EditorialA page from a draft of Queen’s “Bohemian Rhapsody” features words that appear in the song’s operatic section, in London, May 22, 2023. (Lauren Fleishman/The New York Times)
EditorialA page from a draft of Queen’s “Bohemian Rhapsody” features words that appear in the song’s operatic section, in London, May 22, 2023. (Lauren Fleishman/The New York Times)
EditorialA page from a draft of Queen’s “Bohemian Rhapsody” features words that appear in the song’s operatic section, in London, May 22, 2023. (Lauren Fleishman/The New York Times)
EditorialA page from a draft of Queen’s “Bohemian Rhapsody” features words that appear in the song’s operatic section, in London, May 22, 2023. (Lauren Fleishman/The New York Times)
EditorialVisitors look at "Rhapsody," a 987-plate installation by Jennifer Bartlett, at the Museum of Modern Art in New York, May 8, 2006. (Keith Bedford/The New York Times)
EditorialThe Sea Rhapsody heads for repairs at the shipyard, which is run by the company MB92, in Barcelona, Spain, on Dec. 21, 2021. (Samuel Aranda/The New York Times)
EditorialThe Sea Rhapsody heads for repairs at the shipyard, which is run by the company MB92, in Barcelona, Spain, on Dec. 21, 2021. (Samuel Aranda/The New York Times)
EditorialConrad Tao performs “Rhapsody in Blue,” with choreography by Caleb Teicher, in the rotunda of the Guggenheim Museum in New York, March 20, 2021. (Krista Schlueter/The New York Times)
EditorialNathan Bugh, center, performs in “Rhapsody in Blue,” with choreography by Caleb Teicher, in the rotunda of the Guggenheim Museum in New York, March 20, 2021. (Krista Schlueter/The New York Times)