EditorialA sheath from the “La Chimère” collection, 1997-1998, at “Thierry Mugler: Couturissime” at the Brooklyn Museum, Nov. 12, 2022. (Lila Barth/The New York Times)
EditorialElisa D’Arrigo’s “Pink Sheath,” left, and “Sidestepper,” part of the exhibit “Shapes From Out of Nowhere: Ceramics From the Robert A. Ellison Jr. Collection,” at the Metropolitan Museum of Art in New York, June 7, 2021. (Eric Helgas/The New York Times)