EditorialIndrajit advances in his chariot having created an illusory Sītā, whom he holds by the single long tress of her hair. He then cuts off her head and her body falls to the ground. Hanumān and the other monkeys, here Sugrīva and A?gada, are totally ...
EditorialKaikeyī is first seen on the left sleeping dishevelled, as in the previous picture, and then rises from her bed to persuade her husband to grant her the two boons that Da?aratha had earlier promised her. On the right, Da?aratha is first seen bemused...
EditorialRuth on her knees in the field, distraught. The story of Ruth. London : Frederick Warne & Co., [1872] Camden Press. Source: 12805.l.45.(2) page 4.
EditorialDistraught Man Running towards a Woman Succouring a Fallen Man. Draughtsman: Rembrandt van Rijn (rejected attribution). Draughtsman: Jan Victors (attributed to). Dating: c. 1635 - c. 1640. Place: Amsterdam. Measurements: h 121 mm ? w 132 mm.
EditorialIndrajit advances in his chariot having created an illusory Sītā, whom he holds by the single long tress of her hair. He then cuts off her head and her body falls to the ground. Hanumān and the other monkeys, here Sugrīva and A?gada, are totally ...
EditorialKaikeyī is first seen on the left sleeping dishevelled, as in the previous picture, and then rises from her bed to persuade her husband to grant her the two boons that Da?aratha had earlier promised her. On the right, Da?aratha is first seen bemused...
EditorialRuth on her knees in the field, distraught. The story of Ruth. London : Frederick Warne & Co., [1872] Camden Press. Source: 12805.l.45.(2) page 4.
EditorialThe skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
EditorialThe skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.