EditorialJustice, a huge puppet created by the Théatre du Soleil, is carried by protesters during a demonstration against the government’s pension reform, in Paris, March 7, 2023. (Elliott Verdier/The New York Times)
Editorial“Plowing in the Nivernais” (1849) by Rosa Bonheur, left, and a portrait of the artist by édouard Louis Dubufe, on display at the Musée d’Orsay in Paris, Oct. 17, 2022. (Elliott Verdier/The New York Times)
EditorialPuppeteers operating the 12-foot-tall puppet Amal, a 9-year-old Syrian refugee on a journey to find her mother, in a performance of “The Walk” in Bray-Dunes, France, Oct. 17, 2021. (Elliott Verdier/The New York Times)
EditorialPuppeteers operating the 12-foot-tall puppet Amal, a 9-year-old Syrian refugee on a journey to find her mother, in a performance of “The Walk” in Bray-Dunes, France, Oct. 17, 2021. (Elliott Verdier/The New York Times)
Editorial“Natures Mortes,” a multidisciplinary exhibition by Anne Imhof, at the Palais de Tokyo in Paris, Oct. 11, 2021. (Elliott Verdier/The New York Times)
EditorialEDS: CREDIT IS MANDATORY -- Rope workers and carpenters deploy the fabric of “L’Arc de Triomphe, Wrapped,” by Christo on the facade of the Arc de Triomphe in Paris, Sept. 12, 2021. MANDATORY CREDIT: (Artists Rights Society (ARS), New York/ADAGP, Paris; Elliott Verdier/The New York Times)
EditorialJulie Delpy, whose new Netflix comedy strives for honesty about being a middle-aged woman, in Paris on Sept. 2, 2021. (Elliott Verdier/The New York Times)
EditorialDancers rehearse in front of CB3, a mirrored building in the La Défense district of Paris on Aug. 7, 2021. (Elliott Verdier/The New York Times)
EditorialDavid Diop, the author of “At Night All Blood Is Black,” at the Luxembourg Gardens in Paris, May 17, 2021. (Elliott Verdier/The New York Times)
EditorialRuth Mackenzie, the Théatre du Chatelet’s artistic director, inside the theater, in Paris on Sept. 10, 2019. (Elliott Verdier/The New York Times)
EditorialRuth Mackenzie, the Théatre du Chatelet’s artistic director, inside the theater, in Paris on Sept. 10, 2019. (Elliott Verdier/The New York Times)
EditorialRoots on a hillside in Auvers-sur-Oise, France, thought to be the inspiration for Van Gogh’s final painting, July 26, 2020. (Elliott Verdier/The New York Times)
EditorialDominique Paul of the Groupe Butard catering company, inside the the Armenonville Pavillion in Paris, on Saturday, March 28, 2020. (Elliott Verdier/The New York Times)