diego Lizarraga, 1661-1665. Baroque portico, detail.
EditorialGothic art. St. Emilian tables. It represents scenes from the life of St. Emilian and the Virgin. Late 14th century. Tempera. Outside the door left of the altarpiece. Monastery of St. Emilian of Suso. La Rioja Museum. Logrono. Spain.
EditorialGothic art. St. Emilian tables. It represents scenes from the life of St. Emilian and the Virgin. Late 14th century. Tempera. Inside of the right door of the altarpiece. Monastery of St. Emilian of Suso. La Rioja Museum. Logrono. Spain.