EditorialKehinde Wiley at “An Archaeology of Silence” at the de Young Museum with his monumental 2022 painting, “Femme piquée par un serpent (Mamadou Gueye)," in San Francisco, Calif., on March 14, 2023. (Ian C. Bates/The New York Times)
EditorialKehinde Wiley at “An Archaeology of Silence” at the de Young Museum with his monumental 2022 painting, “Femme piquée par un serpent (Mamadou Gueye)," in San Francisco, Calif., on March 14, 2023. (Ian C. Bates/The New York Times)