EditorialAlidu Alhassan of the National Dance Company of Ghana rehearses for the DanceAfrica festival, at the Brooklyn Academy of Music in New York on May 19, 2023. (Nate Palmer/The New York Times)
EditorialAlidu Alhassan of the National Dance Company of Ghana rehearses for the DanceAfrica festival, at the Brooklyn Academy of Music in New York on May 19, 2023. (Nate Palmer/The New York Times)
EditorialAlidu Alhassan of the National Dance Company of Ghana rehearses for the DanceAfrica festival, at the Brooklyn Academy of Music in New York on May 19, 2023. (Nate Palmer/The New York Times)
EditorialAlidu Alhassan of the National Dance Company of Ghana rehearses for the DanceAfrica festival, at the Brooklyn Academy of Music in New York on May 19, 2023. (Nate Palmer/The New York Times)
EditorialAnt?nio de Paz, second from right, lines up with other fans as they wait to enter the stadium in Santos, Brazil, to pay their respects to the soccer icon Pelé on Monday, Jan. 2, 2022. (Dado Galdieri/The New York Times)
Editorial A sacristy box ?reputedly? used by a priest at New York?s St. Patrick?s Cathedral to administer last rites to Babe Ruth in 1948, in the collection of the Baseball Reliquary, Institute for Baseball Studies, in Whittier, Calif., July 11, 2022. (Morgan Lieberman/The New York Times)
EditorialKimiko Russell-Halterman punches through a wave during the Black Sand Peace Paddle in Manhattan Beach, Calif., on Sunday, Feb. 21, 2021. Russell-Halterman, who is Black, Japanese and white, is among a growing number of Black and mixed-race female surfers who are finding community thanks to their shared reverence for the ocean. (Gabriella Angotti-Jones/The New York Times)
EditorialAn exhibit at the Intel Museum that highlights a company maxim that became a burden, in Santa Clara, Calif. on Jan. 28, 2020. (Cayce Clifford/The New York Times)
EditorialAn exhibit at the Intel Museum that highlights a company maxim that became a burden, in Santa Clara, Calif. on Jan. 28, 2019. (Cayce Clifford/The New York Times)