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Editorial UNIVERSIDAD DE ALCALA DE HENARES - FACHADA 1541-53.
Editorial PATIO DEL HOSPITAL DEL CARDENAL TAVERA - 1541 - RENACIMIENTO ESPA?OL.
Editorial The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows.
Editorial Studying a Painting.
Editorial The Three Ages of Humans.
Editorial El Greco (Domenikos Theotokopulos) (1541-1614). Greek painter. The Adoration of the Magi, ca.1568-1569. Lazaro Galdiano Museum. Madrid. Spain.
Editorial Bamboo in the wind.
Editorial Portrait of a Man, Possibly Jean de Langeac (died 1541), Bishop of Limoges.
Editorial Cardinal Fernando Ni?o de Guevara (1541-1609). El Greco (Domenikos Theotokopoulos). NI?O DE GUEVARA CARDENAL.
Editorial The Lady and Death. Dated: 1541. Medium: engraving.
Editorial Virgin and Child with Angels.
Editorial Fortune. Sebald Beham; German, 1500-1550. Date: 1541. Dimensions: 78 x 50 mm (image); 78 x 51 mm (sheet, trimmed unevenly to plate mark). Engraving in black on ivory laid paper. Origin: Germany.
Editorial Virgil Suspended in a Basket, copy. After Georg Pencz; German, c. 1500-1550. Date: 1541-1600. Dimensions: 56 x 81 mm (image/sheet). Engraving in black on ivory laid paper. Origin: Germany.
Editorial Mauricio de Sajonia (1521-1553). Noble alem?n, duque de Sajonia-Meissen (1541-1547) y Pr?ncipe Elector de Sajonia (1547-1553). Grabado. "Museo Militar del Ej?rcito Espa?ol", Tomo I. Evaristo Ullastres Editor. Barcelona, 1883. Coloreado.
Editorial Coin (Thaler, Annaberg) Showing John Frederick, Elector of Saxony.
Editorial Mauricio de Sajonia (1521-1553). Noble alem?n, duque de Sajonia-Meissen (1541-1547) y Pr?ncipe Elector de Sajonia (1547-1553). Grabado. "Museo Militar del Ej?rcito Espa?ol", Tomo I. Evaristo Ullastres Editor. Barcelona, 1883. Coloreado.
Editorial St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T.,...
Editorial Portrait of El Greco, After El Greco (Greek, 1541-1614), 1894, ink on paper, 7-3/4 x 5-1/4 in. (image) 12-1/2 x 9-3/8 in. (sheet).
Editorial Charles V, German Emperor, calculating medal from the Council of Finance, Copper medal. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: columns of Herkules, connected by pennant with inscription under crown inside inscript...
Editorial Charles V, German emperor, calculation token of the Council of Finance, Copper token. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: inscription under fire-blow, from which sparks shoot between columns of Herkules within ...
Editorial St. Matthew, El Greco (Greek, 1541-1614), Workshop of El Greco (Greek, 1541-1614), about 1610-1614, oil on canvas, 28-1/4 x 21-5/8 in. (canvas) 38-7/8 x 31-7/8 x 3-3/4 in. (framed/glazed), Inscribed initials in black oil paint, right center edge: D.T.,...
Editorial Christ Bearing the Cross, Workshop of El Greco (Greek, 1541-1614), about 1610, oil on canvas, 8-7/8 x 7-1/8 in., European Painting and Sculpture Before 1800.
Editorial attributed to Jean Clouet, French, 1480-1541, Portrait of a Woman, ca. between 1530 and 1572, graphite and color chalk on tan laid paper, Sheet: 8 3/8 ? 5 1/4 inches (21.3 ? 13.3 cm).
Editorial Joos van der Beke van Cleve, Netherlandish, ca. 1485-between 1540 and 1541, Adoration of the Magi, ca. 1525, Oil on oak panel, Center panel: 35 ? 25 1/2 inches (88.9 ? 64.8 cm).
Editorial Hans Muelich, German, 1516-1573, Portrait of a Woman, 1541, Oil on wood panel, Unframed: 25 1/2 ? 19 1/2 inches (64.8 ? 49.5 cm).
Editorial El Greco, Spanish, 1541-1614, Madonna and Child, c. 1590, oil on canvas, Unframed: 22 3/4 ? 18 3/16 inches (57.8 ? 46.2 cm).
Editorial Queen Margareta Leijonhufvud, Margareta Leijonhufud, 1516-1541, Queen of Sweden, painting, Margaret Leijonhufvud, Oil on canvas, Height, 100 cm (39.3 inches), Width, 82 cm (32.2 inches).
Editorial Of wisdome : Charron, Pierre, 1541-1603.
Editorial Coin (Thaler, Annaberg) Showing John Frederick, Elector of Saxony.
Editorial The lives of the deans of Canterbury, 1541 to 1900 : Cowper, J. Meadows (Joseph Meadows).
Editorial After El Greco, (1541-1614), Count Orgaz 'funeral, Oil on canvas, Height: 32.5 cm (12.7), Width: 44 cm (17.3).
Editorial Attributed to David Frumerie, Henrik, Henry the Pious, 1473-1541, Duke of Saxony, painting, Oil on canvas, Height, 195 cm (76.7 inches), Width, 118 cm (46.4 inches).
Editorial Attributed to Johan Baptista van Uther, Queen Margareta Leijonhufvud, Margareta Leijon Head, 1513-1541, Queen of Sweden, painting, 16th century, oil on canvas, Height, 195 cm (76.7 inches), Width, 121 cm (47.6 inches).
Editorial Ferdinand, Roman King, Silver Medal, eyeball broken off. Obverse: rider on horseback above year within circumscription. Reverse: crowned two-headed eagle with a coat of arms within an inscription., Ferdinand I of Habsburg (German Emperor), Achatius Thu...
Editorial Coin (Thaler, Annaberg) Showing John Frederick, Elector of Saxony.
Editorial Princess Catherine and Henry, Henrik, 1473-1541, Duke of Saxony, Catherine, 1477-1561, Princess of Mecklenburg, painting, oil on canvas, Height, 101.5 cm (39.9 inches), Width, 79, cm (31.1 inches).
Editorial Charles V, German emperor, calculation token of the Council of Finance, Copper token. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: inscription under fire-blow, from which sparks shoot between columns of Herkules within ...
Editorial Philip II van Croy, Marquis van Aarschot, Copper Medal. Obverse: crowned coat of arms, hanging with the order of the Golden Fleece within the girth. Reverse: diamond-shaped coat of arms within a circle, Philip II of Cro? duke van Aarschot, anonymous, N...
Editorial Charles V, German Emperor, Silver Medal with Carrying Eye. Obverse: man's chest piece with glove in hand inside the cover. Reverse: crowned coat of arms hanging with order of Gulden Vlies between columns of Herkules within an inscription, Charles V of ...
Editorial Virgil Suspended in a Basket, copy. After Georg Pencz; German, c. 1500-1550. Date: 1541-1600. Dimensions: 56 x 81 mm (image/sheet). Engraving in black on ivory laid paper. Origin: Germany.
Editorial Buffoon and Two Bathing Women. Sebald Beham; German, 1500-1550. Date: 1541-1542. Dimensions: 44 x 69 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Germany.
Editorial The Lady and Death. Dated: 1541. Medium: engraving.
Editorial Coin (Thaler, Annaberg) Showing John Frederick, Elector of Saxony.
Editorial Virgil Suspended in a Basket, copy. After Georg Pencz; German, c. 1500-1550. Date: 1541-1600. Dimensions: 56 x 81 mm (image/sheet). Engraving in black on ivory laid paper. Origin: Germany.
Editorial Buffoon and Two Bathing Women. Sebald Beham; German, 1500-1550. Date: 1541-1542. Dimensions: 44 x 69 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Germany.
Editorial Ceremonial Vessels from Martin Luther (German Bible), plate 29 from Woodcuts from Books of the XVI Century. Attributed to Monogrammist M.S. (German, active c. 1530-1550); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1541. Dimensions: 108 ? 148 m...
Editorial Psyche, Thinking to Appear More Beautiful..., Opens the Fateful Box. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1...
Editorial Ceres Refusing Any Assistance to Psyche. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 m...
Editorial Fortitude (Study for the "Cabinet du roi" [King's Study]). Francesco Primaticcio; Italian, 1504-1570. Date: 1541-1545. Dimensions: 219 x 152 mm. Brush and vermilion wash, heightened with lead white, over stylus incising, on cream laid paper toned pink,...
Editorial Psyche Leaves for the Underworld. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plat...
Editorial Venus Ordering Psyche to Seek Water From a Fountain Guarded by Dragons. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 153...
Editorial Cupid in Psyche's Arms. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plate); 270 x ...
Editorial A White Bird Telling Venus of Cupid's Illness. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x...
Editorial Cupid Begging Jupiter for Mercy for Psyche. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 23...
Editorial Psyche Embarks in Charon's Boat. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x 235 mm (plate...
Editorial Cupid and Psyche Together in the Nuptial Bed. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1541. Dimensions: 200 x ...
Editorial Pentecost. Bernard van Orley, workshop of; Netherlandish, c. 1488-1541. Date: 1520-1525. Dimensions: 119 ? 93.5 cm (46 7/8 ? 36 3/4 in.); painted surface 117 ? 92 cm (46 1/8 ? 36 1/4 in.). Oil on panel. Origin: Flanders.
Editorial Saint Martin and the Beggar. El Greco (Domenikos Theotokopoulos); Greek, active in Spain, 1541-1614. Date: 1597-1600. Dimensions: 43 5/16 ? 24 13/16 in. (110 ? 63 cm); original painted surface: 42 5/16 ? 22 7/8 in. (107.5 ? 58 cm). Oil on canvas. Origi...
Editorial The Lady and Death. Dated: 1541. Medium: engraving.
Editorial The Trojans pulling the wooden horse into the city.
Editorial The Death of the Children of Niobe. School of Marcantonio Raimondi; Italian, c. 1480-1534. Date: 1541. Dimensions: 332 x 445 mm (sheet). Engraving in black on paper. Origin: Italy.
Editorial Virgil Suspended in a Basket, copy. After Georg Pencz; German, c. 1500-1550. Date: 1541-1600. Dimensions: 56 x 81 mm (image/sheet). Engraving in black on ivory laid paper. Origin: Germany.
Editorial Woman and Two Children. Francesco Mazzola, called Parmigianino, after; Italian, 1503-1540. Date: 1523-1541. Dimensions: 207 x 267 mm (max.). Red chalk on tan laid paper. Origin: Italy.
Editorial Saint James Major. Francesco Mazzola, called Parmigianino, after; Italian, 1503-1540. Date: 1523-1541. Dimensions: 137 x 78 mm. Pen and brown ink with brush and brown wash, over traces of graphite, on buff laid paper, laid down on ivory laid card. Orig...
Editorial Five Putti with Books. After Bernardino Gatti, called Il Sojaro; Italian, c. 1495-1575. Date: 1541-1545. Dimensions: 404 ? 138 mm. Brush and brown wash, with black chalk, on cream laid paper, tipped onto ivory laid paper. Origin: Italy.
Editorial Return of the Prodigal Son. Attributed to Andrea Meldolla, called Schiavone; Italian, c. 1510-1563. Date: 1536-1541. Dimensions: 119 x 100 mm. Brush and brown wash, over black chalk, on tan laid paper, laid down on ivory laid paper. Origin: Italy.
Editorial Venus Ordering Psyche to Seek Water From a Fountain Guarded by Dragons. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 153...
Editorial Venus and Cupid. Circle of Francesco Mazzola, called Parmigianino; Italian, 1503-1540. Date: 1523-1541. Dimensions: 137 x 69 mm (max.). Pen and brown ink with brush and pale brown wash, on buff laid paper, partially laid down on tan laid paper, tipped ...
Editorial Joseph Explaining his Dreams. Nicolas Beatrizet (French, 1515-1565); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1541. Dimensions: 234 ? 375 mm. Engraving on paper. Origin: France.
Editorial Buffoon and Two Bathing Women. Sebald Beham; German, 1500-1550. Date: 1541-1542. Dimensions: 44 x 69 mm (image/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Germany.
Editorial Saint Francis Kneeling in Meditation. El Greco (Domenikos Theotokopoulos); Greek, active in Spain, 1541-1614. Date: 1595-1600. Dimensions: 36 3/16 ? 24 1/8 in. (92 ? 74 cm); painted surface: 35 1/4 ? 28 3/8 in. (89.5 ? 72 cm). Oil on canvas. Origin: Sp...
Editorial Plate 2: Saint Mark, his head turned in profile to the left, with an open book in his right hand and a lion at his feet, from 'The four evangelists'.
Editorial The Crucifixion; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7.4 cm (4 5/16 ...
Editorial Confessor Saints; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7.4 cm (4 5/16...
Editorial The Massacre of the Innocents; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7...
Editorial Reaping, Zodiacal Sign of Virgo; Workshop of the Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justi...
Editorial Initial H: David in Prayer; Workshop of Gerard Horenbout, Flemish, 1465 - 1541, active 1487 - about 1520; Cologne (written), Germany, Europe; about 1500; Tempera colors and gold paint on parchment; Leaf: 15.2 x 11.1 cm (6 x 4 3/8 in.).
Editorial The Way to Calvary; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7.4 cm (4 5/...
Editorial Pentecost; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7.4 cm (4 5/16 x 2 15...
Editorial The Presentation in the Temple; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x ...
Editorial Saint Anthony of Padua; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7.4 cm (...
Editorial Enea Vico (Italian, 1523 - 1567). Ornament with a Peacock, 1541. Engraving.
Editorial Slaughtering of an Ox and Grape Harvesting, Zodiacal Sign of Libra; Workshop of the Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x ...
Editorial Moses and the Brazen Serpent; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7....
Editorial Female Martyrs and Saints Worshipping the Lamb of God; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.),...
Editorial Scenes from the Life of Gideon and Moses and the Burning Bush; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/...
Editorial The Virgin and Child with Saint Anne; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 1...
Editorial Saint Julianus and his Wife; Master of James IV of Scotland, Flemish, before 1465 - about 1541; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.), Justification: 10.9 x 7.4...
Editorial Stained Glass Design for a Married Couple; Hieronymus Lang, Swiss, active 1541 - 1582; Switzerland, Europe; 1553; Pand and black ink with gray, ocher, brown and orange washes; 24 x 21.7 cm (9 7/16 x 8 9/16 in.).
Editorial Charles V, German Emperor, is preparing for the expedition against Algiers, Copper Medal. Obverse: kneeling Charles V prays with a glance directed upwards within an inscription. Reverse: lion with standard sitting in a fenced garden within a circle, Al...
Editorial Ferdinand, Roman King, Silver Medal, eyeball broken off. Obverse: rider on horseback above year within circumscription. Reverse: crowned two-headed eagle with a coat of arms within an inscription., Ferdinand I of Habsburg (German Emperor), Achatius Thu...
Editorial Joos van Cleve (h.1485-1540/1541). Flemish painter. Triptych with the Death of Mary, 1515. Central panel. Wallraf-Richartz Museum. Cologne. Germany.
Editorial Johan Frederik the Great, Elector of Saxony and Philip the Great, Landgrave of Hesse, Silver Medal. Front: bust man with sword on shoulder inside two-line circumference interrupted by four coats of arms within an inscription. Reverse: bust man with com...
Editorial Charles V, German emperor, calculation token of the Council of Finance, Copper token. Obverse: man's chest piece with laurel wreath inside an inscription. Reverse: columns of Herkules, connected by pennant with inscription under crown inside inscriptio...
Editorial Cupid and Pan, Attributed to Federico Zuccaro (Italian, about 1541 - 1609), about 1600, Oil on canvas, 76.5 ? 104.1 cm (30 1/8 ? 41 in.).
Editorial The Adoration of the Magi, Master of James IV of Scotland (Flemish, before 1465 - about 1541), Ghent, Belgium, about 1510 - 1520, Tempera colors, gold, and ink on parchment, Leaf: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in.).
Editorial Taddeo Rebuffed by Francesco Il Sant'Angelo, Federico Zuccaro (Italian, about 1541 - 1609), about 1595, Pen and brown ink, brush with brown wash, over black chalk, 17.9 x 41.5 cm (7 1/16 x 16 5/16 in.).
Editorial Taddeo Returns to Rome Escorted by Drawing and Spirit Towards the Three Graces, Federico Zuccaro (Italian, about 1541 - 1609), about 1595, Pen and brown ink, brush with brown wash, over black chalk and touches of red chalk, 42.6 x 18 cm (16 3/4 x 7 1/1...
Editorial The Crucifixion with a Kneeling Woman, Workshop of Gerard Horenbout (Flemish, 1465 - 1541), Cologne (written), Germany, about 1500, Tempera colors and gold paint on parchment, Leaf: 15.2 x 11.1 cm (6 x 4 3/8 in.).
Editorial Taddeo Employed on Menial Tasks at Calabrese's House, Federico Zuccaro (Italian, about 1541 - 1609), about 1595, Pen and brown ink, brush with brown wash, over black chalk, 17.6 x 41.9 cm (6 15/16 x 16 1/2 in.).