EditorialColette Pierce Burnette, president and chief executive of the Indianapolis Museum of Art at Newfields, at the Butter fine art fair in Indianapolis, Sept. 3, 2022. (Cheney Orr/The New York Times)
EditorialJ.M.W. Turner’s “Rockets and Blue Lights (Close at Hand) to Warn Steam Boats of Shoal Water” (1840), hangs at the Museum of Fine Arts, Boston, on April 3, 2022. (Matt Cosby/The New York Times)
Editorial“Coronation Theme: Organon,” (2008) by Nadine Robinson, exhibited at the Virginia Museum of Fine Arts in Richmond, Va., July 6, 2021. (Brian Palmer/The New York Times)
EditorialEsteban Granados, head rigger for Atthowe Fine Art Services, during the installation of ?Pan American Unity,? a 30-ton, 74-foot-wide-by-22-foot mural by Diego Rivera, at the San Francisco Museum of Modern Art, May 16, 2021, where it will be on view starting Monday, June 28. (Cayce Clifford/The New York Times)
EditorialEsteban Granados, head rigger for Atthowe Fine Art Services, during the installation of “Pan American Unity,” a 30-ton, 74-foot-wide-by-22-foot mural by Diego Rivera, at the San Francisco Museum of Modern Art, May 16, 2021, where it will be on view starting Monday, June 28. (Cayce Clifford/The New York Times)
EditorialMari Carmen Ramirez, curator of Latin American art at the Museum of Fine Arts, Houston, at the museum, Nov. 4, 2020. (Brandon Thibodeaux/The New York Times)
EditorialA sign announcing the closing of the Metropolitan Museum of Art in an effort to contain the spread of the coronavirus in New York, March 12, 2020. (Karsten Moran/The New York Times)
EditorialA sign announcing the closing of the Metropolitan Museum of Art in an effort to contain the spread of the coronavirus in New York, March 12, 2020. (Karsten Moran/The New York Times)