EditorialAn installation view, featuring, clockwise from center left: Antoni Gaudí’s “Grille from the Casa Milá (La Pedrera), Barcelona, Spain” (1906-1912); Anni Albers’s “Wall Hanging” (1927); Frank Lloyd Wright’s “Clerestory Windows from the Avery Coonley Playhouse, Riverside, Ill.” (1912); window from Wright’s Darwin D. Martin House, Buffalo, N.Y. (1903-1906); and Louis Sullivan’s “Elevator Grille from the Chicago Stock Exchange, Chicago, Ill.” (1893), at the Museum of Modern Art in New York, Nov. 9, 2020. (Jeenah Moon/The New York Times)