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Editorial The cast of A Chorus Line at Festival Theatre, Edinburgh
Editorial Nepal's Taleju Bhawani Temple Open Its Door On Final Day Of Nawaratri, Animals Sacrificed, Kathmandu - 11 Oct 2024
Editorial Nepal Observes Phulpati Ceremony, Kathmandu - 10 Oct 2024
Editorial Cast of A Chorus Line dazzle in front of the Festival Theatre in Edinburgh, before dancing onto the stage tonight. Edinburgh, Scotland. Wednesday 25th September, 2024., The Festival Theatre main entrance, Edinburgh, Midlothian, Country - 25 Sep 2024
Editorial Teej Celebration In Nepal, Kathmandu - 06 Sep 2024
Editorial Hand In Hand LGBTQ+ choir festival, Bristol, UK - 17 Aug 2024
Editorial Hand In Hand LGBTQ+ choir festival, Bristol, UK - 16 Aug 2024
Editorial A Chorus Line photocall, Sadler's Wells Theatre, London, UK, London, UK - 01 Aug 2024
Editorial 'I Set A Challenge To Run A Marathon A Day In 2024. I Forgot It's A Leap Year.'
Editorial Juneteenth Celebration M'Finda Kalunga Community Garden, New York, USA - 22 Jun 2024
Editorial Normandy Prepares To Honor 80th D-Day Anniversary, Bayeux, France - 03 Jun 2024
Editorial Hamas Israel Conflict, Gaza, Palestine - 03 Apr 2024
Editorial Bodies of WCK Killed in Israeli Strike Returned to Families Outside Gaza, Rafah, Palestinian Territories - 03 Apr 2024
Editorial Bodies of WCK Killed in Israeli Strike Returned to Families Outside Gaza
Editorial Bodies of WCK Killed in Israeli Strike Returned to Families Outside Gaza
Editorial Taras Shevchenko National Prize of Ukraine ceremony held in Kyiv - 09 Mar 2024
Editorial Taras Shevchenko National Prize of Ukraine ceremony held in Kyiv
Editorial Olena Zelenska visit to UK
Editorial Pope Francis General Weekly Audience, Vatican City, Vatican - 28 Feb 2024
Editorial Alla Sigalova, Alexei Ovechkin
Editorial Dress rehearsal for Casting play
Editorial Abraham Kritzman & Daniel Silver: Choir, duet exhibition at Elizabeth Xi Bauer Gallery in London, UK, on 22nd Feb, 2024
Editorial Japanese conductor Seiji Ozawa dies at 88
Editorial Korean Sign Language Day
Editorial Belgravia Xmas lights
Editorial Princess Kako in Peru
Editorial English National Opera funding
Editorial SAG-AFTRA Members at Triangle Fire Memorial Dedication to Victims and Legacy of the 1911 Triangle Shirtwaist Factory Fire, New York, USA - 11 Oct 2023
Editorial Funeral for Sen. Diane Feinstein in San Francisco, California, United States - 05 Oct 2023
Editorial USA - America's Got Talent Season 18 Live Show Red Carpet - Pasadena
Editorial Brazil: 29th Cry of the Excluded and the Excluded
Editorial US-NEWS-FLA-SCHOOL-SEXABUSE-FL
Editorial US-NEWS-FLA-SCHOOL-SEXABUSE-FL
Editorial Daily life, The robin redbreast one of Britain's most recognisable and iconic birds, UK - 23 Jul 2023
Editorial Alexandrov composer pedagogue
Editorial NY: Walkout shutters broadway shows
Editorial Walkout shutters broadway shows
Editorial Palestinian Youth Chorus, Gaza, Palestine - 18 Jul 2023
Editorial Opera 'Peter the Great'
Editorial The South African singer Nomcebo Zikode, who won a Grammy Award this year for “Bayethe,” performs at a gala celebrating South Africans who have achieved international success, in Johannesburg, April 20, 2023. (Alexia Webster/The New York Times)
Editorial The South African singer Nomcebo Zikode, who won a Grammy Award this year for “Bayethe,” performs at a gala celebrating South Africans who have achieved international success, in Johannesburg, April 20, 2023. (Alexia Webster/The New York Times)
Editorial The South African singer Nomcebo Zikode, who won a Grammy Award this year for “Bayethe,” performs at a gala celebrating South Africans who have achieved international success, in Johannesburg, April 20, 2023. (Alexia Webster/The New York Times)
Editorial The South African singer Nomcebo Zikode, who won a Grammy Award this year for “Bayethe,” performs at a gala celebrating South Africans who have achieved international success, in Johannesburg, April 20, 2023. (Alexia Webster/The New York Times)
Editorial Members of the chorus wield scissors as a sound effect and dramatic tool as they perform Julia Wolfe's "Fire in my mouth," with the New York Philharmonic at David Geffen Hall in New York, Jan. 24, 2019. (Caitlin Ochs/The New York Times)
Editorial Members of the chorus wield scissors as a sound effect and dramatic tool as they perform Julia Wolfe's "Fire in my mouth," with the New York Philharmonic at David Geffen Hall in New York, Jan. 24, 2019. (Caitlin Ochs/The New York Times)
Editorial Members of the chorus wield scissors as a sound effect and dramatic tool as they perform Julia Wolfe's "Fire in my mouth," with the New York Philharmonic at David Geffen Hall in New York, Jan. 24, 2019. (Caitlin Ochs/The New York Times)
Editorial Members of the chorus wield scissors as a sound effect and dramatic tool as they perform Julia Wolfe's "Fire in my mouth," with the New York Philharmonic at David Geffen Hall in New York, Jan. 24, 2019. (Caitlin Ochs/The New York Times)
Editorial Members of the chorus wield scissors as a sound effect and dramatic tool as they perform Julia Wolfe's "Fire in my mouth," with the New York Philharmonic at David Geffen Hall in New York, Jan. 24, 2019. (Caitlin Ochs/The New York Times)
Editorial Anne Souder as the one-woman Chorus in Graham’s “Cave of the Heart,” at the Joyce Theater in New York, April 18, 2023. (Andrea Mohin/The New York Times)
Editorial Anne Souder as the one-woman Chorus in Graham’s “Cave of the Heart,” at the Joyce Theater in New York, April 18, 2023. (Andrea Mohin/The New York Times)
Editorial Anne Souder as the one-woman Chorus in Graham’s “Cave of the Heart,” at the Joyce Theater in New York, April 18, 2023. (Andrea Mohin/The New York Times)
Editorial Anne Souder as the one-woman Chorus in Graham’s “Cave of the Heart,” at the Joyce Theater in New York, April 18, 2023. (Andrea Mohin/The New York Times)
Editorial Anne Souder as the one-woman Chorus in Graham’s “Cave of the Heart,” at the Joyce Theater in New York, April 18, 2023. (Andrea Mohin/The New York Times)
Editorial A photo provided by Wilfried H?sl of the Bayerische Staatsoper’s production of “War and Peace” in Munich, Germany. (Wilfried H?sl via The New York Times)
Editorial A photo provided by Wilfried H?sl of the Bayerische Staatsoper’s production of “War and Peace” in Munich, Germany. (Wilfried H?sl via The New York Times)
Editorial FILE — The Supreme Court in Washington on Thursday, March 3, 2022. (Kenny Holston/The New York Times)
Editorial Behind the scenes with The Lulworth Players family 'Am Dram' group staging their annual winter 'Mother Goose' Pantomine, Lulworth, Dorset, UK - 03 Feb 2023
Editorial 'Carmen' by English National Opera photocall, London Coliseum, London, UK - 30 Jan 2023
Editorial 'Carmen' by English National Opera photocall, London Coliseum, London, UK - 30 Jan 2023
Editorial 'Carmen' English National Opera, London Coliseum, London, UK - 30 Jan 2023
Editorial The thirty-fifth anniversary of the founding of Hamas in Gaza, Palestine - 15 Dec 2022
Editorial Prima mondiale del musical Los Chicos del Coro El musical al Teatro de La Latina di Madrid
Editorial Robert LuPone in Arthur Miller’s “A View From the Bridge” in New York in 1998. (Sara Krulwich/The New York Times)
Editorial Lucy McCormick as Catherine, wild thing of Wuthering Heights, in Emma Rice’s production at St. Ann’s Warehouse in the Brooklyn borough of New York on Oct. 1, 2022. (Sara Krulwich/The New York Times)
Editorial Russian conscript soldiers watch a tank biathlon at the annual Army International Games near Moscow, Aug. 21, 2022. (Nanna Heitmann/The New York Times)
Editorial Women's March for Reproductive Rights in Washington, DC, United States - 08 Oct 2022
Editorial Phulpati: Seventh day of Dashain, Kathmandu, Bagmati, Nepal - 02 Oct 2022
Editorial Cooks and recipe developers who share their food on social media can ignore it, or at least try to, but the nagging chorus of “recipe?!” is present, and it’s reshaping social content in real time. (Andrea Chronopoulos/The New York Times)
Editorial Robert LuPone in Arthur Miller’s “A View From the Bridge” in New York in 1998. (Sara Krulwich/The New York Times)
Editorial Katie Gregson-Macleod, a 21-year-old Scottish singer-songwriter, in Edinburgh, Scotland on Aug. 23, 2022. (Jaime Molina/The New York Times)
Editorial Japan crown prince at inter-high cultural festival
Editorial Donald Pippin conducts the recording of “La Cage aux Folles” cast album in 1983. (Jim Wilson/The New York Times)
Editorial The New York City Gay Men’s Chorus also sang “Mame” as a special tribute to Angela Lansbury at the 75th annual Tony Awards at Radio City Music Hall in New York, on Sunday, June 12, 2022. (Sara Krulwich/The New York Times)
Editorial Big Jubilee Lunch, Bristol, UK - 05 Jun 2022
Editorial London Original Print Fair photocall at Somerset House, London, UK
Editorial March For Abortion Rights NYC
Editorial March For Abortion Rights NYC
Editorial Roe v. Wade protest, New York, USA - 03 May 2022
Editorial The musical 'A Chorus Line' returns to Barcelona
Editorial The conductor Gustavo Dudamel, left, works with members of the cast and chorus during a rehearsal for a new production of Beethoven’s opera “Fidelio,” in Los Angeles, April 8, 2022. (Michael Tyrone Delaney/The New York Times)
Editorial The South Wales Gay Men's Chorus
Editorial Isaias Hernandez, known on social media as QueerBrownVegan, at his home in Weehawken, N.J., on March 2, 2022. (Shirley Yu/The New York Times)
Editorial A Ukrainian flag hangs above the Metropolitan Opera’s chorus and orchestra, led by the company’s music director, Yannick Nézet-Séguin in New York, Monday, March 14, 2022. (Caitlin Ochs/The New York Times)
Editorial Dance for Ukraine
Editorial President Joe Biden speaks about the upcoming retirement of Justice Stephen Breyer, left, in the Roosevelt Room of the White House in Washington, Jan. 27, 2022. (Sarahbeth Maney/The New York Times)
Editorial Griffin Haddrill, a co-founder of VRTCL, an agency hired by major record labels to make songs go viral on TikTok through remixes, mash-ups, meme-able chorus snippets, creator partnerships and other algorithmic alchemy, at his home in Las Vegas, Jan. 4, 2022. (Saeed Rahbaran/The New York Times)
Editorial 9/11 Remembrance Ceremony
Editorial From left, Ebony Marshall-Oliver, Michael Urie, Devere Rogers, Norm Lewis, Cleo King and Alana Raquel Bowers in Douglas Lyons’s “Chicken & Biscuits,” at Circle in the Square Theater in New York, Sept. 22, 2021. (Sara Krulwich/The New York Times)