EditorialFrom left: Guy Rhys, Lucie Shorthouse and Samatha Power rehearse ?Rock/Paper/Scissors? at the Lyceum theater in Sheffield, England, June 20, 2022. (Mary Turner/The New York Times)
EditorialFrom left: Guy Rhys, Lucie Shorthouse and Samatha Power rehearse ?Rock/Paper/Scissors? at the Lyceum theater in Sheffield, England, June 20, 2022. (Mary Turner/The New York Times)
EditorialJapan: 'Shelter from the Rain, Encounters on the Road at New Year, No. 6: Actors Ichikawa Kodanji IV, Iwai Kumesaburo III, Bando Hikosaburo IV'. Part of triptych print by Utagawa Kunisada I (1786-1865), 1855
EditorialTyler Fauntleroy, left, and W. Tr? Davis in a scene from the second part of ?Tambo and Bones,? which is described as a ?hip-hop triptych,? at Playwrights Horizons in New York, Jan. 18, 2022. (Sara Krulwich/The New York Times)
EditorialA visitor takes in “Go,” a stained glass triptych by Kehinde Wiley at the Moynihan Train Hall, in New York on Jan. 9, 2021. (Bryan Derballa/The New York Times)
EditorialA detail of Kehinde Wiley’s backlit, hand-painted, stained-glass triptych called “Go," on display inside the Moynihan Train Hall in New York, Dec. 27, 2020. (Andrew Moore/The New York Times)