EditorialUli Blum, standing, and a colleague analyze a visualization of employees’ locations and interactions in their office, at the headquarters of Zaha Hadid Architects in London, on June 5, 2023. (Jeremie Souteyrat/The New York Times)
EditorialUli Blum, standing, and a colleague analyze a visualization of employees’ locations and interactions in their office, at the headquarters of Zaha Hadid Architects in London, on June 5, 2023. (Jeremie Souteyrat/The New York Times)
EditorialPro Bowl tight end Darren Waller, second from right, looks on as Chibu Amajoyi, left, producer, and Dereck Burns, center, audio engineer, work on a song Waller wrote, at Interscope Records in Santa Monica, Calif., April 21, 2023. (Gabriella Angotti-Jones/The New York Times)
EditorialPro Bowl tight end Darren Waller, second from right, looks on as Chibu Amajoyi, left, producer, and Dereck Burns, center, audio engineer, work on a song Waller wrote, at Interscope Records in Santa Monica, Calif., April 21, 2023. (Gabriella Angotti-Jones/The New York Times)
EditorialThe choreographer Alexei Ratmansky at The Hague, Netherlands, where he was working with a newly-formed company of Ukrainian dancers, in August 2022. (Melissa Schriek/The New York Times)
EditorialThe choreographer Alexei Ratmansky at The Hague, Netherlands, where he was working with a newly-formed company of Ukrainian dancers, in August 2022. (Melissa Schriek/The New York Times)
EditorialThe choreographer Alexei Ratmansky at The Hague, Netherlands, where he was working with a newly-formed company of Ukrainian dancers, in August 2022. (Melissa Schriek/The New York Times)
EditorialCodex became the building block for Copilot, Microsoft’s new articifial intelligence tool designed to speed the work of professional programmers. (Jason Henry/The New York Times)
EditorialCodex became the building block for Copilot, Microsoft’s new articifial intelligence tool designed to speed the work of professional programmers. (Jason Henry/The New York Times)
EditorialThe LEGO Group unveils Launderette of Dreams, an installation by artist Yinka Ilori that celebrates how children use play to rebuild the world around them
EditorialFrom left, Kaila Mullady, Utkarsh Ambudkar, Anthony Veneziale, Ashley Perez Flanagan and Aneesa Folds in “Freestyle Love Supreme” at the Booth Theater in New York, Sept. 21, 2019. (Jeenah Moon/The New York Times)
EditorialMembers of the team developing an app called Carbin team work at the office of Professor Franz-Josef Ulm at the Massachusetts Institute of Technology in Cambridge, Mass., on Jan. 17, 2020. (Cody O'Loughlin/The New York Times)
EditorialEXCLUSIVE: ** WARNING: Contains Graphic Content ** Brazilian woman with massive tumours waist down that have rob her of job and ruined her personal life, pleads for help for life-changing surgery