EditorialMinister Sergey Lavrov remarks at the opening ceremony of an exhibition of archival photographs dedicated to the 50th anniversary, Russia, Russian Federation - 15 Sep 2023
EditorialA Polish-Ukrainian archival project in Wroclaw, Poland, compares drawings made by Polish children in 1946 with contemporary drawings made by Ukrainian children living through war now. (Maciek Nabrdalik/The New York Times)
EditorialA Polish-Ukrainian archival project in Wroclaw, Poland, compares drawings made by Polish children in 1946 with contemporary drawings made by Ukrainian children living through war now. (Maciek Nabrdalik/The New York Times)
EditorialA Polish-Ukrainian archival project in Wroclaw, Poland, compares drawings made by Polish children in 1946 with contemporary drawings made by Ukrainian children living through war now. (Maciek Nabrdalik/The New York Times)
EditorialA Polish-Ukrainian archival project in Wroclaw, Poland, compares drawings made by Polish children in 1946 with contemporary drawings made by Ukrainian children living through war now. (Maciek Nabrdalik/The New York Times)
EditorialA Polish-Ukrainian archival project in Wroclaw, Poland, compares drawings made by Polish children in 1946 with contemporary drawings made by Ukrainian children living through war now. (Maciek Nabrdalik/The New York Times)
EditorialA Polish-Ukrainian archival project in Wroclaw, Poland, compares drawings made by Polish children in 1946 with contemporary drawings made by Ukrainian children living through war now. (Maciek Nabrdalik/The New York Times)
EditorialA Polish-Ukrainian archival project in Wroclaw, Poland, compares drawings made by Polish children in 1946 with contemporary drawings made by Ukrainian children living through war now. (Maciek Nabrdalik/The New York Times)
EditorialA Polish-Ukrainian archival project in Wroclaw, Poland, compares drawings made by Polish children in 1946 with contemporary drawings made by Ukrainian children living through war now. (Maciek Nabrdalik/The New York Times)
EditorialA Polish-Ukrainian archival project in Wroclaw, Poland, compares drawings made by Polish children in 1946 with contemporary drawings made by Ukrainian children living through war now. (Maciek Nabrdalik/The New York Times)
EditorialAn archival photograph of Harry Bertoia with his sculptures, and at left, a mallet used to activate them, at his family’s barn in Bally, Pa., Jan. 25, 2023. (Aaron Richter/The New York Times)
EditorialAn archival photograph of Harry Bertoia with his sculptures, and at left, a mallet used to activate them, at his family’s barn in Bally, Pa., Jan. 25, 2023. (Aaron Richter/The New York Times)
EditorialThe Ebony test kitchen, which for decades operated in Chicago, on view as part of the exhibition “African/American: Making the Nation’s Table,” at the Africa Center in New York, Feb. 2, 2022. (Timothy Smith/The New York Times)
EditorialThe Ebony test kitchen, which for decades operated in Chicago, on view as part of the exhibition “African/American: Making the Nation’s Table,” at the Africa Center in New York, Feb. 2, 2022. (Timothy Smith/The New York Times)
EditorialThe British designer Tom Pye’s dropped-waist dress for Virginia Woolf, one of the women whose days make up a new opera adaptation of “The Hours,” at the Metropolitan Opera in New York, Nov. 11, 2022. (Winnie Au/The New York Times)
EditorialAlena Koslova examines newly delivered historic diaries at the closed Memorial office in Moscow on Friday, Oct. 28, 2022. (Nanna Heitmann/The New York Times)
EditorialPeople gather archival material from the flood-damaged vault at Appalshop, an arts and cultural organization, in Whitesburg, Ky., July 31, 2022. (Jon Cherry/The New York Times)
EditorialPeople gather archival material from the flood-damaged vault at Appalshop, an arts and cultural organization, in Whitesburg, Ky., July 31, 2022. (Jon Cherry/The New York Times)
EditorialMuddy archival items outside of Appalshop, a media, arts, and education center, in Whitesburg, Ky., July 31, 2022. (Jon Cherry/The New York Times)
EditorialThe first floor entrance to “New York 1962-1964,” a survey of nearly 300 art works and archival objects at the Jewish Museum in Manhattan, July 19, 2022. (Lila Barth/The New York Times)
EditorialArchival images in the rehearsal room for the new version of the opera “Harvey Milk,” about the gay activist and politician who was killed in 1978 by a fellow member of the San Francisco Board of Supervisors, in Webster Groves, Mo., May 13, 2022. (Whitney Curtis/The New York Times)
EditorialBugs Bunny, Daffy Duck and Flintstones voice actor Mel Blanc memorabilia to go under the hammer, including studio microphone and signed animations
EditorialA home designed by the midcentury-modern architect Gregory Ain, restored after it was burnt to the studs in a fire, in the Silver Lake neighborhood of Los Angeles. (Janna Ireland via The New York Times)
EditorialTim Dolan, the founder of Broadway Up Close, holds up an archival image of Times Square while leading a tour group through Midtown Manhattan, June 1, 2021. (Amy Lombard/The New York Times)
EditorialJanet Jacksons school report, personal drawings and childhood toys feature in 1,000-item mega auction celebrating the singers four-decade-long music career
EditorialCamae Ayewa, left, and Rasheedah Phillips, the art duo of Black Quantum Futurism, hold up the wraps — featuring archival images from Arthur Hall’s West African dance school — that will cover their artwork, “Reclamation: Space-Times,” in Philadelphia, April 27, 2021. (Kriston Jae Bethel/The New York Times)
EditorialThe bible of Idan Dershowitz, an Israeli-American scholar at the University of Potsdam, at his home in Somerville, Mass., Feb. 26, 2021. (Amani Willett/The New york Times)
EditorialThe bible of Idan Dershowitz, an Israeli-American scholar at the University of Potsdam, at his home in Somerville, Mass., Feb. 26, 2021. (Amani Willett/The New york Times)
EditorialThe composer Yotam Haber, in front of a work by his wife, the artist Anna Schuleit Haber, in Harrisville, N.H., in Oct. 17, 2020. (Cassandra Klos/The New York Times)