EditorialA barrier marks the border between McAllen, Texas, left, and Reynosa, Mexico, right, on the McAllen-Hidalgo International Bridge, May 11, 2023.. (Veronica G. Cardenas/The New York Times)
EditorialA barrier marks the border between McAllen, Texas, left, and Reynosa, Mexico, right, on the McAllen-Hidalgo International Bridge, May 11, 2023.. (Veronica G. Cardenas/The New York Times)
EditorialA barrier marks the border between McAllen, Texas, left, and Reynosa, Mexico, right, on the McAllen-Hidalgo International Bridge, May 11, 2023.. (Veronica G. Cardenas/The New York Times)
EditorialA barrier marks the border between McAllen, Texas, left, and Reynosa, Mexico, right, on the McAllen-Hidalgo International Bridge, May 11, 2023.. (Veronica G. Cardenas/The New York Times)
EditorialA barrier marks the border between McAllen, Texas, left, and Reynosa, Mexico, right, on the McAllen-Hidalgo International Bridge, May 11, 2023.. (Veronica G. Cardenas/The New York Times)
EditorialA barrier marks the border between McAllen, Texas, left, and Reynosa, Mexico, right, on the McAllen-Hidalgo International Bridge, May 11, 2023.. (Veronica G. Cardenas/The New York Times)
EditorialA barrier marks the border between McAllen, Texas, left, and Reynosa, Mexico, right, on the McAllen-Hidalgo International Bridge, May 11, 2023.. (Veronica G. Cardenas/The New York Times)
EditorialRuben Ochoa in his van turned exhibition space “Class: C,” which will be displayed with a cardboard cutout of his brother at Frieze Los Angeles, Feb. 11, 2023. (Alex Welsh/The New York Times)
EditorialRon Salisbury, left, the third generation owner of El Cholo, and Gerardo Ochoa, the head chef of the flagship location, in Los Angeles, Dec. 12, 2022. (Cody James/The New York Times)
EditorialAlejandrina Ochoa, a registered nurse, prepares a dose of the Moderna COVID-19 vaccine at a community center in the Bronx on Feb. 4, 2021. (James Estrin/The New York Times)
EditorialDancers of the Dutch National Ballet rehearse "Frida," a new work based on the life of Frida Kahlo, in Amsterdam, Dec. 20, 2019. (Ilvy Njiokiktjien/The New York Times)