EditorialMembers of the White Hands Choir of Venezuela, which includes deaf and hard of hearing performers, during a rehearsal for a new production of Beethoven’s opera “Fidelio,” in Los Angeles, April 8, 2022. (Michael Tyrone Delaney/The New York Times)
EditorialCorey McKern, who plays a Trump-like Pizarro, with Derrell Acon, a senior prison guard in Heartbeat Opera’s adaptation of Beethoven’s “Fidelio” at the Metropolitan Museum of Art, on Feb. 12, 2022. (Julieta Cervantes/The New York Times)