EditorialFrom left, Nick Cave’s “Soundsuit 9:29,” (2021-2022); “Soundsuit 9:29,” (2021); “Soundsuit,” (2021); “Tondo,” (2022), “Soundsuit,” (2012); “Soundsuit,” (2013); and “Soundsuit 8:46,” (2021-2022) on view at the Guggenheim Museum in New York, Nov. 17, 2022. (Jeenah Moon/The New York Times)