EditorialAdam and Eve, Eve, Eve stands cross-legged with the left hip against a truncated tree trunk, she rests on the right leg and has the heel of the left foot from the bottom. With the right hand she holds a fig leaf for shame, with the left arm she leans o...
EditorialSt Sebastian, Sebastiaan, Sebastiaan hangs with the right wrist tied to an upward protruding, truncated branch of an equally truncated tree trunk. The head hangs sideways to the right, the left arm is tied to the trunk on the back. The bent right leg r...
EditorialAndrocles and the Lion, On a square plinth, the slave Androclus stands with his left leg over the well-liked lion, who jumps to the right between his legs, turns his head and looks up to him. Androclus looks in the direction of his raised right fist an...
EditorialAdam and Eve, Adam, Adam stands on a piece of land on the left leg and with the right hand bent, holds a branch with leaves for shame with the left hand and has the raised right hand turned upwards chest height. His head is turned slightly to the left,...
EditorialNymph and Satyr Satyr, He stands on the right leg and with the left bent on a rectangular skirting board with angled corners and with the left arm he rests on a stump against which he rests his left foot. The right arm hangs limp along the body. He has...
EditorialPutto with a Dolphin, Putto with dolphin, On a rocky bottom with water plants, the putto stands with spread legs above a dorphine in which direction he pushes his harpoon, which he holds with both hands. The head with hair fluttering backwards is turne...
EditorialChrist's Descent into Limbo, from the Soest Altarpiece, Christ, whose head is missing, stands slightly diagonally to the left on the back of a huddled, crawling monster with its mouth open, with its thick tongue hanging. He holds up the right hand (in ...
EditorialAdam and Eve, Adam, Adam stands, with his left leg forward, leaning against a truncated tree trunk. He bends slightly forward in the hips and has his head almost entirely to the right. He leans on a truncated branch with the left elbow and holds a fig ...
EditorialWindowpane with Prince Maurits in a praying position, Large window from the monastery of St Agatha near Cuyk. Prince Maurits in gilded armor, with ermine cloak and pleated collar, bareheaded, in a praying position, kneeling on a prayer chair in front o...
EditorialJupiter, The god stands on the left leg and with the right bent on a protruding floor, in front of a flat background with an egg frame. The upper body is turned slightly to the left, the bearded head in the opposite direction. He holds the right hand a...
EditorialSaturn, The god stands on the left leg and with the right bent on a protruding floor for a flat background with an egg frame. He bends the bearded head with the long hair separated in the middle forwards to the raised right hand, with which he holds a ...
EditorialApollo, The god stands frontally, head to the right, on the left leg and with the right bent on a protruding floor against a framed flat background. He grabs the right hand over his shoulder for an arrow in the sleeve hanging on his back and holds the ...
EditorialShame, plate nine from A Love. Max Klinger; German, 1857-1920. Date: 1886-1887. Dimensions: 455 x 309 mm (plate); 587 x 439 mm (sheet). Etching, engraving, and aquatint on cream wove paper. Origin: Germany.
EditorialHercules and the Hydra, On a square plinth stands the bearded Hercules with a left foot on the back of the winding Hydra. With both hands he swings the club above him, bending slightly forward, his gaze being fixed on the opened mouth of the winged mon...
EditorialThe Personifications of Shame and Anxiety Speaking to Resistance, The Personifications of Shame, Anxiety, and Resistance Quarreling, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered wi...
EditorialThe Personifications of Resistance, Shame, Anxiety, and Bad Mouth Watching Over the Castle's Door, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x ...
EditorialThe Personification of Bad Mouth Speaking to the Personifications of Anxiety and Shame, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7...
EditorialThe Personifications of Shame and Jealousy Speaking in the Presence of the Lover, Unknown, Paris, France, about 1405, Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, Leaf: 36.7 x 26 cm (14 7/16 x ...
EditorialShame, plate nine from A Love. Max Klinger; German, 1857-1920. Date: 1886-1887. Dimensions: 455 x 309 mm (plate); 587 x 439 mm (sheet). Etching, engraving, and aquatint on cream wove paper. Origin: Germany.
EditorialMiniature of three sinners standing in a hell-mouth, being tormented by devils throwing ice and snow; miniature of three sinners standing in a hell-mouth, being tormented by shame as they cover their faces; miniature of three sinners standing in a hell...
Editorial"-What a shame that I am not allowed go hunting," plate 180 from Actualiti?s. Honor? Victorin Daumier; French, 1808-1879. Date: 1867. Dimensions: 232 ? 197 mm (image); 292 ? 237 mm (sheet). Lithograph in black on buff wove paper, with letterpress verso...
Editorial"What a shame this lovely little lady didn't ask me to present her case in Court... I would love to plead that her husband is a rogue...," plate 24 from Les Gens De Justice. Honor? Victorin Daumier; French, 1808-1879. Date: 1846. Dimensions: 240 ? 189 ...
EditorialShame, plate nine from A Love. Max Klinger; German, 1857-1920. Date: 1886-1887. Dimensions: 455 x 309 mm (plate); 587 x 439 mm (sheet). Etching, engraving, and aquatint on cream wove paper. Origin: Germany.
EditorialMiniature of Dread, Shame, and Danger, in the Roman de la Rose. Roman de la Rose. France, Central (Paris); c. 1380. Source: Yates Thompson 21, f.26v. Language: French.
EditorialDetail of a miniature of Honte (Shame) and Peur (Fear) addressing Danger. Roman de la Rose. Netherlands, S. (Bruges). c. 1490-c. 1500. Source: Harley 4425 f.38v. Language: French.
EditorialFor the Trial of Warren Hastings, Seventh Day. 1788. This print is in two parts, the top half based on the design of the entrance tickets for the public gallery of the court proceedings, the bottom part showing the layout of Westminster Hall, with Hast...
EditorialMiniature of three sinners standing in a hell-mouth, being tormented by devils throwing ice and snow; miniature of three sinners standing in a hell-mouth, being tormented by shame as they cover their faces; miniature of three sinners standing in a hell...
Editorial("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense); cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques).
EditorialShame (from the series A Love), 1887?1903, Etching and aquatint; third edition; state five of seven, Plate: 18 1/8 ? 12 3/8 in. (46.1 ? 31.4 cm), Prints, Max Klinger (German, Leipzig 1857?1920 Gro?jena).
EditorialVenus Kindling a Fire in the Castle from which the Personifications of Shame, Anxiety, and Resistance Depart; Unknown; Paris, France, Europe; about 1405; Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red mor...