EditorialMegan Fairchild in Alexei Ratmansky’s “Voices,” at the David H. Koch Theater at the Lincoln Center in New York on Jan. 30, 2019. (Andrea Mohin/The New York Times)
Editorial Robbie Fairchild, a Tony-nominated former principal dancer for the New York City Ballet, at the opening of his new floral studio, Boo-Kay, in Hell's Kitchen, New York on Nov. 16, 2022. (Sinna Nasseri/The New York Times)
EditorialRobbie Fairchild and Sara Mearns in Christopher Wheeldon’s ”The Two of Us,” a duet set to Joni Mitchell, at the New York City Center, Sept. 29, 2022. (Julieta Cervantes/The New York Times)
EditorialMegan Fairchild, second from left, and Joseph Gordon, of the New York City Ballet, perform in George Balanchine’s “Symphony in C,” on opening night of the company’s fall season at the David H. Koch Theater in New York, Sept. 21, 2021. (Caitlin Ochs/The New York Times)
EditorialBruce Greer, who mediated the settlements over the collapse of the Champlain Towers South condominium, at Fairchild Tropical Botanic Garden, where he is president of the board of trustees, in Coral Gables, Fla., June 15, 2022. (Rose Marie Cromwell/The New York Times)
EditorialBruce Greer, who mediated the settlements over the collapse of the Champlain Towers South condominium, at Fairchild Tropical Botanic Garden, where he is president of the board of trustees, in Coral Gables, Fla., June 15, 2022. (Rose Marie Cromwell/The New York Times)
EditorialTwyla Tharp talks with Robbie Fairchild and Sara Mearns during a rehearsal at City Center in New York, Nov. 5, 2021. (Victor Llorente/The New York Times)
EditorialMegan Fairchild, second from left, and Joseph Gordon, of the New York City Ballet, perform in George Balanchine’s “Symphony in C,” on opening night of the company’s fall season at the David H. Koch Theater in New York, Sept. 21, 2021. (Caitlin Ochs/The New York Times)
EditorialFrom left, Megan Fairchild, Georgina Pazcoguin, Lauren Lovette and Sara Mearns in Alexei Ratmansky’s “Voices,” at the David H. Koch Theater at Lincoln Center in New York, Jan. 30, 2019. (Andrea Mohin/The New York Times)
EditorialMegan Fairchild in Alexei Ratmansky’s “Voices,” at the David H. Koch Theater at Lincoln Center in New York, Jan. 30, 2019. (Andrea Mohin/The New York Times)
EditorialMegan Fairchild in Alexei Ratmansky’s “Voices,” at the David H. Koch Theater at the Lincoln Center in New York on Jan. 30, 2019. (Andrea Mohin/The New York Times)