EditorialBayard Winthrop, chief executive of American Giant, at the Carolina Cotton Works facility where fabrics for his company?s apparel are treated, in Gaffney, S.C., Nov. 9, 2018. (Travis Dove/The New York Times)
EditorialThe textiles collection of Josephine Komara at her showroom BINhouse in Jakarta, Indonesia, on Nov 19, 2022. (Ulet Ifansasti/The New York Times)
EditorialThe textiles collection of Josephine Komara at her showroom BINhouse in Jakarta, Indonesia, on Nov 19, 2022. (Ulet Ifansasti/The New York Times)
EditorialThe textiles collection of Josephine Komara at her showroom BINhouse in Jakarta, Indonesia, on Nov 19, 2022. (Ulet Ifansasti/The New York Times)
EditorialThe textiles collection of Josephine Komara at her showroom BINhouse in Jakarta, Indonesia, on Nov 19, 2022. (Ulet Ifansasti/The New York Times)
EditorialThe textiles collection of Josephine Komara at her showroom BINhouse in Jakarta, Indonesia, on Nov 19, 2022. (Ulet Ifansasti/The New York Times)
EditorialDmitri Chernikov, right, an acclaimed tailor from Moscow, talks to a client during a fitting session in Tbilisi, Georgia on Dec. 16, 2022. (Sergey Ponomarev/The New York Times)
EditorialA Palestinian artist Ola Barakat 23, produces cartoon films to use the "stop motion" technique, Gaza city, Gaza Strip, Palestinian Territory - 19 Dec 2022
EditorialEspadrilles are displayed at Lartigue 1910’s factory store in Ascain, near Bayonne, France, on Nov. 12, 2022. (Ana Maria Arevalo Gosen/The New York Times)
EditorialFabrics in the colors of the American and Pan-African flags decorate the inside of a recreation of Anna Murray’s wedding gown, at Cassandra Bromfield’s apartment in New York, Sept. 10, 2022. (Michelle V. Agins/The New York Times)
EditorialRomain Brabo, Givenchy?s fabric buyer, in the showroom at Nona Source, which he cofounded, in Paris, May 13, 2022. (Emilie R?gnier/The New York Times)