EditorialThe chandelier in “Phantom” is emblematic of the mega-musicals that emerged in the same period, our critic writes: the “Miss Saigon” helicopter, the “Les Miz” revolve, the absolute commitment to spectacle. (Sara Krulwich/The New York Times)
EditorialSigns and a makeshift memorial at a vigil in Albuqurque, N.M., for the cinematographer Halyna Hutchins, who died on set of the movie ?Rust,? Oct. 23, 2021. (Sharon Chischilly/The New York Times)
EditorialIsabel Galán consoles her oldest son, Christopher, in the Bronx on March 11, 2021, who she said will sometimes cry without warning. (Desiree Rios/The New York Times)
EditorialRosario Carrera, left, and Andrea Encalada, community leaders of Ciudad Bicentenario, chat in a courtyard of their housing complex, in Quito, Ecuador, Feb. 1, 2021. (Johis Alarcón/The New York Times)