EditorialFrom left, Ye Qin Zhu’s “Mediated Meditation”; Jacques Louis Vidal’s “Just as scared of you as you are of it”; and Timo Fahler’s “Death is our eternal companion...” at the Sebastian Gladstone + Harkawik gallery at NADA New York in Lower Manhattan, May 4, 2022. (Jeenah Moon/The New York Times)
EditorialThe conductor, composer and pianist Jacques-Louis Monod, shown at the piano in 1955 with, from left, Isidore Cohen, violinist; Charles McCracken, violist; Eugene Kushner, flutist; and Mark Fischer, French horn player. (The New York Times)
EditorialIn a composite of two images, Kehinde Wiley’s ‘‘Napoleon Leading the Army over the Alps’’ (2005), left, and Jacques-Louis David’s ‘‘Bonaparte Crossing the Alps’’ (1801) at the Brooklyn Museum, Jan. 23, 2020. (Emily Andrews/The New York Times)