Editorial(EMBARGOED until 00:01am Tuesday 31st Oct, 2023 for online use but can be published for PRINT use on 31st Oct) Preview of Burma to Myanmar exhibition at The British Museum in London, UK, on 27th Oct, 2023
EditorialHanging textiles, plastic insects and a gilded spine cover one side of Ebony G. Patterson’s “…fester…,” a free-standing 10-foot wall on display in the LuEsther T. Mertz Library at the New York Botanical Garden in the Bronx, June 13, 2023. (Karsten Moran/The New York Times)
EditorialHanging textiles, plastic insects and a gilded spine cover one side of Ebony G. Patterson’s “…fester…,” a free-standing 10-foot wall on display in the LuEsther T. Mertz Library at the New York Botanical Garden in the Bronx, June 13, 2023. (Karsten Moran/The New York Times)
EditorialHanging textiles, plastic insects and a gilded spine cover one side of Ebony G. Patterson’s “…fester…,” a free-standing 10-foot wall on display in the LuEsther T. Mertz Library at the New York Botanical Garden in the Bronx, June 13, 2023. (Karsten Moran/The New York Times)
EditorialHanging textiles, plastic insects and a gilded spine cover one side of Ebony G. Patterson’s “…fester…,” a free-standing 10-foot wall on display in the LuEsther T. Mertz Library at the New York Botanical Garden in the Bronx, June 13, 2023. (Karsten Moran/The New York Times)
EditorialHanging textiles, plastic insects and a gilded spine cover one side of Ebony G. Patterson’s “…fester…,” a free-standing 10-foot wall on display in the LuEsther T. Mertz Library at the New York Botanical Garden in the Bronx, June 13, 2023. (Karsten Moran/The New York Times)
EditorialHanging textiles, plastic insects and a gilded spine cover one side of Ebony G. Patterson’s “…fester…,” a free-standing 10-foot wall on display in the LuEsther T. Mertz Library at the New York Botanical Garden in the Bronx, June 13, 2023. (Karsten Moran/The New York Times)
EditorialDrawings sent to NATO soldiers hanging on a wall in a departure hall of Bagram Air Field in Afghanistan on May 2, 2021. (Jim Huylebroek/The New York Times)
EditorialAn installation view, featuring, clockwise from center left: Antoni Gaudí’s “Grille from the Casa Milá (La Pedrera), Barcelona, Spain” (1906-1912); Anni Albers’s “Wall Hanging” (1927); Frank Lloyd Wright’s “Clerestory Windows from the Avery Coonley Playhouse, Riverside, Ill.” (1912); window from Wright’s Darwin D. Martin House, Buffalo, N.Y. (1903-1906); and Louis Sullivan’s “Elevator Grille from the Chicago Stock Exchange, Chicago, Ill.” (1893), at the Museum of Modern Art in New York, Nov. 9, 2020. (Jeenah Moon/The New York Times)